Shane Kennedy, DJ and musician

New Times music editor Martin Cizmar certainly proved his mastery of reverse psychology, in speculating that Phoenix's downtown music scene was "ovah." By doing so, he created a rallying cry for the community he was dismissing, and it lit a fire under our asses. The hubbub arose from Kimber Lanning's announcement that she was turning over Modified Arts (the business, not the building) to husband-and-wife team Adam Murray and Kim Larkin. While the downtown music community prized Modified as a live-music spot, it seems the reality was the revenue that actually kept Modified afloat came from the art hanging on the walls. Oh, yeah, Modified Arts!

We in the music community often ignored the fact that Modified Arts was, indeed, also a gallery. Modified Arts is going to be transformed into primarily a visual arts gallery, with some great but "different" music. I keep going back to the idea of an Italian restaurant closing, and a month later, a great Mexican restaurant opens in its place. Some of the old customers go there and have dinner and complain about what lousy Italian food it is. Well, the new Modified Arts, I anticipate, is gonna be great, just different.

Music editor Martin Cizmar wearing an "ovah" shirt (identity obscured for security reasons).
Jonathan McNamara
Music editor Martin Cizmar wearing an "ovah" shirt (identity obscured for security reasons).

The new owners give me hope: Kim's background is in the arts, and that is her passion. I've met her; she's great. Adam is an audio engineer. I've met him; he's great. They've made a point to reach out and get to know people they view as being vital to continue the presentation of high-quality art at Modified Arts. They ask questions, they take names, they follow through, and they are committed to keeping the high standards that Kimber set in motion when she took over the space over 10 years ago. Am I saddened about the loss of Modified Arts, the venue with some great art on the wall? Sure, but the sadness is balanced out by the excitement of possibilities.

Indie-rock shows will find a new home, and I do hope they find a better one, and that someone with some money opens up a great little rock club, as opposed to what Modified was. Our standards in Phoenix have been systematically lowered over the years, to the point where we thought Modified was an awesome music venue. It wasn't. It was a room with a P.A. that had great people involved with it.

I congratulate Martin on getting us talking. It spawned a lot of conversation, and that conversation has brought forth action, and brought quite a few people together to get to work on some exciting projects. Downtown "ovah"? Nah, we're just getting started. I choose to believe that Martin knew what he was doing all along.

Shane Kennedy is a local DJ with regular gigs at Bikini Lounge and the Roosevelt. He is a member of several notable bands including Turn Back O Man and TOWNCRAFT. He is a longtime downtown resident trying desperately to enjoy every last crumb of his 30s. He can be found at

Stephen Chilton, promoter

There is a real and profound cultural phenomenon developing in downtown Phoenix.

When I started promoting events downtown almost a decade ago, it felt like we were able to do things downtown and get away with it because no one else was playing attention. Bands that could not get booked in the larger venues in Tempe and Scottsdale were able to come to and play small spaces and develop because no one else was looking. This is what enabled a lot of people the freedom to do something interesting and new, and I can remember many of the national acts that are selling out large venues in the suburbs today playing to intimate crowds downtown years earlier.

Whether it is avant-garde theater or independent film or visual arts or fine culinary dining or designing new green architecture, the creative people are working and living downtown. With all these hard-working creative people converging in one area, it is only a matter of time before we hit a critical mass. The people who will create the works that define our city in the next decade are in a large part doing it from downtown.

Today, it feels as though not only are people looking at what is going on, they are also appreciating it and, more than ever, starting to support it. Phoenix Mayor Phil Gordon has been known to tweet about local bands that would never make the radar of his peers in other Valley cities. With all the increased support and appreciation given to the creative communities downtown we are just now starting to see the real economic investment in the infrastructure, like venues, that will allow creative people the room to grow to the next level.

Stephen Chilton, 26, is an Arizona native, downtown resident, and community activist who has spent the past nine years producing events across the state as Psyko Steve Presents.

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melted cassettes
melted cassettes

"@meltedcassettes Re: Your long boring comment on my story. You were not the band I heard about. I assure you no one knows/cares you exist."

hahahaha! more elitism dribble spewing outta your fat-fucking face i especially like the last line you plastic piece of shit. you really make yourself look like a shithead.

none of you and your fake asshole scene-friends know about us, that's for damn sure- and thhat's a good thing.and its good to know other bands realize you're a piece of garbage, and are vocalizing it, please go choke on a donut and/or have a heart attack you bag of living waste.

melted cassettes
melted cassettes

just a slight correction, martin.

this band you mentioned that said "fuck martin cizmar" (if this the cenpho show i believe you're referring to) was not saying it in the context of a phx vs tempe turf-war, as the members of said band live in different parts of the valley, and also realize that other great venues such as the firehouse and the trunkspace are in the same neighborhood, and will naturally/eventually absorb all the good music that passed through modified arts. they are also aware that the major population of the entire valley is extremely transient, and kids will come and go, college, etc.. tempe kids will go to some phx shows, phx kids will go to tempe shows- aside from maps/taxes/signs, it's all one big valley, with a half-decent lightrail running through it all.

they said "fuck martin cizmar" not because of your recent article and/or goddamn t-shirt. they said it because you're a shitty journalist. because you write about garbage. because you write about really, really bad music all the time. because you write so sweetly about elitist scene-bands with $$ pouring out of their asses while dishing out bad reviews to bands you consider to be shocking, edgy or too aggressive without even ever trying to understand their intentions, or just ignoring anything new and interesting or original growing in our own backyard, so then you'll go write about U2, and actually tell people not to go to their show in your article. because you're one of the people that keeps the local music scene from evolving into something much greater. because you lack objectivity in crucial situations. but definitely don't think its because of your latest scheme, or because you think said band wants a new times article good or bad (as said band gets enough radio/label/release/tour attention to wipe said asses with any article written by you) and definitely not because of your imaginary scene-status points, as said band cares only about good music and art that has heart and presents something meaningful and unique and not about who you know or which hip locations you frequent. its because they want you to go somewhere else, some other far away land and print your generic dribble there, away from here, so we can let strange, unique and sometimes offensive (oh no!) artists flourish in the arizona soil without people like you poisoning their roots.

we are said band, and we are tired of it. we are arizona natives. we're tired of elitist scum-leeches sucking the life out of potential artistic endeavors here in the valley of the sun as well as stifling their growth with their often overly-cynical and narrow-minded opinions on music.

so go ahead, respond or don't. blast us for our supposed 'negativity' or bad grammer. deny everything that was just stated and try to twist it around, and perhaps even talk about it in one of your next articles, as it wouldnt surprise us based on your lack of aesthetic-awareness. tell your friends not to support us, some of them might even already dislike us. tell them we're jerks, because you'd probably be right. tell them we'll go nowhere, please. maybe you'll even find something more personal about us, and assume we have any sense of shame or embarrassment. confront us, personally, its not hard to find us. you can pretty much try to take us apart anyway you want to, but it won't matter, simply because we are just a tiny little particle in a large collective of other particles of true artistic expression/social evolution that will thrive and grow beyond the clutches of pretentiousness and elitism.

-melted cassettes


Well said, Courtney.

Cizmar is right about one thing. Ideally, a venue the size of modified (or even slightly larger) from which the indie-rock flag could be flown downtown would be good.

But the lack of it isn't quite the harbinger of doom it's being made out to be.

Cizmar's gently depressing "dewey defeats truman" columns notwithstanding.


Your responses have said it all, guys.

I feel a responsibility as a Phoenician to stand up for my town, and as a journalist to write what I have seen: I like how the only thing this article has done is show the passion and support that people have for Downtown Phoenix and its music.

I am a Phoenix native and Downtown resident, who has seen and heard NOTHING (until Martin Cizmar's comment) that points to the comment that "Downtown is Ovah."

I am surrounded by Downtown Phoenix lovers, livers, and music enthusiasts who elicit and contribute to it's growth.This includes: eating locally, drinking locally, playing in local bands/venues, and attending local concerts.

Also, a simple search online, vacation, or "speaks" with someone from out-of-town will show the national commentary that points to the growth and positive opinion of Downtown Phoenix.

Time will tell.. and we won't be wrong.



Last Saturday, I had the pleasure of attending Crossing 32nd Street's "Music of John Cage" @ the Phoenix Urban Research Laboratory (PURL). The concert was no dry litany of a dead composer's work. Instead, x32st beautifully captured both the playfulness & urgency of Cage. Despite little fanfare and a hard-to-find venue (the concert is on the 8th floor? really?), approx 100 people were in attendance.

What's that got to do with downtown being supposedly allegedly "ovah", you ask? I'm glad you asked that question.

Historical references to The Refreshments or Trunk Federation can be countered with references to the Sun City Girls or Life Garden.

The point being: in the 20-odd years I've been kicking around this dusty town, there's typically been this ebb and flow in phx. The mainstream (or "indie-rock", as the kids call it) gives way to the more experimental (or quote-unquote "different", as the shanes call it) and back again.

Whereas Tempe has been more like a reliable car or comfortable pair of loafers. And I mean that in the best way possible.

Venues come and go but the music plays on. We can quibble about the definition of music I suppose, but it may be more productive to focus on what's there versus what isn't anymore.

Like, duh.

By the way, I'd love to see a "New Times is Ovah!" t-shirt complete with Cizmar's pixelated mug on it. We can decide whether or not it's ironic later.

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