By New Times
By Connor Radnovich
By Robrt L. Pela and Amy Silverman
By Ray Stern
By Keegan Hamilton
By Matthew Hendley
By Monica Alonzo
By Monica Alonzo
The story (as told by Rick Orr himself) goes that, while Orr was scrounging around, trying to make a living picking in a post-eBay world, he was approached by a couple of college kids who wanted to make a movie about his life. Orr declined, but the film students kept after him until he finally relented. On one condition: He'd do all the filming himself. The young men agreed and, a few months later, Orr returned their camera and the several "rolls of film" from which Picking for Picasso was culled.
The direct-to-DVD film, in which Orr is the only person seen, is riveting in a serene, sluggish way. Orr chats amiably about picking while driving around town in search of treasure. He looks straight into the camera that's wedged onto the dashboard of his van and reminisces about his glory days: the time he found a stack of rare Helmut Newton photos; the 350-year-old Francesco Ruschi painting he bought from a slum in Glendale and sold for six figures to a museum in Italy. We watch him broker a deal for a small, unimportant painting, purchase a William Saltzman canvas at an auction, drive past his recently foreclosed house in Scottsdale. ("I came home last week, and they'd changed the locks," he tells the camera. "There was a note on the door from the sheriff telling me not to go in.") There are lots of shots of Arizona desert rolling past his van window; stark footage of jumbled junk shop interiors; an endless parade of Orr's many head rags.
"If this movie sucks you in," says Steve Stoops, owner of Stevens Fine Art in Phoenix, "it's because Rick's depression is so contagious." Stoops, who's known Orr for 15 years, recently showed the movie to houseguests who have no interest in art or antiques. "And they were spellbound, because it's a movie about a world most people don't even know exists. It's a captivating story."
It's also a vaguely disingenuous one. The one-sided phone conversations — a testy one with a client who owes Orr money; an emotional one with his daughter, who's too busy to see him — seem staged and stilted, and some of the speeches about waiting for that big find seem rehearsed. The film commences with Orr telling the story of that first Picasso, and ends with him, on his way to check out a storage unit full of junk, running out of gas. He walks the rest of the way to the appointment, and the film wraps up with a montage of newspaper headlines (e.g., "Man Finds Lost Picasso for the Second Time") suggesting that, among the pots and pans and other ephemera in that storage unit, Orr discovered — and bought — the very same Picasso painting that breathed life into his career.
But a little quick digging on the Internet (that 21st-century scourge of the picker) turns up absolutely no evidence of such a news story, a story that would certainly have merited a column inch or two. And, of course, there's the obvious question: If Orr actually did again find and resell the painting he calls Three Wise Men, why is he presently living in a mobile-home park?
Orr caves in immediately when asked about the veracity of his biopic. "I never meant for the movie to be taken as completely autobiographical," he says. "That's why I never say my name in the film. It's more a movie about a guy very much like me, but with a more hopeful ending to his story."
Okay. What about the college kids who made the film? "That part's made up, too," Orr confesses. "I shot it with my own camera, and I hired a guy off Craigslist to edit it for me."
All this truth-bending might make one wonder just exactly how much of Rick Orr's life story is invented, if it weren't that he's so forthright about being a loser.
"Why the hell would anyone make up a story about a guy who's spent his life doing nothing but driving around," he asks, "pawing through other people's junk?"
Rick Orr has been driving around pawing through other people's junk all day long. All he's come up with today is a pair of small seascapes by the German painter Otto Nautschmann, for which he paid $35 at a yard sale. "I'll probably get $100 for them," he says. "It's not big money, but it's something. It keeps me motivated, keeps me hopeful that there's still something left out there."
Orr makes one last stop at a downtown thrift. The owner greets him at the door with a hug. While they chat, Orr circles the store, touching canvases as if the texture of their dried paint can tell him about their value. His phone rings, and he excuses himself to talk to a client.
The client is calling to say she has cancer. She's recently purchased a piece of Paolo Venini glass for $12,000 and is trying to sell it to help pay her medical bills. She'll take $6,000 for the piece, which is among her favorites. Orr tells her he's sorry. He calls her "Hon." He says that not only is her piece of glass only worth a couple grand in today's market, but he thinks she should sell it for whatever she can get. Her health, he reminds her, is more important than Italian glass.
Read this story when it first came out. He better speed up the production of his film because tonight I saw a commercial on one of the cable stations for a new show about "pickers." On the History Channel I believe. It's called "American Pickers."
Looks like his "Pablo 15 minutes of fame" has already been given to someone else.
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I would be remissed if I did not tell Rick Orr that his film would be totally enjoyed by Himself, Dennis Hopper, a man made clean and sober by his dad, Owen Orr, as indeed his Dad did tell me the story.
I was living with Owen at an apartment house he was manager of for and owned by the Directors Guild of America behind their Sunset Blvd headquarters. Owen burst in on me one afternoon and said, "Come on, I need you to ride shotgun." I got off the bed, threw some water on my face and said, "Wha ?"...He explained that some East El Aye punks had broken into Dennis Hoppers agent/managers Mercedes and snatched his briefcase with four signed, sealed and delivered movie deals. We drove down the Strip to the agent/managers office and were delivered right in where set a discolate Dennis Hopper and his main man. The deal was that we were to go down to the Watts neigborhood corner the banditos had directed him to and he was to pass a grand ($1000) and get the briefcase back.
We drove down in Owens puke smelling Cadillac to the corner and parked across the street from the drop zone. There was a gang of , what did we call them, Niggers hanging there and we were like standing out like white narcs at a bust about to happen.I pointed out to Owen that their were eight of them and only two of us and we didnt have even a tire iron to confront them with if the deal went wrong...The agent/manager pulled up, took down his right side window and we saw him and the nigger pass an envelope and the briefcase...the deal was done as the agent/manager checked to see the papers were there. Whew ! We drove back to Hollywood wondering what ta fuck we would have done if the niggers had jumped the agent/manager, took the dough and closed the show. We'll never know as it all turned out just fine. One can only wonder how dem black boys knew that them papers was worth a grand ?
We could go on and on as our adventures with Owen Orr continued, Ricks father was a never ending source of wonderment to all of us who knew him well, and didnt...You could look into his burning Irish eyes and see hell didnt have a chance and he did indeed teach us all how to dance beyond the demons rums trance....Blessed are the Owens who would take us to a place we could not get to without them....
Yeah, Rick Orr is a pure picker, seeking treasures in other peoples recycled treasures. I too am a picker, I pick among obscure books and newspapers to hopefully find a gem or two that can be recycled in my memoirs. In ,"Chasing Pablo: For Old School Art Pickers, the Thrill is Fading...and so's the Payoff", I was gifted with finding the son of one of the most towering people in my life, his father, Owen Orr, aka, Greg Benedict, the actor. Thank you Robert Pela for bringing my ole pals son to our attention and consideration.
Owen Orr was indeed a towering figure in my high school days in Riverside , California. At 6'4" and with a face that could have been chisled by Michaelanglo,the story on his arrival was as a Bad Assed Mick that could lick any bully that dare bugged his Buddies. He was Old World Irish it was said, a fighter and an actor who would not only drink you under the table but then karate chop the table down on top of you. He came in from out of the blue, or was it the emerald isle, became the Pal of my Pals, Gordon Whitmer and Stephen Dale Squires and the other rowdy boy's of 1950's Riverside.
On graduation he disappeared into Hollywoodland and would come back with tales of the starlets he had fucked and the stars he was shucking and jiving with. It was pure Irish bullshite and we knew it, but, later we learned that it was all true and that he was running with the Brat Pack that included, Dennis Hopper, Peter Fonda, Troy Donahue, Dean Stockwell and a host of others with tabloid names and fame.Although he did not become a leading man in the movies, he became more a leading man in life, lifting countless alcoholic drunks from the gutters of El Aye and leading them back into a productive life. Those drunks included the aforementioned, Dennis Hopper, Troy Donahue, Dean Stockwell who would tell you to this day that Owen Orr was their savior when they hit the bottom and he was the only one with the way up out of the shitholes they were wallowing in when it was cool to be a drunk punk puking on your best Buds girlfriends floor.
The day they kicked me out of Betty Fords for passing funny paper (nsf check) on the former First Lady, it was Owen who rode out on his big bad Kawasaki and drove me at 80 miles per hour through rush hour traffic on the Ventura and San Diego Freeways to my first AA meeting in El Aye, the Beverly Hill Stag. I had never seen so many badd assed dudes in my life as was assembled in that room that day. Owen plunked me down in a seat on the first row and went over to the leader of the meeting, said something to him and pointed at me. Opps, I knew I was in for something an sure enough the leader introduced me first after the serenity prayer and I had to get up , go to the mic and announce that my name was Bob and I am an alcoholic and was bounced that morning from Betty Fords when my deposit check to the former First Lady had indeed bounced. The applause and gaffaws was thunderous as the 200 plus drunks in the room related to my fuck up. If I'd of had a tail it was between my legs as I returned to the seat in the front row.There was a guy standing in what would be considered the stage door who looked familuar, Jeez, it was Troy Donahue headed then right to me with open arms. He gave me a great bear hug and said, "Keep comming back, you'll get it." God bless, with Owens winds in my sales, I got it and stayed sober with him as my mentor, guide and best Bud for the next several years.
There is much I could tell Rick Orr about his Dad, the days up in Aspen when he tended bar at the Motherlode, the restaurant our pal, Gordon Whitmer ran for some 30 odd years. How Owen after getting sober told Gordon that he had tapped the till and owed he figured eight grand to The Lode. He paid it off and at his wedding at the Riverea Country Club we all came together to praise our high school Buddy and wish him well in his days ahead. And , he had many a fine day that followed him.
So Rick and Robert, thanks for the memorys, they will be indeed included in my memoirs of a life in music, art, entertainment and hospitality. To be Orr, Orr not to be, that is a good question
Robert W. Gatelyrwgately@yahoo.com(520) 424-8658
Great movie, I bought a copy off of pickingforpicasso.com and really enjoyed this man's story. I wish there were more films like this.
While everyone would love to make that great find, there is always somebody else on the other side of that find who was just ripped-off. Pickers are preying on the uninformed.
The film from this story PICKING FOR PICASSO will screen this Saturday,December 5 at Space 55, 636 East Pierce,Phoenix AZ 85004 at 7 pm (doors at 6:45)with tickets at $6.00.
Very surprised it wasn't mentioned in the article, but you can get more info at http://www.nofestivalrquired.w...