By Melissa Fossum
By Lauren Wise
By New Times
By Amanda Savage
By Jason P. Woodbury
By Troy Farah
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For Graymaker, Grayskul teamed up with burgeoning Chicago hip-hop producer Maker, who not only shifted their writing style but helped give the album a nostalgic feel. The samples and beats sound nothing like what's being created in Seattle, and that's what makes it stand out.
"Of the albums we've done in the past, we've never had a whole project that's straight-ahead hip-hop," says rapper Onry Ozzborn, Grayskul's other half. "People always say our stuff is dark, weird, bugged-out, but I think this one will catch people by surprise. [Maker's] beats in general made us write different. He uses more breakbeats, slower BPMs — so you'll be able to hear that."
On their DANGERDOOM albums, producer Danger Mouse and similarly gloomy rapper MF Doom mashed their styles together in a sonic blend, and JFK and Ozzborn think Graymaker has the potential to be heard the same way. You'll hear movie clips as song intros, and the tune "In the Know" starts with a sample of Bob Marley's "No More Trouble." That's a world away from the Oldominion sound the two started with back in 2004.
On Graymaker, the lyrical wordplay is noticeably heightened. It's not overly happy, though the overall feel is less emo than that of Grayskul's past work.
"Some of our music can isolate fans," JFK admits. "[But] the type of criticism we get for the music that we make really wasn't for those type of people to be listening to in the first place. On all of our albums, we give our fans something new, but I think in general people should be able to feel this more, because it's more grounded and we're showing you who we really are."