The Oak Ridge Boys

Comments (0) By Becky Bartkowski Thursday, Feb 18 2010

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The Oak Ridge Boys took their name from a small Tennessee town best known as a base for the Manhattan Project. What started as a gospel quartet evolved into a Grammy award-winning pop country sensation that rode the pop culture wave of southern accents that briefly dominated the terrestrial radio waves in the 1970s. Listen to “Bobbie Sue,” a disco-influenced honky-tonk romp complete with a vocal riff from baritone and embodiment of the mountain man aesthetic William Lee Golden. It’s bizarre to think that this music that once capture the attention of a nation would have virtually no shot at a number one spot on the Billboard country singles charts, let alone the pop charts, in 2010. The biggest chance at gaining popularity now would be on the backs of irony-seeking 20-somethings. Take, for instance, the unabashed love of facial hair, from waist-length beards to bushy ‘staches, that the Oak Ridge Boys have, or the fact that they covered “Seven Nation Army” on their latest record, 2009’s The Boys Are Back. The relative success of that record says you’ve got a near perfect recipe for a hipster-based country gospel resurgence. The thing about those irony seekers is that, deep down they actually like whatever supposedly unhip hilarity they’re tweeting about this week. And that’s the thing: No matter how many goofy cracks can be made about The Oak Ridge Boys, ultimately they’re a band that recorded with Johnny Cash, and counted the Eagles, Alabama and Charlie Daniels as peers. They’ve produced a catalog worth a listen, all irony aside.
Mon., Feb. 22, 4 & 7 p.m., 2010