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Why Bob Corritore Is Phoenix's Bluesman

There's no hesitation in the voice of Bob Corritore. The owner of The Rhythm Room, disc jockey behind Sunday night's blues program on KJZZ, and renowned harmonica player/producer/impresario fires off an answer to the question I was certain would stump him.

Bob Corritore: Harmonica man and venue owner.
Bob Corritore: Harmonica man and venue owner.

What's your all-time favorite record?

"The very first record I bought, Muddy Waters' Sail On, remains my favorite," Corritore says in a drawl KJZZ listeners may know well. "From that, I just expanded. You can go into Texas blues, like Lightnin' Hopkins; the more urban blues, like BB King, Big Mama Thornton; go back in time to Robert Johnson; go off into the early soul music; and the great new releases that keep this music alive. I love all these recordings, but I will always love that Muddy Waters record on Chess — it was the awakening."

Corritore celebrates the release of his new record, Harmonica Blues on Delta Groove Records, with a show this week. The album is a compilation created by plundering over 20 years of his personal recording archives, including performances by many of Corritore's longtime associates, people like Louisiana Red, Chief Schabuttie Gilliame, Big Pete Pearson, and the late Chico Chism, as well as artists Corritore has long admired from a distance, such as Little Milton, Eddy Clearwater, Koko Taylor, and Honeyboy Edwards. In many ways, it's a representation of Corritore's story, a curious mix of old-time Chicago blues and the energy he got in moving to Phoenix 29 years ago.

"I guess early on, early on in my life, I realized the value of recording. It's such a sacred thing, to put music into a form that can live forever," Corritore says. "When The Rhythm Room opened up, in 1991, I found myself in the wonderful position of having a great house band, The Rhythm Room All-Stars, which at that time had my longtime friend and musical partner Chico Chism and other great Phoenix-based players like Johnny Rapp, and Paul Thomas . . . I've always loved the old-school blues, and when some of the blues greats would stop in on their tours — on the way to California or back from California — I was not only able to offer them a gig at the Rhythm Room, I could also offer them some studio work. We'd do these little three- or four-song sessions, and within each of these sessions was one or two nuggets of gold — something that would just happen, and it would be gold. The album Harmonica Blues is a collection of that gold."

"I moved to Phoenix in 1981. I came to Phoenix for what I thought would be one year. I left Chicago and came out to see my brother. I was between jobs and just wanted to enjoy the warm desert climate. And before I knew it, the Chicago blues just followed me," Corritore says. His longtime pal Louisiana Red soon joined him in the desert.

"He had a friend here, Eunice Davis, and he said, 'I'm thinking about coming out; let's get some gigs.' And a week and a half later he was here. About week after that, I got a call from Eunice — and she said, 'Bob, you better come pick up Red. I kicked him out.' So I go to Eunice's house, and there's Red on the porch, and next thing you know, I have a new roommate — which was the best experience of my life. We became like family. We played music together everyday."

It wasn't long before another Chicago pal joined him in Phoenix: Chico Chism, whose résumé as a drummer includes work with Howlin' Wolf, Sonny Boy Williamson, Muddy Waters, B.B. King, Albert King, Bo Diddley, and Willie Dixon. "Chico [who died in 2007] was the blues, and he fell in love with Phoenix, and Phoenix fell in love with him. When people saw Chico, they saw this wonderful animated character, filled with this old-school blues charm. And oftentimes in the blues nowadays, the thing I worry about . . . So many of the characters of the blues, with that personality, are gone. Without that, it's just not the same."

The Chicago transplants immersed themselves in the local flavor: "There were some cool players here. I loved Bill Tarsha's harmonica playing. Small Paul was a great R&B singer. I was really knocked out by Tommy Dukes and a guy called Chief Schabuttie Gilliame, Midnight Blues, Hans Olson — all of these players were part of the Phoenix blues scene when I first came. I stopped by the RJ showcase, at 16th Street and the river bottom — got to see Little Milton, Bobby Blue Bland. So, really, Phoenix was pretty cool and developing."

Corritore found himself in the unique position to impart what he'd learned growing up in the Chicago blues scene to the Valley scene. After being invited to spin records on noted Phoenix music historian John "Johnny D" Dixon's program on KSTM 107 FM, Corritore found himself wanting to do his own radio program. He approached the program director at KMCR, which later changed its call letters to the familiar KJZZ, which airs original programming during the evening and serves as Phoenix's NPR news station during the day.

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  • Lludik85018 01/03/2012 8:39:00 PM

    if i am not mistaken the documentary is an assignment done by a student. it has nothing to do with any "taxpayer funded" program. take your blinders off dude!

  • Earthdayaz 12/13/2011 5:59:00 AM

    ASU presents a Bob Corritore documentary tomorrow! Daniel Liquori has headed a team of Arizona State University students who have created a documentary film on the subject of Bob Corritore. The film is titled The Journey of A Phoenix Bluesman, and.will be aired for the first time Wednesday, December 14th.at the Walter Cronkite School of Journalism building at ASU's Phoenix campus. The address is 555 N. Central Ave., Phoenix, AZ 85004. The documentary starts 8:30pm at the First Amendment forum which is on the song floor of the building. The showing is open to the public and admission is free! I'm guessing the information passed on in these comments will not be part of the documentary. More taxpayer funded promos for Bob I guess. What a "self-made" bluesman.

  • Loose Cannons Blues Band 11/30/2011 10:09:00 PM

    Hey rcurrie89, glad you found time to post a comment, useless though it was. Fact is, I type over 80 words a minute and these comments were posted over 10 months ago. Took me about 10 minutes. Though, not such a waste of time. If you go on KJZZ on Sunday nights Bob will not be promoting his club any more during his time slot. KJZZ does run a blues bulletin board and Bob's club's acts do get mention during that time, but I shut down his free access to taxpayer funds for his advertising budget. That's saying a lot since he was likely received over $2 mil in such "in-kind" promotion of his club during these last many years. Just think if Warsaw Wallys would have had that assistance from the taxpayers - That company which had a great history in this town might still be in business. In fact, the owner of that club was always quite upset with the financial windfall Bob got from the taxpayers of Maricopa County. Yes, I'm a performer and have been for as long as Bob has been performing in Arizona. Yet, I don't get any write ups - not even when promised by the author of this blog. So, you must be a liberal and not concerned about the waste of over $2,000,000.00 in taxpayer funds to the detriment of the blues community in the Phoenix area. So sad to see a mind go to waste.

  • 11/23/2011 1:18:00 AM

    Wow, what a bunch of paranoid, jealous freaks! Oh wait, not a bunch, only 3 or 4. Earthdayaz, loosecannonsbluesband, Real Blues Fan, and (the vaguely familiar) Another Blues Fan. You are obviously not doing much for the scene, you are too busy policing and ranting about one guy! Ever thought about using all that time in a positive way? loosecannonsbluesband, you are a local blues band, correct? What a shitty way to spend your time. Or perhaps you are more talented at typing than performing. I am sorry I stumbled onto these comments, now. I hope you all can find peace in yourselves and with one another.

  • Loosecannonsbluesband 07/26/2011 4:22:00 PM

    No other writer for the New Times complains about or "dares" people to put their real names on their comments in responses to blogs. NONE! You say you are not a "scenster" but an "Imbedded Reporter" - bull. This article proves you write whatever is popular and attack those who would have you report the REAL NEWS. Martin you are a NEWS DOUCHE!

  • Earthdayaz 01/10/2011 9:56:00 PM

    DEAD AIR BOB I noticed that the author failed to mention Bob's nickname at KJZZ. It is a certainty that 2 or 3 times in each show, KJZZ listeners will experience at least a full minute of dead air. I'm not sure what Bob is doing but during that time of no music, no talking, no nothing, KJZZ is losing listeners by the 100s. So, in addition to utlizing the taxpayer's monies to subsidize his club and private for-profit enterprises, not playing hardly ANY local bands music on his show, and only playing blues once or twice a week at his club - he gets thousands of blues fans to turn to another station during his show at least twice each Sunday. That's why we call him Dead Air Bob. At least it's amusing to know that Bob's still blazing a blunt during his show.

  • Loosecannonsbluesband 11/24/2010 5:37:00 PM

    The essential part of the music style we call Blues comes from the process of grieving and healing through singing and making music. Being comfortable around people enough to express sorrow and pain through crying and other emotional expression is the essence of community. That level of comfort required for a human to express their emotions, and thus heal grief and pain, is actually quite low. All it requires is a small touch of the type of love that is shared in a community. To show how powerful love is, it can manifest itself even in a small club, among strangers gathered together with a common purpose, to listen to a performer. Given just a small expression of the sentiment expressed by a blues performer of “Hey, it’s okay, see, I’m feeling and expressing the pain too.” Through lyrics that are ancient “I lost my woman” “She or he kicked me out” or even funny “Your husband has be cheating on us”, we look at each other and realize it’s okay, we’re a community – we can heal and not be embarrassed. That’s what the blues are. Giving members of a community the permission to heal themselves emotionally through the simple expression of music. That’s what’s important to know about the blues. It’s not about who makes the most recordings, who sells the most alcohol, making money, being technically proficient – it’s about people, being brought together in their emotional outlook so that they have the permission to heal themselves, together. For every one of the blues recording artists, including Bob and the artists he presents in his club, we like to listen to, there are 1,000s of blues musicians and singers in this community and all over this country helping people with their healing from grief, anger, loss, and even hunger (witness the recent benefits last weekend for the area food banks). I personally know 4 true bluesmen, most of whom are in their 70s, who live life and community and understand the true role of blues music. It's not a thing to exploit and use - it's a thing to help others with. When we try to exploit it we kill the very thing that this music style was created to do - heal people of negative emotions caused by slavery and other opressing conditions imposed on them by others. That’s the true meaning of the Blues. In all this discussion about who controls the major channels of marketing and promotion of blues music in the Phoenix area through the taxpayer funded KJZZ radio station’s use of our public airwaves and what we feel they should do with that power, let’s hope that Bob and Jason and Martin realize this one truth. The Blues is about increasing the ability of our community to feel and give love by assisting people to express their emotions and thereby shed the feelings of grief, anger and humiliation which impact all our lives. These emotions cause confusion about what we really are as human beings on this planet – beings that exist and thrive together in community. Hopefully they will join us in building our community here after they’ve gotten all they think they need from it.

  • Earthdayaz 11/22/2010 10:30:00 PM

    Is that true Jason? In how many of those articles did you disclose that you also perform at the Rhythm Room? None??? crickets chirping. Now, Tom - how's about some of that journalistic integrity coming to the fore here?

  • Earthdayaz 11/22/2010 10:27:00 PM

    Yeah, Martin, your example of the Edge is completely beside the point. The Edge is a profit making enterprise, they are entirely responsible to pay for the production of their on-air programming out of advertising revenue. KJZZ is a non-profit operating on taxpayer monies and those of the fans of the programming they run. It is not privately owned by Bob Corritore to do what he wants with it. I'm really surprised that as a journalist you would even make that comparison! How's that investigation going Martin - did you talk with Bill Shedd as you promised? Did he confirm my story?

  • Earthayaz 11/22/2010 9:12:00 PM

    You know Shane, there are 2-3 keyboard players in the Phoenix area who play out regularly who are on par with Jimmy Smith. They would never say so, but in my opinion - while no one can duplicate Jimmy's expertise - they are on par and just as important an act to witness firsthand. Do you hear about these people on Bob's radio show? NO! Bob plays no local bands CDs unless they're playing at the Rhythm Room.

  • Loosecannonsbluesband 11/22/2010 7:32:00 PM

    I find it odd, Kirk, that when I point out one or two small examples of where we might improve the blues community in this city, you blow it all out of proportion - Mr. Hyperbole, you would do well in radio. If you don't want me to discuss these issues with you, I would suggest you not post to this thread - because I have a thing that you also have - it's called FREEDOM OF SPEECH! I also have a spine and care about the blues community here that I've been a member of for over 20 years. You really do a disservice to the other clubs in town when you claim that the Rhythm Room is "It's the ONLY place left in its niche in this town." Chars is in that "niche" The Compound plays local and national blues artists regularly, and there are about 5 other clubs that play "blues" acts weekly as much as the Rhythm Room does. The Sail Inn also plays blues acts. McCools, The Maverick, Chopper Johns, El Dorado, Steel Horse, and numbers of other clubs and also pay blues acts to perform at their clubs on a regular basis - that's not mentioning the local veteran's and fraternal clubs . However, these other clubs did not get the benefit that the Rhythm Room did, a club owner that is also the area's only Blues Radio Show DJ, that's what we're discussing here. BTW - Kirk, discussing this information will not result in any loss to the Rhythm Room or in anyway impacting that club's ability to compete on an even basis with any other club in town that presents local or national blues acts. I wouldn't be discussing it here if I thought it would. I love the Rhythm Room and I like Bob and I hope he continues to succeed in the future. But hey, if the blues musicians and fans in this community can't stand up and show some spine, we deserve the crappy pay and poor treatment we get by club owners. Before Bob came to town and opened the Rhythm Room, it was a regular occurrence to play out for $100.00 a man with almost that much in tips and there were over 20 different outlets for blues players. You might reconsider how much he has really helped the blues community? BTW - why don't you consider WHY the Rhythm Room is one of the few "niches" left in this town. Could it have anything to do with the announcer of the ONLY BLUES RADIO SHOW in the Phoenix area having a conflict of interest in promoting his own club over those of other blues clubs?

  • Loosecannonsbluesband 11/22/2010 6:52:00 PM

    Expressing information that the public is entitled to (e.g., information about a employee of a taxpayer funded radio station is "Public" knowledge and govered by FOIA) about a public figure - Remember here we're talking about a public radio on-air personality and the conduct of that radio personality's actions while on the air. Even if the information was false, which it is not, it is not likely to be held by a court to be actionable. Pick up a copy of one of those supermarket tabloids or New Times for an example of this principle (like their recent story on Steve Nash). Should KJZZ want to examine it's records and find out how much monetary benefit it actually afforded Bob by allowing him to make these "mentions" (mentions are 15 second periods of time which KJZZ sells for $50.00 each) which Bob did not pay for, which information would surely come up in any lawsuit due to a cross-complaint against KJZZ - how do you think the taxpayers would be repaid that amount? I certainly don't have any money and am upside down in my home mortgage. Now if Bob can prove that his club lost money due to my discussion of this issue - that amount MIGHT be offset by him paying back the taxpayers for all those additional "mentions" he didn't pay for - but I doubt it. I'm thinking, unlike you, that KJZZ might look to the Rhythm Room for repayment of the value of the "mentions" Bob took. If KJZZ management doesn't, perhaps the Court might think that these amounts should be paid back to the taxpayer. I don't think they're going to do that - nor do I think they would be interested in the "discovery" process which might occur regarding their records. Especially given that because many listeners record each and every show and have for many years, evidence of this additional "mention" activity by Bob is quite easy "discovery" to produce. Cross reference these mentions with the FOIA information about the payments by Bob to KJZZ for these additional mentions and you might find that someone's got some explaining to do to the board of Rio Salado College. That's nothing compared to the information as a result of any discovery on lawsuits getting into the hands of the other clubs who have lost business (or gone out of business) due to Bob's additional mentions for the RR and their interest in recovering some of that lost income. I'm wondering how they would react given factual information that showed that another blues club in town had an approximate annual benefit to it's annual advertising budget of over $100,000.00 due to that club's owner being a radio personality on a publically funded radio station which produced the ONLY BLUES SHOW, weekly, in the Phoenix market.

  • Loosecannonsbluesband 11/22/2010 6:23:00 PM

    Like in how you received a personal benefit from Bob (not really - the cash was from a benefit fundraiser, at which many people participated, including Bob) and now feel the need to defend him in the face of his obvious self-dealing compliments of the taxpayers money AND at the expense of the diminishing the blues community in Phoenix? How ironic. See your ability, as a musician who plays in the Phoenix market for blues music, was dimished as a result of the marketing benefit RR received over the other clubs as a result of Bob's hosting of the KJZZ blues show and his additional "mentions" of his club's events on that show outside of the "Blues Bulliten Board", which in my estimation is over 1.5 million dollars worth over 18 years (only a FOIA to KJZZ and other "research" would easily prove this). Kirk, you and 98% of the musicians in Phoenix played at the other "blues" clubs in town which did not receive that taxpayer supported benefit to them, suffered as a result of the loss of audience due to the virtual monopoly in marketing on the ONLY BLUES RADIO SHOW in the Phoenix market that the RR enjoyed. You didn't see it directly but remember that promotions is key to the success of getting butts in chairs in bars and selling those people alcohol, which is really what we are doing. If one club were able to put butts in chairs more effectively than another club (due to increased marketing), that club would succeed in capturing the "market share" for that evening (i.e., the total number of people who would be interested in attending a performance of blues and/or get high while listenting to live music). If that club had a marketing advantage as the Rhythm Room did with Bob announcing the musician's songs who were playing at his club in the upcoming next 2 weeks and then playing one or two of those artist's songs on his station and then reannouncing it after the song or songs are finished playing, and he does that 4-5 times per show over 18 years (OUTSIDE of the time devoted to the "blues bulliten board"), I would guess that any uninterested observer might say - Hey, that doesn't seem fair. They'd be right. This activity resulted in a large business advantage for the Rhythm Room. It is not insignificant and it has diminished the scene for all blues musicians and fans. Now, this information being known is not going to harm Bob at all since the Station Management at KJZZ also recognized this as an unfair business advantage and conflict of interest for their radio personalities to be engaged in and have since "banned" the practice of their radio personalities doing it in August of 2009 (as I'm told by the Station's current management). Well, Bob was really the ONLY radio personality at KJZZ who owned a blues club - guess which radio show host the policy was "instituted" for last August? Now, if KJZZ thought it was just fine and dandy that Bob could continue to do this - WHY would they change the policy? I think Bob and his club should continue to be successful and promote the blues in Phoenix, just on an even par with the other clubs which present blues in the Valley. Now, that's the way it is. I feel the purpose of this discussion would be to prevent any future "mistakes" on the part of KJZZ management and hopefully get KJZZ to put in place a radio show announcer dedicated to promoting the ENTIRE blues community in the Phoenix area. See, that way the local blues musicians we have here can get paid more and clubs which present the blues can increase do to the interest in the LOCAL blues musicians this promotion would generate. We're talking about taxpayer dollars here and they should be guarded to promote the general public interest, not the interest of a single private busines enterprise. Do you agree with that?

  • Real Blues Fan 11/20/2010 12:37:00 PM

    Yup! This illustrates the effect Corritore has - years ago I would have zipped right down to the club and happily given time, money, and goodwill for this cause. Not today. If you have a contact or a link I will donate but simply because of the venue, I will not be attending.

  • 11/20/2010 3:22:00 AM

    OK we're friends. So I'll tell you this as a friend. This is public forum. It's not you and me BS'ing after a gig. I didn't go looking for this, somebody emailed me that I should look at this thread because so many other people feel the same way he does. So I look at the thread and it looks to me like a good 3/4 of the "other people" is you. How much freakin time have you spent over the last week or so publicly slamming Bob? First off, I obviously ain't a lawyer but I suspect you'd better be able to substantiate all this crap, because Bob would be an idiot if he didn't have a lawyer after your ass right now. Secondly, I've been going to the Rhythm Room for a long time. I've had a lot of great experiences there. I plan on having more. It's the ONLY place left in its niche in this town. You'll probably be pleased to hear that I think your diatribes are making it slightly more probable that it'll be gone before I am. This will upset me. I don't know why you're doing this. Expressing an opinion is one thing, but this is getting beyond ridiculous. I see George in the RR all the time, often on stage. Do you realize you just stated publicly that George supports your slander? Please stop. -Kirk

  • Loosecannonsbluesband 11/20/2010 12:21:00 AM

    Remember to attend the Sail Inn Benefit for Lung Cancer survivors too okay. It's the same night and some local blues bands will be playing.

  • Loosecannonsbluesband 11/20/2010 12:20:00 AM

    Okay, I understand that you don't believe that Bob USED to pay the host band for benefits the normal fee he paid bands for non-benefit Sunday nights and that now he doesn't. That was my story and the point of this thread. I think I'm clear on that now. Of course the people who have actually conducted benefits for other people at the RR, like myself, know the truth. I am actually quite happy that you feel that you are a friend of mine enough to express yourself in such a "casual" way with me on this issue. Thank you. However, if you have enough of an interest in the issue to express an opinion, perhaps you could talk to a few other people who also conduct benefits at the RR and find out for yourself whether Bob still pays the host band or donates any money whatsoever to the benefit's recipient other than the door. May I suggest George Bowman. He's familiar with the issue and you might respect his opinion a little bit more. For the record, I've conducted 4 benefit events at the Rhythm Room in the past. How many have you conducted?

  • Kirk Hawley 11/19/2010 8:41:00 PM

    Which, come to think of it, is pretty much what I told you when you told me that story in person.

  • Kirk Hawley 11/19/2010 8:38:00 PM

    You're right, it's not hyperbole. It's jus complete BS, as in you don't know what you're talking about.

  • Kirk Hawley 11/19/2010 8:35:00 PM

    Thanks. Now look up irony.

  • Loosecannonsbluesband 11/19/2010 6:45:00 PM

    I would NEVER support such an action - it would be bad for the music community in general to have this type of lawsuit occur. I am interested only in what is good for the musicians and venues in the Phoenix area and not in assessing liability. It is important to move this community forward and heal the problems we've had rather than get back at people for whatever wrongs have been committed. While simply talking about these issues will hopefully help us fix what is wrong now and, going forward, prevent similar mistakes in the future, it will not harm our community and WILL make it better. The Phoenix area blues music community has been here for over 80 years and it will be here another 80 years. Bob will be here another 20 or so as well (god willing) and hopefully he will be convinced at some point that a rising tide lifts all boats.

  • Loosecannonsbluesband 11/19/2010 6:10:00 PM

    What's not to like about Bill Tarsha? Other than he's politically to the right of Atilla the Hun (I'm quoting Bill Tarsha) - he's a great guy and I haven't heard one example of how he's taken advantage of the blues community here. We're not discussing Bob because he's a "bad person." We're discussing his behavior over the last 18 years that have pointed to a clear example of what NOT to do in a music community to make it better - 1. Using a taxpayer supported position to promote your privately owned music venue to the tune of over 1.5 million dollars over 18 years - a practice that was recently banned by the KJZZ station manager who also recognized this was an unfair and anti-competitive business practice. 2. Promoting musicians who appear at your privately owned music venue over the other local musicians who appear and other venues in town on the radio is key to success for those who play the RR (please note - I'm not discounting talent - the bands who play at the RR are great!) and, not a key to success, for those bands who do not play there. If another person, with no money in the game, was to have been hired to announce that KJZZ blues radio show, I'm guessing the promotion of various bands and venues would have been equal and not favored one venue over the other. It is logical to assume then that all the music venues in Phoenix would have had an equall opportunity either fail or succeed. As it is, RR can not now claim that it is a success simply because of the management - but because of an owner who was given a job which he exploited to promote his business over the other businesses in town that do the same thing. Remember, promotion and PR are the MOST important issue in the popularity of a band. Most of our blues bands are pretty darn good and some are actually nationally and internationally recognized bands and MOST DO NOT PLAY AT THE RHYTHM ROOM. Only a few bands play there and those bands have been promoted by Bob on his show in a much greater proportion than bands who do not play there. while this practice has stopped, the benefit to Bob and the bands who appear at the RR continues on - such is the power of promotions in the music business. Once a brand is established in the minds of consumers it's there for a long time. Ask yourself, how many clubs that might have hired you to play there are no longer in business for lack of business? Where would the market for blues be if the ONLY BLUES SHOW in the Phoenix radio market were to have been run by a person who was dedicated to promoting the local blues bands and history of our area

  • Loosecannonsbluesband 11/19/2010 5:28:00 PM

    I haven't heard anyone say we should boycott the Rhythm Room here in this discussion. Ohhh, I see, you're using that thing called Hyperbole again, huh, Kirk. Always trying to liven up the conversation. That's what I love about you. Frankly, since we're talking about benefits held at the Rhythm Room you may want to consider another example, while small, of the disingenous nature of Bob's management at the Rhythm Room. Until about five years ago, when a person or group wanted to have a benefit at the RR, Bob would "hire" whatever band was going to be the host band for the benefit at the normal rate he paid bands on Sunday nights (the usual day Bob allows benefits to be conducted at his place - also his slowest days on the weekends BTW so holding a benefit boosts his sales). This amount typically would be between $200.00 to$300.00. This payment was paid in the normal course of business for Bob but it really helped the benefit host band or producer because they knew they would get at least their costs for promotion of the benefit paid back. This amount (minus the minimal cost of the flyers, radio mentions, etc.) would be given to the benefitee and serve as a guarantee of sorts. Guess what, about 3 years ago, Bob stopped doing this. Now, Bob gets a free band and a larger crowd than what would normally be there on a typical Sunday night which translates into a WINDFALL for Bob. Of course he lets people do benefits there - he's making a lot or money doing it! Now, hopefully, because we've had this discussion here, benefit host bands and/or the people producing benefits at the Rhythm Room will insist that Bob pay them what he normally would pay a band for a Sunday night and all will be right with the world. Then again - there's always Hyperbole - Kirk? BTW - I enjoy attending the events at the RR and will until I get 86d like the other people who have critizised Bob have been.

  • Kirk Hawley 11/19/2010 5:18:00 PM

    Yeah I've heard the story of the Tarsha/Corritore slugfest. And I sometimes go down to the Rhythm Room to play one of the jams... hosted by Bill Tarsha. And I had a private conversation with Bob a couple of weeks ago where the guy did 5 minutes on Bill without once saying anything about him that wasn't positive. Which makes both of them bigger men than you. Drop Your Sword, that's irony now, right?

  • Loosecannonsbluesband 11/19/2010 5:15:00 PM

    From Wikipedia: "Hyperbole (pronounced /haɪˈpɜrbəliː/ hye-PUR-bə-lee[1]; from ancient Greek ὑπερβολή 'exaggeration') is the use of exaggeration as a rhetorical device or figure of speech. It may be used to evoke strong feelings or to create a strong impression, but is not meant to be taken literally. Hyperboles are exaggerations to create emphasis or effect. As a literary device, hyperbole is often used in poetry, and is frequently encountered in casual speech. An example of hyperbole is: "The bag weighed a ton".[2] Hyperbole helps to make the point that the bag was very heavy although it is not probable that it would actually weigh a ton. On occasion, newspapers and other media use hyperbole when speaking of an accident, to increase the impact of the story. This is more often found in tabloid newspapers, which often exaggerate accounts of events to appeal to a wider audience." Now you do too.

  • Kirk Hawley 11/19/2010 5:07:00 PM

    OK let me get this straight. You're purposely not going down there to help this dead woman's kid because Bob is mean. Right?

  • Real Blues Fan 11/19/2010 3:11:00 PM

    I went to that benefit for your wife. You thanked me for coming. If Bob had been that nice to everyone over the years we would not be having this discussion and I would be attending the Pagano benefit.

  • 11/19/2010 2:50:00 PM

    This makes me sick. Years ago my wife died and there was a benefit at the Rhythm Room to help me pay expenses. When it was over Bob handed me a large chunk of cash. I tried to thank him and he said "Don't thank me, just come out when we do this for other people." This Sunday I'll be at the Rhythm Room for the Pagano benefit.

  • 11/19/2010 2:41:00 PM

    So you know what hyperbole is.

  • Legal Beagle 11/18/2010 10:47:00 PM

    I smell a class-action lawsuit on behalf of the blues & R&B musicians of the Phoenix area (and music venues) against the Maricopa County Community College District and Bob Corritore's Rhythm Room for a number of issues: specifically, abusing taxpayer dollars in allowing Bob to utilize his position as a radio announcer on the ONLY blues show in the Phoenix market to unfairly create an anti-competitive business environment for blues & R&B musicians and venues and thereby creating a virtual monopoly for the Rhythm Room over an 18 year period of time! 1.5 million (the amount of 15 second "mentions" Bob "used' over that time which he - or any other venue - would have had to pay KJZZ for) times 3 ought to get it! While I doubt this would ever happen with the cowed musicians ("ohhh, maybe I'll get hired at the RR sometime") in this area, but it needs to be on record, should they ever get the cajones to stand up for themselves!

  • Loosecannonsbluesband 11/18/2010 10:30:00 PM

    How to you go from "contributed in a small way to his early death." to "Bob killed Sonny!"? That odd example of hyperbole.

  • Kirk Hawley 11/18/2010 7:16:00 PM

    Bob killed Sonny! That bastard! Jesus, get a grip.

  • Earthdayaz 11/17/2010 8:20:00 PM

    I've emailed Jason and he won't get back to me. Musicians need to stand together - assisting the club owners and promoters in exploiting the musicians is not what makes a local music scene stronger Jason!

  • Earthdayaz 11/17/2010 8:15:00 PM

    Well, I emailed Jason and he didn't respond. Martin and Jason have been too busy carrying Bob's balls while he fucks the Phoenix Blues scene to care about the other venues and blues musicians to care. Please, will SOMEONE in the media stand up for the musicians in this community!!!!

  • Sonny's BBQ Fan 11/17/2010 8:10:00 PM

    I heard that the sticking point was that Bob and his partner were trying to get Sonny to give up his homemade barbeque sauce receipe (which was ALL know was "the Bomb!") and that Sonny would not "give it up."

  • Real Blues Fan 11/17/2010 4:28:00 AM

    I guess we'll never know until he is ASKED officially.... Also, there are several people in the valley who have radio experience and are part of the blues community who could easily take over the blues show on KJZZ. The short list would include Scotty Spenner, who hosted his own blues show on public radio in South Dakota and Bill Mitchell, who hosted a blues show on KZON. A couple more locals with radio/blues experience: Tom Coulson and George Vaught. There's no traction to be had from arguing that there isn't anyone to take over the blues show in Corritore's absence.

  • Real Blues Fan 11/17/2010 4:13:00 AM

    NOT the "shafting" I was referring to. After the county shut him down, benefits were held at the Rhythm Room to "buy Sonny a new BBQ trailer", which would be up to code. A bit later I recall Sonny selling BBQ out of the new shiny white trailer with a "Sunshine BBQ" logo on the side. He wouldn't have been able to do that until the proper codes were followed and permits issued. At that time Sonny said that Corritore and his partner were going to help him incorporate and possibly franchise as well as bring the BBQ sauce to the marketplace. Apparently Bob and his partner insisted that Sonny install them as owner/officers in the new business. Sonny refused and all of a sudden the BBQ wagon was no longer "his". If you drive by the Rhythm Room and look at the side of the "Rack Shack" BBQ trailer just right, you can see the outline of the Sunshine BBQ logo that has been painted over. Though no one ever sued, to my knowledge, I have always considered those benefits for Sonny to have been fraudulent because they were held on the pretense that Sonny would own the trailer. It appears that those benefits bought the trailer for Bob and his pal, who took their toys and went home when they didn't get their way.

  • Loosecannonsbluesband 11/16/2010 7:36:00 PM

    I seem to remember a meeting where Sonny was wanting to get an opportunity to run the concession there and was turned down. Was I mistaken? I saw him immediately after that meeting and he was in tears - wouldn't say what went down. Remind me again who applied for the permits for a permanent trailer and hookups?

  • guest 11/16/2010 7:29:00 PM

    Did anyone ask Johnny D. if he WANTS the job? Perhaps he doesn't.

  • guest 11/16/2010 7:08:00 PM

    FYI - It says $4.50 for a DRINK!

  • guest 11/16/2010 7:05:00 PM

    It wasn't the Rhythm Room that shafted Sonny. It was the Maricopa County Health Department that paid a visit in response to a complaint from Peter, the owner of Chars Has The Blues. The BBQ set up was not up to code. Sonny was given the opportunity to continue doing BBQ but he was not interested in jumping through the legal hoops and the gov. red tape.

  • Loosecannonsbluesband 11/11/2010 3:06:00 PM

    Barbara Lee, is that you? How you been girlfriend. Did that STD clear up yet?

  • Barb0801 11/10/2010 11:02:00 PM

    loosecannonbluesband, all I can say is wow. I stumbled onto this ongoing battle. You must work in an area that requires serious research skills. I find your obessesion with this Bob dude intriguing. What do you do when you find and interesting tid bit? Grab your dick and start yanking? I think the problem is that you aren't satisfied with your life and have transferred your personal disappointment onto him. I don't know either of you but I notice he is not posting.I know you want him to payback the tax payers, why not go to the state attorney general? After reading your rants I am sure at some point you must have checked into it. Stop licking this Johnny D's balls and get a grip. It interesting that you have someone you would like to impose onto the public. What the masses are too stupid to know what is good for them. Well I hazard a guess that Napoleon had a little dick too.

  • Another Real Blues Fan 11/10/2010 7:32:00 PM

    I would like to start a movement to request that KJZZ hire Johnny D and start a new local music show that goes on for 2 hours prior to Those Low Down Blues. If Johnny D had been the radio announcer for Those Low Down blues for the last 18 years, I'm betting my bottom dollar that the local music scene (especially blues, rockabilly and latino music scenes) would have been much better than they are today. Bob RARELY promotes local musicians (that aren't playing at his club) on Those Low Down Blues and I'm sure that Johnny will when we get him his own show on KJZZ. Johnny Dixon was the right person for the blues show and is the right person for the NEW local music show on KJZZ that they will institute given enough support from local music fans in the Phoenix area. Call KJZZ at 480-834-5627 or email at mail@kjzz.org and request that they add 2 more hours of local roots music programming on Sundays and hire Johnny D to do it! Johnny D is truly a local hero, dedicated to local musicians and has the history and resources (and time?) to pull off such a show. Please copy and forward this to as many of your friends as possible. Let's get a few thousand requests into KJZZ on this!!! Be the Change you Want! http://www.phoenixnewtimes.com/1998-12-10/music/rebel-rouser/

  • Real Blues Fan 11/09/2010 8:03:00 AM

    Interesting to note that Jason Woodbury's byline appears on 47 articles in the New Times this year, to date. 13 of those were about acts set to play the Rhythm Room. That means almost 1 in 3 articles Jason wrote this year benefited Bob Corritore and the Rhythm Room.

  • Loosecannonsbluesband 11/08/2010 6:16:00 PM

    What we need to create in Phoenix, IF WE ARE TO BUILD A GREAT MUSIC COMMUNITY, is support the musicians! The club owners are not the ones starving here - they're selling drugs (legal so far) and that's always going to be a money maker. The fact that they can add music to the options patrons choose to come in the establishment is a small plus for them but a BIG plus for a musician who's trying to improve their craft, publicise their music, AND PAY THE RENT! The powerless are the people the press is supposed to empower, not the powerful. Bob is the "powerful" in the situation being presented here. He's not some poor musician, talented but without a venue to earn money with his craft. He's got his. I would think that as a fellow musician and as a journalist, your interest would be in assisting this community to build a great music center. We can do it, but we can't do it by focusing on the club owners - we need to empower the musicians (with knowledge AND SOLIDARITY).

  • Earthdayaz 11/08/2010 5:37:00 PM

    Bob is not a "working musician." He does not make his living playing music. He makes his living hiring working musicians - he is the "music buyer." He is the person who is trying to get the best musicians at the least price - in other words, he's the guy musicians have to convince they're worth enough to him to employ and HOPE he pays enough so they can make their rent or house payment next month. Bob's actual playing time in Arizona is very miniscual compared to his time as a club owner. In the field of music and bars, Bob's on the opposite side of the working musician. Please, keep your perspective Jason.

  • Loosecannonsbluesband 11/08/2010 5:33:00 PM

    How is your "investigation" going Martin? Jason has already admittted here that Bob has benefited from his position as a radio announcer at KJZZ. Let's find out how much okay - journalist?

  • Loosecannonsbluesband 11/08/2010 4:47:00 PM

    Sonny played with my band many times and he expressed to me a great dissappoinment regarding his "business loss" at the hands of Mr. Corritore and company. He was obviously very depressed at the treatment he received and I feel this may have contributed in a small way to his early death.

  • Real Blues Fan 11/06/2010 7:01:00 AM

    It was too bad that Sonny got shafted by the Rhythm Room and was sent packing without his barbeque wagon. It took them years to get back to cooking BBQ that was even close to Sonny's. Then they changed cooks and the BBQ was really, really horrible. Not sad to see it go at this point. For the rest of my life, any BBQ I eat will be compared to Sonny's. He was the best.

  • 11/05/2010 9:11:00 PM

    You are right. Argument was the wrong choice of words to use. I think it's undeniable that Bob has benefited from his position at KJZZ. I don't know as to whether or not any ethical standards have been compromised, but I have faith in KJZZ's staff that they would handle any ethical concerns they have. 26 years is a long to to fly in direct opposition to the people in charge of your show. As for Bob using his position to further the blues community, I think it's clear that he believes he's doing just that. Your suggestion about creating a forum to better understand the business end of the music scene sounds awesome- but perhaps you are the better candidate for that position. You sound like you have the desire, vision and drive to do so, and I am being utterly sincere here. Again- I have respect for all working musicians. It's a tough cookie out there. Bob does Bob's thing. I interviewed him and shared that interview. Perhaps the chance will come up for me to interview you about your unique viewpoint, too. Keep me posted on your activities. I've given you my email.

  • Loosecannonsbluesband 11/05/2010 5:59:00 PM

    SOUTHWEST MUSICAL ARTS FOUNDATION's annual report is now filed and is no longer late (filed in August, 2010). Boy, I wonder, is Bob going to be using this IRS 501(c)3 charity to bring any more acts to his club? I hope so.

  • BBQ Blues Lover 11/05/2010 5:45:00 PM

    Just heard that the Rack Shack is shut down for some reason. Is that true? I really appreciate Sonny (RIP) for starting the BBQ sales at the Rhythm Room. He was a good blues man and cook too.

  • Loosecannonsbluesband 11/05/2010 5:44:00 PM

    KJZZ in fact DID let their on-air radio personalities promote themselves until last August, 2009 when, as I'm told by present-day station management, the then Station Manager, made it clear that the on-air personalities were to cease promoting their own businesses on air (outside of the blues calendar). As Bob was the only one doing this - I'm guessing they were talking about him! You don't want our names to be able to judge our honesty, you want our names so you can attack us personally! You know my name (I've given you plenty of info for you to discern that and so does Bob). Tell you what Jason, as a journalist, you give your "sources" annonimity right. Tell me you're actually going to investigate the issues raised here and I'll give you my personal information, then we'll talk. Right now, I don't trust you to honor your status as a journalist. New Times has a proud tradition of honoring that tradition and I've been a suppporter of New Times since they began in the 1970s (I was one of the peace activists that passed out hundreds of the first issue of New Times). I would think that an upcoming musician and journalist such as yourself would be interested in this line of investigation - a local musician makes good but his success is assisted in part by the taxpayers. A very unique story actually. I don't know of any other musician in the entire US that has had that opportunity to run part of their business (PR/promotions) with the assistance of the taxpaying public.

  • Loosecannonsbluesband 11/05/2010 5:31:00 PM

    No argument that I can tell has developed yet, why would you interject that word. I have seen you interject issues that are irrelevant and are designed to distract attention away from my point but so far, you've not argued at all with my point that Bob had taxpayer assistance with his business due to his position as an employee of the Maricopa County Community College DIstrict's radio station KJZZ as an on-air radio personality for the only blues show in the Phoenix market. In fact, you haven't really addressed that issue at all. I wish you would. I think this fact is a key point in the success of Bob's business and his popularity in the Phoenix blues market. Yes, he is considered Phoenix's blues point man, and I agree. He's a great musician and good person, at least as far as I've heard. I've heard he's a bit self-centered but, hey, every musician has to project a a little bit of conceit in order to be successful on the "attracting a crowd" thingee we do. . I'm really just trying to interest you in a story which might be able to assist the music community to better itself, a story that's more in depth and more interesting than just a nice article on a local blues musician who's trying to make it (which I hope Bob does). Bob has received a lot from the taxpayers and the blues community here and all I'm asking is that he give back a little too. I'd personally like to see him and his brother take the non-profit IRS 501(c)3 organziation they've used to subsidize acts at his clubs with and create a structure that would raise and expend monies to help train and give sustanence to the local blues musicians here. We really need help in understanding the business end of the music industry, promotions, accounting, image consulting, etc. In my mind, a rising tide lifts all boats and Bob would be well served to help improve the scene. Taking advantage of musicians who are willing to perform for free is NOT helping here.

  • 11/05/2010 1:56:00 AM

    I've left my email address, man. If you feel like discussing any of this further, feel free to email me.

  • Loosecannonsbluesband 11/04/2010 9:54:00 PM

    BTW - Jason - I have performed at the Rhythm Room numerous times, both as a member of my band the Loose Cannons and as a member of my band The Haymakers (we opened for the Blasters twice).

  • Loosecannonsbluesband 11/04/2010 9:49:00 PM

    Did you disclose the fact that you were playing for FREE at a venue that ALWAYS pays it's local bands a fairly standard rate in the article you wrote? NO. You expected to get paid but you didn't. That's NOT following journalistic standards Jason. Why would you even argue that it was? BTW - DId you know that when you play for free at a venue that normally ALWAYS pays its bands a standard rate for a performance whether they bring a crowd or not you are destroying the very music business you're trying to engage in? This is the argument I've pleaded with indie (and all) bands for a long time - DO NOT perform for free. Set a price, go play and get paid. If you don't do that you are RUINING a scene for all the other musicians. If you don't attract people, the club just doesn't hire you again and you learn a lesson - promote your gigs (or your band sucks and just give it up). This is what was said before. You're naive! Go to the Musicians Union and get a schooling on what it means to respect your craft. I don't reveal my name on the internet cause there's too many people who are more than willing to cause real harm to ordinary citizens. However, you are a public figure and an employee of the "media" as is Bob. Instead of trying to get my name for you to try to "kill the messenger" why don't you investigate the facts which have been put forth here. Write a letter and request the 990 forms for Bob's non-profit for the last 5 years (you know he's obligated by IRS law to give them to you with no delay). Write a letter to Maricopa County Community College district's KJZZ and ask for the playlists from Those Low Down Blues for the last 5 years through a Freedom of Information Request form. Also ask for the records of KJZZ for the number of times Bob has actually purchased time ("mentions") on their station. Look at the records that new times keeps for the ads that the Rhythm Room purchased over the last 5 years. Assume that if a band played at the Rhythm Room and their cuts also appeared on the playlist 2 weeks before their gig that Bob used his show to announce their appearance at the RR (not as a "discerning blues fan" but as a business owner using the public airwaves to promote himself financially), add up the costs which Bob would have had to pay and KJZZ was deprived of, and extend that over the life of Bob's tenure on Those Low Down Blues - you'll come to the same conclusion I have - Bob's received millions of in-kind promotions that other music venues have not been the recipient of. In other words Jason - Bob's where he is not because he's a good business man, or has a great staff (I'm sure he's got both). He's successful because the taxpayers of Maricopa County subsidized his business to the tune of over a million dollars. I have no beef with Bob other than that he should recognize this fact and acknowledge it publically and start giving back to the blues community that made him what he is. BTW - Bob knows who I am, I've discussed this before with him and his station management (though he would rather ignore me than discuss it). If you want a clue, read your boss's review of my CD http://blogs.phoenixnewtimes.com/uponsun/2008/09/you_asked_for_it_the_loose_can.php

  • 11/04/2010 6:14:00 PM

    Uhhhhh. I did respond to the question. Look below, dude. Let's look at the FACTS buddy- my band played the Rhythm Room on August 30th. Stateside Presents booked the show. Not Bob. At no point was money exchanged to me or my band. Neither my band, nor I made a dime, dude. We would have, if more tickets had been sold, by us, or by Stateside, but not Bob or the Rhythm Room staff. Bob wasn't there, and I am most certainly not on his payroll. I'm running out of wind here. Email me at jason_p_woodbury@yahoo.com if you really want to drill me about my connection to Bob. I'm sure that in all your time playing music you've never played his club, so I'm sure you'll manage to retain the complete objectivity that you extol.

  • Loosecannonsbluesband 11/04/2010 5:45:00 PM

    "Jason, have you recently performed at the Rhythm Room?" chirp chirp chirp - the sound of crickets . . . . . Come on Jason - answer the question. Would a "real" journalist not disclose that they were actually WORKING FOR the subject of their article? Just a normal article you pitched huh? How about quid pro quo! Bob doesn't put just anyone on his payroll, he only puts those who don't criticize him on there. Why, I remember when the owner of one band that plays there regularly told me that Bob threatened to not hire them again at his club if they played at a competing blues club and that's not the only band owner that told me that. I've heard that from a few band owners. However, not Jason the Journalist - he wouldn't do that - write a fluff piece on the owner of a bar where his band has recently or would soon play at - would he? BTW - Jason, if you want to hear more about the FACTS, just reply here with your preferred method of communication. Why do I get the feeling you don't want to serve the 4th Estate, only yourself.

  • 11/04/2010 5:27:00 PM

    My band Soft Drink did play the Rhythm Room. We were put on the bill by Stateside Presents. Bob wasn't there. I don't see how me playing bass in an indie-rock band has much bearing on this argument. But as I stated earlier- I respect the zeal everyone is exhibiting here! I bet I would even enjoy a lot of the music you guys make- if I had any clue who you were. Own up guys. Attach your names, link to your websites, prove you aren't a bunch of internet trolls, and we can talk about this stuff.

  • 11/04/2010 5:25:00 PM

    I'm not trying to supress anything, and I'm not ashamed of anything. I didn't seek out to do an investigative piece, I interviewed Bob. I presented that interview. I just find it interesting that no one is actually attaching their names to any of their comments- if everyone believes so strongly in their positions, why not own up to them? I trust that the people at KJZZ know what they are doing. I trust that they wouldn't allow someone to break their code of ethics for 26 years. I might be wrong, but with all the information presented, I'm not going to give faceless commenters much creedence. I don't think anyone does, or should. Let's see some names. Let's get some real talk.

  • Real Blues Fan 11/03/2010 1:00:00 AM

    The very first sentence in your reply tells me that you are naive, idealistic, and have no idea how modern commercial or public radio actually works. Bob is in a VERY unique position- unlike the majority of radio DJs, he actually DOES choose the music he plays. The fact that his content choices are not a balanced inclusive mix is a disservice to the station and its listeners. The fact hat he has shifted and adjusted that content to directly benefit his own club is criminal.

  • Real Blues Fan 11/03/2010 12:43:00 AM

    I would encourage you to look up the artists on that disc(or their living relatives) and ask if they have been paid the mechanical, performance, or publishing royalties.

  • Another Real Blues Fan 11/02/2010 5:36:00 PM

    There is nothing on the internet that affords a person a salary for 15 years, paid by the government from taxpayers dollars, to allow them to devote themselves fulltime to announcing the blues on the public airwaves. WHY WOULD YOU SAY THAT? Jason, for you to make a statement like that, you are obviously very inexperienced in the issues regarding the local music scene or the music business in general. Something is there causing you to react in such a kneejerk fashion and make accusations founded on nothing. What information do you have that the people commenting here have not "dirtied" their hands? How about 20 years of performing blues 8-10 times a month? How long have you been performing in the Phoenix area? BTW - You accuse the posters here of complaining about someone else's success. I haven't seen that in any of the posts. I've seen information you left out of your article that would contribute to the understanding of the reader as to WHY Bob is successful other than just the FLUFF your provided. There is a real story here that you are ignoring and trying to negate with your off-topic defensive comments. My first post was to congratulate Bob - and I do - it's great that he's done as well as he has. I just want it recognized that it's not just because of his great staff at the Rhythm Room (which they are) or his great listeners (we are!) or the limited information you presented on his experience in Chicago - it's also because his business has been subsidized by the taxpayers of Maricopa County and they should be thanked too. As a journalist, you should be ashamed of yourself for trying to supress legitimate information about one of your subjects. Take some pride in your profession for god's sake!!!!

  • Loosecannonsbluesband 11/02/2010 5:23:00 PM

    Why are you asking questions that have nothing to do with the point at hand? Whether Bob and Johnny Dixon get along is not the issue. The issue is a business owner has gained a advantage over his competitors because of his position at a government job in the media. This advantage has diminished the blues scene in Phoenix and another radio announcer would have been a better choice for Phoenix' blues fans. I get along well with Bob too, as I've stated before here. I have no problems with Bob other than his failure to recognize the benefit to his business the taxpayers of Maricopa County have provided him. He, and you, want to chalk it all up to his great business acumen and don't want to acknowledge the fact that were it not for his position as a radio announcer at the ONLY blues radio show in Phoenix, he would not be as successful (if at all) as he has been. That was the initial comment here and that has been the consistent point being made. You are trying to "muddy the waters" with your extraneous questions that have nothing to do with the points being discussed here. Whether Johnny and Bob get along is not the issue. Although I think even Bob would agree that Johnny would have made a better announcer then he. Bob wanted that job and fought for it. I understand that at one point there was a decision to be made regarding whether Johnny D or Bob would have that position and, while I'm not privy to the details, the decision was made to have Bob run it. It may have been prompted by the fact that Bob volunteered for the position (rather than be paid the normal amount at the time as a radio announcer by KJZZ) and Johnny may have requested the standard pay for a KJZZ announcer. Kind of like when a blues band goes in and plays for free where another, more long-standing and better blues band, would stand for principal and only play when paid so as not to ruin the market for other bands. Here's the question you, as a journalist, should be seeking answers for: "Has Bob's business, the Rhythm Room, benefited from his position as a radio announcer on the government run radio station KJZZ, and if so, by how much?" $1.5 mil, or more, in business advantage received by a local music venue from a government entity might be considered news, don't ya think?

  • Earthdayaz 11/02/2010 5:09:00 PM

    Why Jason, your definition of "friends" and mine are pretty much the same - except for the part about "shady, back-room deals being made behind the scenes." I never said that and never implied that. You made that up in order to try to demean my contribution to the discussion here. I wish you would stick to the facts and realize the immense benefit Bob received from the taxpayers of Maricopa County (my ONLY point), to the detriment of other blues venues and the musicians who play there. This market advantage TAKEN by Bob has skewed the business environment for blues in the Valley in a way that is detrimental to the fans, the musicians and the venues who present blues music in this community. Rather than having a widespread, open and freely competitive marketplace in blues music developing over the last 18 years or so, we've had a single tax-payer subsidized individual venue, whose owner has used his position as a radio announcer in the ONLY blues show in Phoenix to publicize his venue over the other venues in town. Look back at the archives of the last five years for Those Low Down Blues. You will find a dearth of local artists being played and local venues promoted (outside of the blues bullitin board ("BBB") compiled by our lovely Jennifer Waters who does a great job). At least those who are not playing at the Rhythm Room. You see, Bob has for years, promoted his clubs acts during music of his show, in addition to having the normal announcements in the BBB, until he was told to stop this by KJZZ' Station Manager last fall. If you were to calculate (as has been suggested here before) the number of 15 second segments of which these "additional mentions" comprise (the intro, the song or songs of the artist appearing at the Rhythm Room, and the outro) and multiply that times the number of times this occured during each of Bob's shows for the last 18 years, you will come up with approximately the same number which was shown here earlier. Then ask yourself: WHAT OTHER VENUE IN THE PHOENIX AREA GOT THAT MUCH FREE PR???? The loss of all that on-air "mention" revenue which KJZZ would have received ($1,5 million in my estimation), had Bob not been the radio personality for Those Low Down Blues, has reduced the amount of income KJZZ may have used to produce additional Blues programming at KJZZ. This is a loss to the listeners, blues musicians and venue owners, as well as Maricopa County Community College District which collects that taxes that KJZZ uses to operate. My discussion sticks to the facts, not made up "deals." I wish you, as a supposed "journalist," would. BTW - Jason, have you recently performed at the Rhythm Room?

  • 11/01/2010 9:17:00 AM

    Didn't Johnny Dixon and Bob Corritore collaborate on the excellent "Flyin' High" compilation (featuring my all time favorite Phoenix soul cut, "Little Ann" by Jimmie "Playboy" Knight and Henry "Mojo" Thompson)? Hasn't Dixon been a guest on "Those Lowdown Blues?"Didn't Corritore recognize Dixon BY NAME as his primary inspiration to do a radio show in the article you are commenting on?I'm not saying Dixon wouldn't do a phenomenal radio program, just that Dixon seems more than happy to work Corritore often.

  • 11/01/2010 9:12:00 AM

    Earthdayaz, I guess I'd have to wonder about your definition of "personal friend," and more over how you came to "understand" that Bob and I are doing each other favors. I've listened to Bob's radio show, I've attended shows at his club, I've bought CDs from him and we are "friends" on various social networking sites. I pitched this story the same way I've pitched everything else I've written. I found a subject I think is interesting, based on my involvement in the local music scene, and I asked my editor if he thinks there's a good story to tell. I respect your zeal for the local blues community, but if you think there's some sort of shady, back-room deals being made behind the scenes, you are laughably out of touch.

  • 11/01/2010 9:04:00 AM

    Sorry man, but the way I see it, the job of any DJ is to play the music they like. If you want to host a show in which you give the listener a blues history lesson, please, do so. The majority of these comments criticize Bob's monopoly of the blues scene, but few seem to acknowledge that the resources provided by the internet make it possible for any of us to do what Corritore does- all of the tools to do so are at your hands- start a podcast, start a blog, get a Soundcloud page and go wild. If it's awesome, I'll listen. Until then, I'll sit back and read anonymous commenters talk trash. Seems that most people are content to complain about the success of someone else rather than dirty their hands making something of their own.

  • Another Real Blues Fan 10/13/2010 5:49:00 PM

    BTW - $4.50 for a beer is A LOT! Most blues bars sell beer for $2.75 a bottle and $2.50 a can.

  • What About Bob? 10/11/2010 11:08:00 PM

    I am struck by the fact that when Bob opened the Rhythm Room there were at least 10 clubs in the Phoenix area that played Blues on a regular basis. That number is now down to 4. How did Bob help the blues in Phoenix again?

  • Another Real Blues Fan 10/11/2010 4:48:00 PM

    So true. The way a business makes more money is to reduce fixed expenses. Not spending money on upgraded furnishings (or new flooring that can be cleaned properly - yuk!) is one way to make more money, not evidence of a company NOT making money! What business school did you go to guest? This discussion should focus on the money that Bob did NOT have to pay for advertising on KJZZ which any other band or club would have had to. This taxpayer paid government support for Bob's private business advantage gave Bob an advantage over his competitors. Had KJZZ had hired a non-conflicted DJ for their blues show, like Johnny Dixon, the local bars and clubs would all have been promoted equally and the entire Valley's blues scene would have benefited mightily! There might now be 4 or 5 Rhythm Room like venues. Now, as a blues fan, I would certainly have appreciated that outcome more than I do the one we have now after 18 years of Bob's self-serving actions as KJZZ's blues show announcer. Your message, guest, has the appearance of an attempt to "kill the messenger" while ignoring the thorn in your eye. Granted, nothing is going to "fix" the current situation the blues community finds itself in but knowing the mistakes of the past is important so we don't repeat them in the future. KJZZ has, as of last August or so, told ALL their radio personalities that they can no longer use our public airwaves to enrich themselves at the public trough. Why they had to actually say this is history (a normal "ethical and moral" person would not have to be told this) and the blues community here will never be able to recover from the damage done to the scene from the unfair promotion of one private music venue and bands over all the others. However, I'm glad KJZZ finally recognized this harm and will not allow it to continue in the future. The only way this damage to our blues community could possibly be undone is if Bob were to actually fulfill the mission statement of his non-profit (and reinstate its IRS Foundation status), the Southwest Musical Arts Foundation, and work to promote the local blues bands and music venues as much as possible - perhaps even making the board a public body that is elected by members of the Phoenix Blues Society or the Arizona Music Hall of Fame.  Allowing the SMAF to serve the entire Arizona blues community would be a good start to Bob repaying the community for the over $1.5 mil he's gotten (potentially) from the taxpayers of Maricopa County.

  • Real Blues Fan 10/10/2010 5:48:00 PM

    Just because the place is dilapidated and could use a sprucin' up doesn't mean that money isn't coming in. The point has been made that money is being funneled into Bob Corritore's pocket that wouldn't otherwise be there if he didn't use his radio show for personal promotion. I am certainly not "Earthdayaz", nor do I have anything to do with Loosecannonsbluesband. Personally, I would never pursue an agenda asking for Bob to give back to the blues community because I know it would be a lost cause. Bob would never reinvest in the local blues scene because he doesn't care about it or the musicians in it. He is only interested in what he can get from it in order to further his own career.

  • guest 10/10/2010 2:53:00 PM

    I know for a fact that at least two of names posted here are the SAME person. I wouldn't doubt if all three of these (Loosecannonsbluesband, Earthdayaz, and Real Blues Fan) are all the same person. This person apparently thinks the owner of the Rhythm Room is getting rich because of his radio show/blues club situation. Have you been to the Rhythm Room lately? Last time I was there I paid $4.50 for a drink and sat on a rusty old barstool. Doesn't look to me like anyone's getting rich.

  • Earthdayaz 10/08/2010 4:06:00 PM

    I understand Jason is a personal friend of Bob's and this is just another example of Bob getting preferential treatment from the media over the interests of the local blues community as a whole.

  • Loosecannonsbluesband 10/07/2010 5:05:00 PM

    Just found out that Bob did create a non-profit like the prior post said. The name is SOUTHWEST MUSICAL ARTS FOUNDATION. The corporation commission says the latest annual report is late and the corporation is in danger of being invalidated if it is not filed. I wonder if Bob would give me a copy of SOUTHWEST MUSICAL ARTS FOUNDATION's 990 IRS form. I belive this information is public information. Sure would be nice to know that Bob really is giving back to the community through this non-profit. Perhaps Martin would like to request the SOUTHWEST MUSICAL ARTS FOUNDATION's 990 Forms going back to it's formation in 1997. That would help him with his investigation.

  • Loosecannonsbluesband 10/04/2010 5:49:00 PM

    You know what, I'm going to print this whole article and comments section and start sending it to other news outlets music editors because Martin Cizmar seems to be going back on his vow above "I'll investigate." This crap has got to stop. Club owners using our tax dollars to subsidize their private business enterprises, all at the expense of the local music scene. Johnny Dixon would have been a MUCH better selection as the radio personality for KJZZ's blues show. He's actually a historian of the Blues and would have supported the Phoenix blues and roots music scene, both the musicians and fans, here in a far better way. Actually, there's still a chance Johnny would take the job should KJZZ offer it to him. Phoenix's blues scene would have been much greater and widespread had a non-conflicted (i.e., conflict of interest) radio personality been selected announcer. Then the interloper from surburbia would have had to compete on equal terms with the other music venues in town.

  • Real Blues Fan 10/03/2010 4:23:00 AM

    Jason Woodbury may have had innocent motives for writing the story but part of growing up is losing one's innocence- like finding out that the Santa Claus you had your picture taken with as a child is really the fat guy that works at the checkout at Safeway, or meeting your favorite actor and realizing that they are a self absorbed asshole, visiting a meat packing plant, or finding out that the local blues club owner does not care at all about the local blues scene and has gotten where he is by abusing his position of public trust and stepping on and over just about every blues musician in town, never looking back, even to say "thanks" or "sorry". I've seen a lot of amazing shows at the Rhythm Room, too. I've also been introduced to some great music on "Those Lowdown Blues", but these experiences have come with a price- the knowledge and understanding that Bob's rise to his current status of "Phoenix's Bluesman" has fractured and marginalized the majority of blues musicians in this town. If you, Jason, or any listener, have gotten the majority of their "blues education" from Bob or his radio show, you are missing out on a LOT of important and great blues because Bob is a bit myopic in his selection of material. Bob will even tell you that he only plays cuts that he likes. That is a disservice to the listener and might be forgiveable if there were other blues shows in this market, or if the show was too short to offer much variety. I would think that in five hours each week over the course of decades, that Bob might have had the time to play ONE song by Long John Baldry or early Fleetwood Mac but he was apparently too busy playing Louisiana Red(who gets 20 or 30 spins a year, perhaps to keep up interest until Red's next appearance at ....where else, the Rhythm Room). I would encourage Jason to seek out other blues musicians here in town and interview them. A couple of them could even tell you about Muddy Waters.

  • Loosecannonsbluesband 09/30/2010 7:25:00 PM

    Hey, I have little problem with Bob and congratulate him on his success. However, Bob got a subsidy from the County taxpayers to publicize his club through the extra announcement and airplay for the artists who perform at his club and he needs to factor this information in to his bio. I've even hired him in my band in the past! Let's be clear though - publicity, for an artist or music venue in this town, is paramount to success. If people don’t know about your event, there won’t be any people there. Talent is not the determining factor in who succeeds and who fails (e,g,; the Monkees or any of the "boy bands" which were created out of whole cloth). The ONLY member of the blues community who also has a radio show at his or her disposal is Bob. I want to make clear that there is a lot of musicians and clubs that don’t have that business asset. This automatically makes anyone who doesn’t have that asset less likely to succeed, blues musician or club owner, than the person who does have that asset, taxpayer supported as it may be. Until KJZZ changes it’s policies against on-air personalities acting with a conflict of interest in their programming last year, Bob took full advantage of this business advantage. This is called a “business advantage.” Now, if a business advantage is gained through the hard work and ingenuity of the business owner, all the best to that person. However, if that business advantage is gained through a taxpayer supported government subsidy, as did Bob’s, in my mind, that business owner owes that community something back. Remember, these announcements and plays of the artists’ CD by Bob are essentially an advertisement for his private business on a taxpayer supported public radio station. This is publicity that the other private music venues in the Phoenix area that present the art of our many blues musicians did not have. Now, there are approximately 15 minutes of time devoted each Sunday to a "Blues Bulletin Board" which lists all the blues performances, whether local or national acts, which KJZZ receives press releases about (mind you they don't go get the info from the club owners or musicians- you have to send it in). This is an invaluable service that KJZZ provides to the blues musicians and fans here and one that I hope does not end soon. Bob does not provide that service, KJZZ does through another employer. Now, let’s see what that business advantage was worth to Bob’s business the Rhythm Room. Let's add two and two and see if we get four. We're talking about announcements by Bob made OUTSIDE of that Blues Bulletin Board. Bob regularly made at least 4 announcements of the artists playing at his club on his show every Sunday (which, according to the 2 years worth of recordings of his show I have, this was normal) and then played cuts from those artists CDs and then made an additional announcement after the song. To be honest, the entire time spent on the artist should be counted as an advertisement for his Club. Others here have also pointed out that even in the absence of an actual verbal announcement by Bob, he routinely played cuts from artists appearing in upcoming shows at the Rhythm Room more frequently than he did other artists (let’s leave out the fact that he RARELY played cuts from local blues bands unless they were playing at his Club). If you call KJZZ (602-824-9480) and ask them what they charge for placing an ad (they call it a "sponsorship" or “underwriting”) they’ll tell you it costs $50.00 for a 15 second spot on the Sunday night blues show. Now, how many 15 second periods did Bob procure for his club? NONE. Remember, his 15 second ads were all free, courtesy of Maricopa County property taxpayers who fund the MCCCD. This might have added up to at least 88 “ads” per each Sunday show (4 times 22 15 second periods of time). That’s four times 22 15 second sponsorship spots that are essentially an advertisement for the Rhythm Room. So if Bob did this every Sunday show for 18 years (52 weeks in a year) at 4 times 22 second spots each show, that’s $4,118,400.00. Divided by 18 years that is $228,800.00 A YEAR!!! Quite the advertising budget for your club Bob. That must have really cut into your profi. . . . – oh, that’s right, you got all that for free. Quite a business advantage! I wonder, were that amount to be distributed amongst every music venue in town if it would have made a difference in their bottom lines? Now if one were to be conservative and say that Bob only did the announcement thing once each show that still would be over $1,029,600.00 over the 18 years or $57,200.00. Still a big promotions budget. I doubt KJZZ ever gets that amount of sponsorship dollars from one client underwriter. Don't worry about your Sunday night blues shows; it will be there with or without Bob. There are plenty of talented people in our community who, believe it not, have even more knowledge about the local and national blues scene than Bob and are capable. They would have been there with or without Bob, and probably with a person who might have promoted the local blues scene more than just their own private financial interests. As I clearly stated here before, I really appreciate Bob for his ability to survive in this god-awful place (at least for musicians who are trying to make a living practicing their art) and he deserves all the accolades. However, he needs to include in his resume the fact that without the millions of dollars of free advertising on KJZZ that his private business enterprise has received over the years has assisted him "just a little" in achieving his personal financial goals. Come on Bob - let's help the local yokels out a little too.

  • 09/29/2010 10:14:00 PM

    I have a pretty good idea that the writer of this piece had very innocent motives, he's a dedicated young music fan, writer, and musician, who grew up hearing Bob expose him to amazing music, and seeing amazing shows at his club. Period. I hear Muddy Waters was a womanizing violent asshole. Is he an opportunist? Maybe...I dunno...Most are who have the chance. yeah, he scored...He won. He had oppourtunity. He used it. and I've been benefitting from it every Sunday. W

  • 09/29/2010 10:00:00 PM

    I was very thankful to see that last Jimmy SMith show...very thankful.

  • Loosecannonsbluesband 09/29/2010 4:22:00 PM

    Just one question, Mr. Cizmar: Would the fact that Bob Corritore advertises his club in Phoenix New Times have any bearing on your initial reluctance to investigate this issue?

  • Loosecannonsbluesband 09/29/2010 4:08:00 PM

    I believe it was an internet posting on the KJZZ website and/or an email. I don't remember now. However, I would think the proper FOIA request would be for playlists from the Sunday Night Blues Show for the last 10 years (at least) and a review of the Rhythm Room website for the musicians and shows that were performed there to match up the I recorded Bob's show for a couple of years during the 1980s so I have cassette tapes of every Sunday show but I'm not sure of the tape quality after so many years. He was doing this type of thing (e.g., play a cut from an artist who was booked at his club in an upcoming show and then make an announcement about it both before and after the cut). Bob may be able to give you copies of his shows, I'm sure he's proud of the support for his club that KJZZ has afforded him over the years and would be happy to let you know how many times he announced the acts he booked at his club on the public radio station outside of the KJZZ' blues bullitin board announcements for all the the other clubs. I'm happy that Bob is helping the blues scene by presenting national artists as was as local ones. I think he should continue. However, I also think he should simply recognize the tremendous amount of advertising expense for his club he avoided paying to KJZZ over the life of his Club and consider giving back a little to the community after having received so much from it. Your interest in investigating that would be helpful in that goal. However, it appears you're more interested in killing the messenger rather than taking the message seriously. What Bill Shedd told me on the phone recently was that the prior station manager had instituted a policy last August, before he left, that radio personalities were not to promote their own business interests during their shows. I haven't listened to Bob's shows all the way through for about a year now (I'm too busy helping my veteran's club's blues jams on Sunday nights - the longest running blues jam in Phoenix) to listen to the whole show and hear whether he's stopped the announcing of his club's acts or not. From what the Real Blues Fan posts indicate he may still be playing cuts from the releases of acts who are appearing at upcoming shows at his club more frequently now without the announcements. That's easily discernable with an FOIA to KJZZ for the playlists for his show. I don't think that this investigation should be aimed at anything but getting a count of the number of times Bob used the public airwaves to promote his private business over his competitors. Whether KJZZ should get reimbursed from Bob for those ad revenues over the last 15 years or so which would have normally been paid by any other business or not is probably not within the scope of your investigation. I'm guessing that because KJZZ didn't have an "official" policy prior to last August, the legality of KJZZ pursuing Bob's business for that expense is probably not a reality. I'd also like to know more about this non-profit which was mentioned which gets grants to bring in culturally significant blues acts.

  • Loosecannonsbluesband 09/29/2010 3:15:00 AM

    Why did you call me Mr. Jackson?

  • Loosecannonsbluesband 09/28/2010 10:20:00 PM

    No. In fact I'm on fairly good terms with Bob. It's odd that because there is one critical issue regarding Bob Corritore (amongst the myriad of situations involving any human relations) that is being discussed here, you assume that there is a personal vendetta. I've performed at the Rhythm Room many times for benefits for various musicians and consider myself on good terms with Bob. I'm happy for his success but I wish he'd recognize where he got a lot of that success from and give back to the community more than he has, just operating in his own financial interests. If you do investigate thoroughly, and I believe you, please note the comparison between the amount of free advertising he's gotten on KJZZ and the amount of money he would have had to pay for the same amount of time had he purchased the advertising over the life of his tenure as a paid employee of the Maricopa County Community College District. Then compare the amount of money other clubs have advertised on KJZZ and you'll see the business advantage that Bob has enjoyed is HUGE and probably more of the reason for his club's success than any other single factor. I like the RHythm Room and Bob but I don't like that the taxpayers of Maricopa County CCD have subsidized his success to the disadvantage of the other blues clubs (and fans and musicians) in the Phoenix area because of that subsidy. Is that so wrong?

  • 09/28/2010 9:41:00 PM

    Just one question, Mr. Jackson: Have you ever been turned down for a gig by Bob? Or do you have some personal setback you blame on him? I'll investigate, just would like to know that going forward...

  • Loosecannonsbluesband 09/28/2010 5:21:00 PM

    "I know absolutely nothing about the internal politics of KJZZ or the Rhythm Room" - Martin Cizmar. Could it be that Martin is a Tool? When the local media just parrots the press releases of the business establishment and does not actually know what is going on in a local music scene, it's just embarassing. The Fourth Estate has apparently been taken over by the slackers. We, the musicians in Phoenix, would really appreciate you actually doing your job, the one you get paid to do - report on the local music scene with a goal to help make it better.

  • 09/27/2010 9:54:00 PM

    I'll call Bill Shedd and I'll also file a FOIA request for your letter if you'd like -- it's a public record, obviously. Do you remember the month you sent it?

  • Earthdayaz 09/27/2010 5:29:00 PM

    Martin, please consider investigating the amount of air time Bob has spent promoting his own club (utilizing the methods cited by myseif and Real Blues Fan) through the Maricopa County taxpayer funded job he gets paid to do at KJZZ, then correlate the amount of time spent playing and/or announcing the artists playing at his club (outside of the "blues bulletin board" which KJZZ produces) with the dollar amount another live music venue would have to spend on ads at KJZZ and you'll get an understanding of how extensively Bob and his business partners have benefited financially from such activity. It's expensive to advertise on KJZZ or any other radio outlet. Other live music venues have to pay for that advertizing. Bob hasn't. I'm guessing the business advantage over other live music venues in the Phoenix area has benefitted Bob's business over the million dollar range in the last 10 years alone. Of course, now that KJZZ had informed Bob and the other radio personalities there that they can no longer take advantage of their positions for private business gain by making announcements about upcoming shows outside of the "blues bulletin board", I hope I'll be hearing more actual ads being produced AND PAID FOR by Bob for his great club. KJZZ certainly needs the advertising income and Bob certainly needs to make up for all the largess he has received over the years at the public trough. Perhap's Bob could get some grants through his non-profit for the purpose of training local musicians in the business of music and it's improvement? Come on Martin - think!

  • Earthdayaz 09/27/2010 5:17:00 PM

    Yes, Martin, I do. In fact, I wrote a letter to County Risk Management AND the KJZZ Station Management over 2 years ago about the issue of a Maricopa County taxpayer supported radio station being used for anti-competitive means by a radio personality. I even cited the National Public Radio's policies against their on-air personalities declaring and avoiding conflicts of interest in the private business endeavors. Instead of trying to bait people Martin, why don't you interview Bill Shedd from KJZZ about the issue - he's the person I get my information from - where you do you get your's? Out of your ass?

  • Real Blues Fan 09/27/2010 8:08:00 AM

    "You see connection between artists playing the club and airplay and suggest the ties are part of some grand conspiracy." Grand? No. Just Bob using his public position for personal gain. "I know absolutely nothing about the internal politics of KJZZ or the Rhythm Room" You're a reporter, so why not investigate this instead of doling out platitudes like "we're imagining things where none exist"? By your own admission you are ignorant of the scene and politics involved. Do the public and your readers a favor and become familiar with the people and events involved. "Is it possible that the artists toured in support of a new record and that the record got played because it was an exciting new record?" That's funny! No. The artists mentioned in my previous post were NOT on tour. They really don't tour at all. They were flown in for this specific show. Kid Ramos' last release was in 2001. Carol Fran's last release was in 2000. Although Henry Gray's official discography lists his last release in 2004, he does have a more recent disc that has been out about a year and a half. Your argument is invalidated by the available facts. "It's also generally a good idea to play music from people coming to town on the radio to support the scene in general." It's a GREAT idea! This is exactly what is NOT happening. The scene in general is being ignored. The Rhythm Room receives a dis-proportionate share of attention on KJZZ while other venues are largely ignored. "... it's how media works, folks." The example you give is a private company promoting its own interests through its own outlets. No problem. This is a fundamentally different situation. Corritore is using his position on PUBLIC RADIO to further his personal financial interests. How much simpler can this be said?

  • 09/27/2010 2:08:00 AM

    I don't think that clarifying a policy is an admission of wrongdoing, anonymous poster. You really think that "County Risk Management" issued some sort of directive on this? Take your tinfoil hat off, dude.

  • 09/27/2010 2:06:00 AM

    First, again, I find it hard to take these comments as seriously as I would if you put your name on it. Our comment system now allows you to sign on with either facebook or twitter, so why not put your name on your words? You see connection between artists playing the club and airplay and suggest the ties are part of some grand conspiracy. I know absolutely nothing about the internal politics of KJZZ or the Rhythm Room, but from my experience in another Valley media outlet, you, as an outsider, are probably imagining some grand conspiracy where there is none. Is it possible that the artists toured in support of a new record and that the record got played because it was an exciting new record? That's generally how it works, folks. It's also generally a good idea to play music from people coming to town on the radio to support the scene in general. All stations do that and sometimes, like in the case of a big showcase from The Edge, they have a direct interest in that artist selling tickets to the show they;re promoting. To call that graft is just ignorant -- it's how media works, folks.

  • Earthdayaz 09/20/2010 4:37:00 PM

    Perhaps the word graft isn't exactly what I was looking for but it's close. In any case, KJZZ must have though it was improper because the station has stated that their policy is now (since last August) is that no radio personality is to make announcements that might gain them an unfair advantage for their private business while acting as an employee of the Maricopa County owned radio station. Why would station management have to even initiate such a policy statement like that in the absence of one of their radio personalities actually taking unfair advantage for their business over the other similar businesses in the Valley if they themselves did not feel such an unfair advantage was taking place. I'm guessing County Risk Management decided that there was a "risk" of some of the other similar businesses (music clubs) taking offense at such unfair competition and taking legal action was too great. I could be wrong and it could be that the station management "doing the right thing." Bob certainly didn't, even after years of personal complaints made directly to him about the issue.

  • Real Blues Fan 09/19/2010 2:54:00 AM

    Most people familiar with Bob know that he can be petty and vindictive. His history of personal and professional relationships in this town reminds one of Sherman' march to the sea. Those that cross him pay the price. Ask around.

  • Real Blues Fan 09/19/2010 2:44:00 AM

    As stated in other comments Bob is in a unique position where he is able to use his show on PUBLIC radio to promote shows at his PRIVATELY owned club. Artists appearing at other venues do not receive as much, if any airplay. For example, earlier this month Bob had his CD release party with some special guest players including Carol Fran, Kid Ramos, and Henry Gray. If you go back and look at KJZZ playlists, you will see that in the prior month those artists got 10 of their songs played on air. This does not include the larger number of recordings played which feature those artists as support or as members of a band. Bob will often identify the artist as being on those recordings for the benefit of the listener and remind them that the artist will be in town for a show at the Rhythm Room. I looked through the KJZZ playlists back to the beginning of the year and saw only a couple cuts from those same players. Essentially, the biggest airplay those artists got was right before their show at the Rhythm Room. For contrast, you can look at the number of songs Bob has played by national touring blues acts that are NOT playing his club. Jason Ricci, Ruthie Foster, Eric Sardinas, and Joe Louis Walker all played the Compound Grill earlier this year. The number of songs by these artists that Bob played on his radio show? ... A combined total of three. The blues community in Phoenix deserves better but sadly, this is typical behavior from Corritore.

  • 09/18/2010 6:17:00 PM

    Could you give one example of his graft?

  • 09/18/2010 6:16:00 PM

    Why not man up and put your name on this? It would make it a lot easier to consider your arguments.

  • Loosecannonsbluesband 09/14/2010 5:24:00 PM

    Perhaps your interpretation of the discussion here is a bit skewed. I think what we're really wanting to do here is discuss how to make the Phoenix blues scene better over all. That discussion certainly would include how one person used a lot of people to get ahead at the expense of that scene and would certainly be useful in learning what NOT to do to make a city's blues scene better. Is an anti-competive business strategy better for a city's blues scene or does a rising tide lift all boats?

 

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