By Monica Alonzo
By Ray Stern
By New Times Staff
By Stephen Lemons
By Chris Parker
By Monica Alonzo
By Stephen Lemons
By Robrt L. Pela
Not surprisingly, Joe Pagac agrees. He even defends the most controversial mural campaign in town — much more of a lightning rod than his own work on the side of eye lounge — Pabst Blue Ribbon's national, multi-mural campaign that has put murals and mural-like billboards up around town.
"I think the idea behind the Pabst murals is great," Pagac wrote in May in an e-mail conversation about the advertisement. "Whether it is a church selling religion through frescoes, a brewery selling beer via murals or a spear maker toting his latest spear in the caves of Lascaux, artists have had patrons who have sponsored them pretty much since the beginning of time. Done right, the patron gets the word out, the artist stays employed and the public gets something beautiful at no cost to them. More companies should do it."
Bobby Castañeda gets paid for his art, but not enough to make a living. He's got a day job behind a bulletproof window at the register of a Phoenix motel, which he says is a few streets away from where he grew up. He paints on his days off and at night, in his house or out on the streets.
Long before the current controversy — which spread beyond Castañeda's circle of friends and pinned many in the arts community on either side of the argument — Castaneda, 35, had a reputation for being passionate. The self-described "greatest painter alive" showed his brightly colored, street-style artwork in a few galleries and had a few infamously rowdy nights at the Bikini Lounge on Grand Avenue.
In 2009, Castañeda swore off Phoenix and moved to New York to work with the Fortoul brothers, Isaac and Gabriel. The Fortouls are from New Jersey but spent a few years in Phoenix; they even set up a late-night gallery (featuring much of Castañeda's early aerosol work) and hosted a few wild parties before moving to New York and establishing themselves in the Big Apple's hip-hop and underground art scenes. A couple of years, a waning bank account, and an ounce of homesickness later, Castañeda, like many, came back to Phoenix.
He signed up for a few mural opportunities and collaborative projects, and hung his canvases — mostly spray-painted skeletons with crowns, overlapping solid shapes, and scribbled phrases in permanent marker — in a couple of coffee shops, including Cartel Coffee Lab's new downtown location. (Baristas there say they've been trying to contact Castañeda to pick up his work, weeks after his show was scheduled to end.)
Castañeda leans back into the captain's seat of a boat in a parking lot on Seventh Avenue and Roosevelt Street. It's where he goes to take a break from painting. He says he's officially left his wild-child reputation in the past and that he wants to focus on "giving back to the community." What he doesn't mention is that he forgot to bury RESIST along with his past.
Aside from political reasons, Castañeda argues that his tag belonged on Pagac's mural because of economics. Castañeda draws the line at commercial work — be it for a band coming to town or a national beer brand trying to gain hipster cred. Pagac was paid and Pagac painted a commercial piece; therefore, Pagac painted an ad, not a piece of art.
Pagac says he entered art career backward; he learned large-scale painting while studying in Italy during college and took art jobs and commissions out of school to pay his own expenses.
"I didn't come from a street art background," says Pagac. "So I've never really understood the inside politics or pecking order that goes on in that community . . . But it's hard to look around, see a ton of empty walls and then look back at my own that gets tagged because someone accuses me of selling out or being in the wrong neighborhood or not doing art for a specific political cause.
"If you want to paint a mural or do artwork or speak out, there's plenty of room for that — in a creative way and on a space that's not on top of someone else's work."
In the comments under his Facebook photo, Castañeda writes, "I'm targeting the arts district and the artists who live there . . . stand up, say something . . . motivate peers (thus the tags on this photo). P.S.: murals for profit are fake art anyhow."
The lengthy Facebook discussion (68 comments spanning 10 days) that followed was a mix of support and criticism.
"[Pagac's mural] is a beautiful piece of art on a wall," wrote Riana Riggs, a former Phoenix songwriter and longtime waitress in popular downtown joints including Carly's Bistro and The Lost Leaf. "Andy Warhol's art was almost all advertisements. You, being an artist should be a little more sensitive. Pick a blank wall or a billboard. I still love you, Bobby, but this made me a little sad."
"[The mural] is beautiful and valid commercial work," wrote Damon Briedenbach, a Phoenix arts activist and coordinator of Second Saturday Social Club, a hip artist get-together that usually takes place at Briedenbach's house. "The tag painted at the bottom of it is also beautiful and valid and is a prime example of people's art. It's a bust and it's a culture jam and it belongs anywhere that people might already people looking."
this reads like a smear campaign against Castaneda. Sounds like someone at the New Times has an agenda. Cool story but it's lame to try and pit artists against each other in our community. shame
I hope somebody find Bobby Castaneda and beats the crap out of him with a can of spraypaint all the while yelling "stop resisting" at him.
What a dbag.
Who is Bobby Castaneda to decide what qualifies art and what doesn't? There's nothing really unique or profound on what he spraypainted over Pagac's mural. I think most would agree that the mural itself had more artistic merit than a scrawled message, however well-intentioned that message may have been. Perhaps if he feels the need to get his message out there, he could incorporate them into his own works rather than defacing and disrespecting the work of others.
Bobby isn't a juvenile he is in his thirties.If some young kid was writing RESIST on any everything I could see it has some healthy teenage rebellion but this dude is old. That coke head drunk has been the same shit on Roosevelt for years. Its easy to fuck with artists because they don't retaliate I would love to see him try going over some real graffiti writers.
Great article, great read. There is such a subculture in downtown that I didn't even know about, taggers versus muralists versus business owners and all that. The separation between art and vandalism is such a thin line in this circumstance, that it needs to be assessed on a case-by-case basis. The Art that you've highlighted in this article, and most of it (even the commissioned stuff) is fantastic. I cant agree more with Esser and his opinion about being labeled a "sellout". Most of Leonardo da Vinci's creations were commissioned, there is nothing about being compensated for art that makes it any less artistic.
Grafitti is vandalism. Plain and simple. How would these "artists" like it if I smashed the windows in their house and shoveled dirt "artistically" inside or removed the doors from their car and poured paint inside it in the name of art? Defacing anyone's property, whether public or private without their permission is a hostile act against them and is a crime. Society has gotten to the point that free expression is permissible no matter what. Individual expression, artistic or otherwise, is acceptable only to the point that it does not negatively impact another human being. Grafitti is not a victimless crime. It costs business owners, private citizens and all of us as taxpayers, a considerable amount of money each year to clean up the garbage these "artists" "create". And for Castaneda to claim that another artist's work is not valid art because they were paid for it speaks volumes about his ability to call himself an artist. A true artist respects the work of others whetehr they agree with it or not. Castaneda is a selfish thug that has a clear disrespect for others and shows that he is not a true artist by the fact that he cannot accept what others do as art. His overly inflated ego shows that he is so insecure in his abilities as an artist that he has to censor the works of others. Pathetic.
One last commet.. whose idea was it to name, names? To NARC on one of downtowns outstanding artists? Regardless of the reporters or NT's view on the subject of tagging... what do you really get out of making sure you ruin the life of someone else, in the process of writing some article and making sure you point fingers? It isn't as if the New Times does have page after page after page of prostitution ads and smut advertising, which if investigated could easily ruin much of it's advertising dollars. If something bad happens to someone we all love so dearly in the arts, as a result... well expect the unexpected.
"To NARC on one of downtowns outstanding artists? " you can't be serious. For one thing just using that word reminds me of the brat screaming "tattletale" after he lit the cat on fire. Anyways BC's whole thing is about getting his name out. It's not anonymous if everyone knows his piss mark. Ill bring my dog by if you like that kind of uninvited input.And tell me your not serious calling him outstanding. In what - putting his scrawl where it's not wanted -maybe. If you dont like the murals -dont get one on your place. if I want BC's work Ill buy a canvas - my house and office are not his to change.And finally - a threat ? Really? expect the unexpected?????Your killing me
If we're talking gang writing and gang tagging or scratching and defacing buildings or beautiful murals created by artists to beautify an area, just to destroy other people property maliciously, I'm certainly opposed to that!
But we've got advertisers calling commercial ads " Murals" ... when all they are, are little more than billboards for some upcoming show.. and I find that very offensive. Even if it's for some up coming arena performer.. why not instead paint all over the arena where the event is to be held or pay for billboard advertising? Get the crap ads off the walls of the art venues.. please! It's insulting.
I think it isn't really tagging just any murals, but those being used to commercialize some show or advance the interests of advertisers who have nothing to do with the independent arts and it's movement in the downtown area.
So in as much as on can ask, is art tagged over a capitalist mural ~designed to sell a product for someone else, not associated with the hard work of those who have made the Roosevelt art community viable, wrong? I wonder.
The Liquor Commercial on the building at the NW corner of 4th Ave and Roosevelt (before it was finally removed) was a perfect example of capitalist trash being deposited in the Arts... just another 'Big Box' advertiser trying to make a buck off of the hard work of the few artists and venues in the arts, who are lucky to make a dollar here or there... It made me want to puke when I saw it..
So the question isn't "is tagging happening to all the murals being create in the independent art areas'.. the answer is 'no' ..
But are the greedy advertisers that are using the arts for their gains having their so called 'murals' defaced the same thing... the answer is 'no' ... they deserve a bit of defacing if you ask me.
There is a difference between vandalism and someone sincerely wanting to make an artistic statement. And of course, art is in the eye of the beholder, so each person will think differently about what falls into the "art category". However, people make choices every day about what kind of art or statement they want to make, and in what manner - and I see a lot of unbridled anger behind some of the tagging I've witnessed (and absolutely a double standard). People claim they are against "the man" but they aren't damaging the "man's stuff" - just fellow artists and small business owners. Half the time they are wanting to be famous or get that big gallery show; what's anti-establishment about that? I will say that we have watched pure vandalism with people scratching or etching their tags into windows, and slathering big painted tags on whatever they can find. I even finally shut down my Stop n' Look windows, partially due to the indiscriminate tagging. And that was a venue where dozens of artists were provided stipends from our own private funding for 12 years to buy materials and create installations in the large storefront windows. I personally caught a tagger who had smeared some kind of etching junk on the windows in big letters (they were Lexan but it was still very difficult to clean off) and was in the process of throwing dirt and gravel in the slime when I caught him. Is this an intent to create art or to destroy some else's project? If people want to make a political statement why don't they do it where it counts (on true corporate entities) and not on the property of other artists and small business owners who are struggling to get by or to make a difference in their neighborhoods? We also had a fantastic Rose Johnson mural on the Paisley Violin wall that was painted by kids in our neighborhood with Rose several years ago, and it was partially funded by our Weed and Seed Coalition. One night some taggers came through and virtually obliterated the mural (after having been untouched for about 6 years). It was so badly damaged with large letters (certainly not just someone who wanted to be "part" of the mural) that the owners eventually painted it completely over because it would have been too difficult to fix. The tag wasn't a 'nod' to the mural - but an attempt to destroy it.
Whats' the old saying? It's much easier to tear something down than to build it?
I've seen some AMAZING murals on the sides of buildings from Paris to Phoenix. It tooks HOURS to create those works of art and the people who did it are ARTISTS. There is no more ART to writing 1070 on a wall and crossing it out than if I were to piss on the wall and call that piss art. (I guess that would make me Pisscasso?).
Anyone with an IQ above 75, or who has a clue, knows that scrawling 1070 over a REAL piece of art, drawing a heart around it and crossing it with a line is NOT art unless the "artist" is 3 years old. This is NOT art, it is VANDALISM. The "artist" should be forced to repair the damage at his own expense AND spend some SERIOUS time in prison.
You break into someone's house and steal something worth a thousand dollars and get caught, you go to prison. You deface someone's property and it costs them a thousand dollars to repair it, it is NOT art. It is a crime and needs to be punished to the maximum extent of the law. If we're lucky, maybe THEY'LL be violated in prison and the perpetrator will get off since all they were doing was "leaving their mark".
I wish someone could explain the cultural reason why most metro taggers are hispanic, and how they see their unwanted graffiti as "art"? I was employed for almost 30 years for the BNSF railroad, and I saw taggers wreak havoc on virtually all of our locomotives, box cars, etc. I'd estimate that 1 out of 1,000 of the equipment that was "tagged", could be somehow be classified as art. Most of it resembled drug induced graffiti to me.
While I don't personally know Mr. Castañeda, the article eludes to him having a criminal background. It's hard to find supporters of your handiwork, when most have come to know you as a criminal. Hopefully Mr. Castañeda will explore his true artistic talents, and find some canvass to affix his artwork to.
I think you are stereotyping graffiti writers being mostly hispanic. Graffiti writers come in all colors and cultures. We do live in Arizona where the "hispanics or Mexicans have been living before it even became Arizona.If you study art history, you will realize that graffit can be art. I don't respect the fact that that guy tagged someone's mural because that's amature stuff. I was a graffiti writer now I paint murals, but I never went over someone else mural unless they went over mine. http://blogs.phoenixnewtimes.c...
seriously if i were the cops i would start checking peoples facebook and myspace. dumb taggers putting their work on internet. Im sure the city is not going to do anything to mr Castaneda. Even though a couple weeks back they gave a tagger 5 years in jail. Dumb taggers is what they are.
We (Auto Culture) were not at all aware of the political message that Bobby Castañeda was attempting to align with the mural. Although we all have our own independent views on the issue, it is not what we discussed and not what we want representing the shop. Bobby has been sent a message to retract his statement to the New Times. The mural was inspired by the other artwork on Roosevelt and something we have wanted to do for a long time. We thought that Bobby had a good standing in the art district and were excited as he was to support local artists and the art district. We will continue to show support by offering up some more space to respected artists as well as continuing with our original idea of rotating the mural spot.
im a tagger and i hate when people tag over other artists work. I hate when so-called taggers just tag a wall for the hell of it. Tagging is suppose to be with pride tagging up ur name with pride not that chicken scratch i see all over phoenix.
Taggers are FAGS, you ruin our city with your Faggy TAGS, if the media got together and posted in their papers and in the news that EVERYONE who TAGS is a HOMOSEXUAL, maybe they will stop!! STUPID FAGS
@ByteRider, I like street art also as long as the painter has the property owner's permission. I think there is nothing more frustrating than having your own mural or property defaced by some juvenile vandal like Castañeda.
Criminals like Castañeda may call himself a fine artist, a mural artist, a graffiti artist, a tagger, a writer or a burner but I call the way I see it. He is a juvenile vandal.
I like street art, it's very creative, answers to no one, and touches not only on artistic style but social and political moods.
And the nice thing is, if you don't like it, it's gone in a few weeks with another montage of paint.
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