Somewhat predictably, a friend of mine who works at a church commented on Facebook about The Age of Adz's "I Want to Be Well," which repeats, as he wrote it, "the f-word almost 20 times." To my friend's credit, he didn't outwardly express an opinion, either positive or negative, but there's just a sense of disappointment with most Christian reviews of the new material. One commenter summed it up by replying, "Jeez. What happened there?" Did we do something wrong? Was it something we said? Did Stevens resign from our ambassadorship position while we weren't looking?
Worst of all is a review in Revelant, the printed voice of Christianity's faux-cultural revolution. The review ended with a paragraph imploring Stevens to "stop feeling that you have to impress us with 'innovation' . . . And for goodness' sake, bring the banjo back out of the closet. You can have your sanity back, and we can have our Sufjan back. Trust me. It'll be better for all of us." Other than being something that the reviewer, John Taylor, will look back on and be ashamed of writing someday when his writing career is over (hopefully soon), the review probably says what a lot of churchgoers are probably already thinking but don't want to admit. Reading that review, one can almost hear the stifling sound of art dying at Relevant.
Marzuki stevens
Sufjan Stevens: Alienating his diehard Christian fans with an edgy new album.
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Sufjan Stevens is scheduled to perform on Friday, October 22, at Mesa Arts Center.
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That's why my subculture of 20- and 30-something Christians don't really deserve to claim Stevens as one of our own anyway. We liked his music because it was sometimes more cute than challenging, and we could say we were thinking about culture and engaging with it when he made high-minded references. He was a cipher who didn't ask much from us. Now that Stevens sounds more confused and unsure, we might have to ask ourselves the same questions he's asking himself. Maybe this is Stevens finding his sanity. Maybe what we call sanity doesn't have much value to him anymore.
To do something really great, to make real art, Stevens had to leave the anchor of Christian expectation behind. The Age of Adz may not be the great work that will eventually result, but it's a start. We should probably hope his next album makes even less immediate sense. Maybe even that the banjo disappears completely. Stevens deserves better than his Christian fans, this writer included.