Green Lantern Gives Us a Case of Superhero Fatigue

It's 10 minutes before a human character appears on-screen in Green Lantern, a personality-free franchise-launcher that builds toward a quaint, if explosive, argument in favor of the nebulous quality of "humanity."

Via a heavily CGI'd prologue, we learn that The Universe is patrolled by a group of fearless, multi-species warriors called The Green Lantern Corps — and, yes, each member is issued an actual old-school camping lantern, which they use to recharge the clunky rings that allow them to harness "the emerald energy of willpower" to "create what you see in your mind." A new threat known as the Parallax — illustrated as a constantly morphing mass of something like flesh blended with rock, almost an Anselm Kiefer construction anthropomorphized — has managed to kill four members of the Corps, including an arrogant purple humanoid alien who crashes on Earth and uses his last breaths to command that his ring seek out his replacement.

The ring ropes in Hal Jordan (Ryan Reynolds), a bad boy and regular-old-human pilot given to a specific brand of cockiness that manifests itself via conspicuous self-deprecation. "I may be a total screw-up in every other part of life, but the one thing I do know how to do is fly," he says, after nearly dying in a test-flight exercise because he suddenly became distracted by an attack of convenient exposition — er, that is, an uncontrollable flashback to the plane-crash death of his own dad. Hal doesn't give himself enough credit: He also knows how to flirt, often via terrible double entendre, with Carol (Blake Lively), a former girlfriend now in line to run her father's aircraft company.

Dim prospects: Ryan Reynolds has little more than CG-enhanced physique going for him in Green Lantern.
Dim prospects: Ryan Reynolds has little more than CG-enhanced physique going for him in Green Lantern.


Directed by Martin Campbell. Written by Greg Berlanti, Michael Green, Marc Guggenheim, and Michael Goldenberg. Starring Ryan Reynolds, Black Lively, Peter Sarsgaard, and Mark Strong. Rated PG-13.

Shortly after the ring finds him, Hal is transported via a green energy bubble into space, where he meets Lantern leader Sinestro (Mark Strong), an alien who is skeptical that a human could have the skill and intelligence to make it in the Corps. Hal, ever the self-saboteur, is also sure there must have been some kind of mistake, and he takes the first opportunity to escape this new assignment. But then the Parallax gets its hooks into Hector (Peter Sarsgaard), a scientist creepily obsessed with Carol, and from there somehow it becomes apparent that the future of the Earth is in danger, so, you know. . . .

I could easily fill pages running down the plot obstacles that Lantern director Martin Campbell soullessly cycles through; identifying all the characters introduced by the film's four screenwriters, only to be easily disposed of; and "explaining" the complete hodgepodge of psychological cause-and-effects, from the pervasive daddy issues and complete absence of mothers, to the arbitrary, less-than-convincing confidence issues that Hal is able to surmount as soon as it becomes clear that Carol really wants to kiss him. But the movie never bothers to suggest that any of that really matters: Campbell's ADD style privileges spectacle over story — so much so that the film never rewards the viewer for even trying to keep track of what is going on.

So you give up, and instead try to grab on to the small pleasures, which momentarily distract from the fact that the narrative is nonsensical, the characters so boilerplate that their every action seem preordained from the earliest frames, even as the action on-screen is often incoherent. Sarsgaard, with a major latex assist, gives a grand camp performance only rivaled in the past 12 months by Michael Sheen in Tron: Legacy. While hardly even registering as a villain, the Parallax is a breathtaking visual idea — roasting its victims alive while simultaneously slurping up their flesh, the entire maneuver rendered as a lacy spray of golden fire and charcoal ash.

This is pure cinematic magic, but the motives of the menace are muddled if not completely opaque. And while Reynolds isn't a sharp enough actor to really find the crackle in his standard-issue superhero wisecracks, his body is a marvel of precision sculpting. As he breathes in and out in the skin-tight, digitally enhanced Lantern suit, each abdominal muscle seems to pulse independently. It's transfixing — and the closest Green Lantern gets to character detail.

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Ken St. Andre
Ken St. Andre

Critics always miss the point of superhero movies, and Hollywood scriptwriters always try to improve on the original and fail. The point of superhero movies is not character, but cool special effects. What doesn't make sense to the average critic makes perfect sense to the comics fan who knows the whole backstory--who already knows the characters inside and out. Ryan Reynolds is a dead ringer for Hal Jordan. Blake Lively as Carol Ferris is one of the most beautiful women on film IMHO. The prosthetics and sfx done to create the Green Lantern corps of alien guardians is marvelous.The only reason the film doesn't work is because the scripters don't really understand their material. Green Lantern could have been a better movie--I don't think anyone likes the plotline where a protagonist has to grow up and take responsibility and save the world, but it isn't nearly as bad as the critics make it sound. Ryan Reynolds was fun to watch, and kind of funny--he does his comic bits very well. Blake Lively as Carol Ferris was gorgeous and the very image of the modern professional super woman. The actor who played Dr. Hector Hammond really carried off a very difficult role very well. Try going to a movie and looking for its strengths instead of its weaknesses, and you'll have a very different experience and a lot more fun with it.


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