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  • Article

    FLEECE CIRCUS

    Lampooning the shysters of evangelism has kept satirists busy ever since the faithful realized that the price of salvation was an empty pocket. What's even more hilarious, the faithful never quite seem to grasp what's going on. So I expected Lloyd'...

    by Kathleen Ellison on March 23, 1994
  • Article

    ROMEO VOID

    According to the Arizona Shakespeare Festival's production of Romeo and Juliet, Verona was full of crazy people who screamed a lot, mugged outrageously, told jokes and fell on the ground. Of course the title couple lived there as well, and they tri...

    by Kathleen Ellison on March 16, 1994
  • Article

    VICTIM'S RITES

    Death and the Maiden turns out to be a lot like a political candidate: lots of promises, and always the hope of answers to it all. But South American playwright Ariel Dorfman sidetracks us with credibility problems--always a bad sign when it comes to...

    by Kathleen Ellison on March 16, 1994
  • Article

    VICTIM'S RITES

    Death and the Maiden turns out to be a lot like a political candidate: lots of promises, and always the hope of answers to it all. But South American playwright Ariel Dorfman sidetracks us with credibility problems--always a bad sign when it comes to...

    by Kathleen Ellison on March 16, 1994
  • Article

    ROMEO VOID

    According to the Arizona Shakespeare Festival's production of Romeo and Juliet, Verona was full of crazy people who screamed a lot, mugged outrageously, told jokes and fell on the ground. Of course the title couple lived there as well, and they tri...

    by Kathleen Ellison on March 16, 1994
  • Article

    VIRAL NOTEBOOK

    Sexuality is the theme of two exhibitions, one deadly serious in its approach to the subject, the other, for the most part, lethally boring. "Brian Weil: The AIDS Photographs," on display at ASU's Matthews Center, is a nationally touring collection...

    by Kathleen Vanesian on March 2, 1994
  • Article

    VIRAL NOTEBOOK

    Sexuality is the theme of two exhibitions, one deadly serious in its approach to the subject, the other, for the most part, lethally boring. "Brian Weil: The AIDS Photographs," on display at ASU's Matthews Center, is a nationally touring collection...

    by Kathleen Vanesian on March 2, 1994
  • Article

    CAUSE AND DEFECT

    The difficulty in reviewing Scott McPherson's Marvin's Room is knowing how much consideration to give to the playwright's personal life. The cast of the production at Phoenix Little Theatre wore red ribbons at the curtain call, pointing out to audien...

    by Kathleen Ellison on March 2, 1994
  • Article

    CAUSE AND DEFECT

    The difficulty in reviewing Scott McPherson's Marvin's Room is knowing how much consideration to give to the playwright's personal life. The cast of the production at Phoenix Little Theatre wore red ribbons at the curtain call, pointing out to audien...

    by Kathleen Ellison on March 2, 1994
  • Article

    SOMETHING WICK THIS WAY COMES

    Sierra Vista sculptor Robert Wick has a heart bigger than his art. And that's pretty big, considering that some of his bronze sculptures are more than 13 feet high and weigh so much they have to be lifted by cranes and transported by flatbed. Wick ...

    by Kathleen Vanesian on February 23, 1994
  • Article

    COMEDY OF ERAS

    Legend has it that movie mogul Louis B. Mayer once stated: "If you've got a message, send a telegram." With Past History, a new play written by Arizona State University's Michael Grady and presented at the school's Galvin Playhouse, Western Union wou...

    by Kathleen Ellison on February 23, 1994
  • Article

    OH, SHAW

    No one served George Bernard Shaw's satirical purposes better than the religious hypocrite. In The Devil's Disciple, you can almost hear Shaw smacking his lips in anticipation as he sets forth his plot of the rogue and his pious family. The rogue, of...

    by Kathleen Ellison on February 23, 1994
  • Article

    BEYOND THE BLACK VELVET CANVAS

    Given the recent increase of ugly--and often violent--anti-Mexican sentiment in the wake of the North American Free Trade Agreement, it took a lot of huevos for Scottsdale Center for the Arts to mount "Cruzando Fronteras/Crossing Borders." The center...

    by Kathleen Vanesian on February 9, 1994
  • Article

    Stages

    Somebody thought it was a good idea for a play. Four guys sit around and say what's on their minds, sexual betrayal is discovered, somebody ends up getting shot. I don't know. Maybe there's an idea in there somewhere. But these are about the most bor...

    by Kathleen Ellison on February 9, 1994
  • Article

    THEY SWOOP TO CONQUER

    :The Seagull, as staged by Arizona Theatre Company, treats Anton Chekhov's play about love, art and lost youth with the utmost respect. But not with passion, or tenderness, or intelligence, or even the tongue-in-cheek humor that would have breathed s...

    by Kathleen Ellison on February 9, 1994
  • Article

    BLACK LIKE SHE

    For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf was an exotic sight to Broadway theatregoers of 1976: Onstage were black women speaking and dancing to the words of a contemporary, black, feminist writer, Ntozake Shange, and her...

    by Kathleen Ellison on February 2, 1994
  • Article

    NADA THIS EARTHGRINGO ART HITS THE CANVAS IN NEW "SOUTH OF THE BORDER" EXHIBITION

    @body:After seeing the work in "South of the Border: Mexico in the American Imagination" at Phoenix Art Museum, if I knew nothing about Mexican art history, I would have to conclude that all American artists who traveled to Mexico between 1914 and 19...

    by Kathleen Vanesian on January 26, 1994
  • Article

    NADA THIS EARTHGRINGO ART HITS THE CANVAS IN NEW "SOUTH OF THE BORDER" EXHIBITION

    @body:After seeing the work in "South of the Border: Mexico in the American Imagination" at Phoenix Art Museum, if I knew nothing about Mexican art history, I would have to conclude that all American artists who traveled to Mexico between 1914 and 19...

    by Kathleen Vanesian on January 26, 1994
  • Article

    NADA THIS EARTHGRINGO ART HITS THE CANVAS IN NEW "SOUTH OF THE BORDER" EXHIBITION

    @body:After seeing the work in "South of the Border: Mexico in the American Imagination" at Phoenix Art Museum, if I knew nothing about Mexican art history, I would have to conclude that all American artists who traveled to Mexico between 1914 and 19...

    by Kathleen Vanesian on January 26, 1994
  • Article

    EROS IN JUDGMENT

    Recently, the Tucson Police Department's child-abuse detail confiscated artwork by local artist-photographer Robyn Stoutenburg from the city's downtown Gallery Six & 13--without a validly executed search warrant. Twelve of the artist's photographs we...

    by Kathleen Vanesian on December 29, 1993
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