Bilge Ebiri

 

Bilge Ebiri is the principal film critic at the Village Voice. Ebiri's work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

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  • In the opening shot of Only the Brave, a flaming bear -- not just a bear that happens to be burning but one that looks as if it had been created entirely from fire -- lunges at the camera in the middle of a blazing forest. Fire crew...

  • 4 days ago | Film and TV

    In the opening shot of Only the Brave, a flaming bear — not just a bear that happens to be burning but one that looks as if it had been created entirely from fire — lunges at the camera in the middle of a blazing forest. The image returns a...

  • 5 days ago | Film and TV

    The labyrinthine nature of memory, trauma and guilt is made concrete in Benedict Andrews' Una, a film that intermittently sends its characters wandering around what looks like an actual maze. In the title role, Rooney Mara puts her perpetually hau...

  • 10 days ago | Film and TV

    The Meyerowitz Stories (New and Selected) premieres on Netflix on October 13. Adam Sandler’s core as a performer has always been his self-loathing. In his best comedies, he weaponizes it with humiliating ruthlessness. (In his worst ones, it wafts ...

  • In Blade Runner 2049, set three decades after Ridley Scott's original, Denis Villeneuve has to re-create and expand Blade Runner, convincingly imagining how it might have changed over the years and envisioning the rest of its dying...

  • The labyrinthine nature of memory, trauma and guilt is made concrete in Benedict Andrews' Una, a film that intermittently sends its characters wandering around what looks like an actual maze. In the title role, Rooney Mara puts her...

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