Email Author J. Hoberman
The money is on the screen in Avatar, James Cameron's mega-3D, mondo-CGI, more-than-a-quarter-billion-dollar baby, and, like the Hope... More >>
The most significant American artist before Andy Warhol to take "the media" as his medium, Orson Welles lives on not only in posthumously restored... More >>
The Road, Cormac McCarthy's Pulitzer Prize-winning post-apocalyptic survivalist prose poem — in which a father and his 10-year-old... More >>
Historical cataclysm produces conspiratorial thinking: Germany's loss in World War I, the JFK assassination, and 9/11 are all naturally understood... More >>
Directed by Spike Jonze from a 400-word children's picture book published in 1963, Where the Wild Things Are may be the toughest adaptation... More >>
Set in the bucolic suburbs of early-19th-century London, as fresh and dewy as a newly mowed lawn, Jane Campion's Bright Star recounts the... More >>
As Tetro, Francis Ford Coppola's baroque genealogical melodrama, reaches its appropriately hysterical denouement, Vincent Gallo fixes his... More >>
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment — rich in... More >>
Lynn Shelton's Humpday, a sexual sitcom, opens with a pair of breeders in bed. A youngish married couple, Ben (Mark Duplass) and Anna... More >>
"Heterosexuals can't understand camp because everything they do is camp," opined an associate of the old Playhouse of the Ridiculous, a New York... More >>
Character is destiny — at least for Woody Allen's Whatever Works. Allen's exercise in Woody Allen nostalgia opens with a snatch of... More >>
Not quite The Further Adventures of Cain & Abel, the second coming of Beavis & Butt-Head, King Kong vs. Godzilla Redux, or... More >>
Pundits agree: The 2008 election has finally and forever rung down the curtain on America's longest-running psychodrama, namely the Boomerography,... More >>
CANNES, France — Memorable for its in-your-face sensationalism, the 62nd Cannes Film Festival opened with the 3-D computer animation... More >>
Jim Jarmusch's anonymous antihero hitman (French-Ivorian actor Isaach De Bankolé), identified in the credits of The Limits of... More >>
"Things," as Dwight D. Eisenhower once observed, "are more like they are now than they have ever been before." But why? Is something better... More >>
Kevin Macdonald's Washington thriller is a bellows designed to puff up the most beaten-down reporter's chest. Compressed from the highly regarded... More >>
Martin Scorsese may be presenting Matteo Garrone's Gomorrah, but this corrosive, slapdash, grimly exciting exposé of organized crime... More >>
The most eagerly anticipated (as well as the most beleaguered) movie of the year (if not the century), Watchmen is neither disastrous... More >>
Sometimes, less really is more. Modest but cosmic, Kelly Reichardt's Wendy and Lucy is a movie whose sad pixie heroine, Wendy (Michelle... More >>
And so the endless campaign wraps up with a flurry of virtual leaders. Richard Nixon will always be part of America's dreamlife, with or without... More >>
Ari Folman's broodingly original Waltz with Bashir is a documentary that seems only possible, not to mention bearable, as an animated... More >>
The Wrestler may be plenty visceral, but it's no more a sports movie than professional wrestling is a competitive sport. Chronic... More >>
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