Michael Nordine is a regular film contributor at Voice Media Group and its film partner, the Village Voice. VMG publications include LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.
3 days ago | Film and TV
Miss Sloane opens with a clever gambit: Jessica Chastain’s face fills the screen in a tight close-up as she talks about strategy, breaking the fourth wall. From its opening minutes, the audience is put at the mercy of a charismatic figure and forc...
When last we saw Howard Hughes onscreen, Leonardo DiCaprio was repeating "the way of the future" ad infinitum as he gazed into the mirror. Warren Beatty's long-in-the-making Rules Don't Apply isn't nearly as concerned with the future as...
17 days ago | Film and TV
When last we saw Howard Hughes onscreen, Leonardo DiCaprio was repeating "the way of the future" ad infinitum as he gazed into the mirror. Warren Beatty's long-in-the-making Rules Don't Apply isn't nearly as concerned with the future as Martin Sco...
1 month ago | Film and TV
At what point do we stop looking at a show like Black Mirror as a sign of things to come and start acknowledging it as a reflection of where we already are? All the Terminators and 2001s in the world couldn’t prevent us from lusting after self-dri...
2 months ago | Film and TV
Rob Zombie can do better than 31. For proof, just watch any other Rob Zombie movie. The musician-turned-filmmaker's body of onscreen work is as nasty and brutal as you'd expect of a metal singer whose first band took its name from a pre-Code horro...
It takes all of two minutes of listening to Emily Blunt's voiceover in The Girl on the Train before you have to wonder whether this narrator might be unreliable. As her Rachel rides Metro-North in and out of Manhattan, detailing her...