Best Of :: Bars & Clubs
Bob Corritore arrived in Phoenix in 1981, figuring he'd be here only for a year, at most.
Almost three decades after the fact, the Chicago-born harmonica player is still around, and local blues connoisseurs are grateful he decided to stay put. He's been plenty busy in that time, using his lifetime love of the blues to help the Valley get hip to the down-home genre personified by B.B. King and Bo Diddley.
Since 1984, he's served as Phoenix's reigning blues guru, broadcasting choice cuts from his ample album collection and sharing an infectious fervor for the American-born art form every Sunday during his weekly KJZZ 91.5 FM program, Those Lowdown Blues. Meanwhile, Corritore has also devoted the past 18 years to making his CenPho joint the Rhythm Room the preeminent spot for blues and roots music.
It's become a hallowed ground of sorts, having featured gigs by such giants as Pinetop Perkins, Leon Redbone, and Jimmy Rogers. A number of renowned artists have also recorded live at the Rhythm Room, including the Fabulous Thunderbirds' Kim Wilson and the late Robert Lockwood (stepson of the famed Robert Johnson). Corritore has also provided a home for Arizona's blues and R&B practitioners — ranging from Windy City-style trio The Rocket 88s to Texas transplant Big Pete Pearson — as well plenty of Americana, country, rockabilly, and other roots-oriented bands.
The place evokes the spirit of the South Side Chi-Town joints that Corritore haunted during his youth, blowing his mouth harp alongside legends like Honeyboy Edwards and Big Leon Brooks. In fact, his relationships with countless greats is why CenPho property owner Lenny Frankel asked him in 1991 to help transform a vacant cinder block building — which had housed everything from a '60s go-go bar to late-'80s music venue the Purple Turtle — into the Rhythm Room.
Corritore, who'd already been performing with local blues bands and booking shows at such bygone hangouts as Chuy's in Tempe, began bringing in buds like Louisiana Red, Junior Walker, and other marquee-level artists to who ordinarily might have skipped Phoenix altogether. (He'd already encouraged the late Chico Chism to relocate here in 1986, and the former Howlin' Wolf drummer became a frequent collaborator and a regular at the club before passing away in 2007).
It's helped Corritore (who became sole owner in 2001 after Frankel pulled out) build a devoted patronage and weather many a storm over the years, as has his recent practice of hosting a variety of indie and alt-rock acts. So regardless of what night of the week it is, you're guaranteed to find a good show at the Rhythm Room.
How is it that we've scraped this town, year after year, searching for drinking digs without ever coming across this little gem? The Ice House Tavern is really kind of a messed-up idea — but in a creepy, fantastic way. Anyone who grew up in Phoenix probably skated at Arcadia Ice Arena at least once in his or her life. Little did we know as fumbling, tumbling idiots on the rink that drunks were watching us the entire time. Yep, there's a bar connected to the rink where boozers can slurp their cocktails and peer through windows to the rink while wobbly skaters slide around on the ice. In 2009, local hipsters latched onto this hole in the wall and celebrated its slightly seedy — definitely cuckoo — novelty.
It's a bit of a haul for most Phoenicians — just over the Pinal County line south of Queen Creek — but a trip to San Tan Flat on a Saturday night is a real treat. Live music from a rollicking country band, a nice wide dance floor, and great food give this place an overall excellent atmosphere, but it's the wood-burning fire pits that really set the stage for a special night. Grab some wood off the pile and toss it on the coals, then buy some marshmallows from behind the bar. Before you know it, you'll be living the saloon's slogan: "All the fun of camping out, without having to sleep on the ground."
We love the Autostrada panini. And we love the smoked salmon bruschetta. And Postino Central's wine list is not only imaginative but always features several of our favorite libations. But what we really love most about this new-ish cafe (located in the old Katz's Deli building on North Central) is that seating on the patio lets us watch three entirely different slices of life, all at once. We can ogle the bar crowd that's hanging out just beyond the patio (where it's pretty easy to strike up a conversation with like-minded wine lovers at the next table), so our desire to watch drunk people hooking up is sated. Beyond that, the dining room is always filled with people having klatch-y catch-up meetings and clandestine conferences (last time we were there, we witnessed a mother-daughter donnybrook having to do with short skirts and withheld tuitions — scandalous!). And Postino's wide, single-pane picture window offers views of the street beyond the dining room. We can even see, from way back on the patio, the comings and goings at the Circle K across the street — which is a lot more interesting than you'd imagine. We're lurkers at heart, and we see a lot more than crusty bread and wine bottles when we hang at Postino Central.
We've always wondered: Where do bars and clubs go when they die (i.e., close)? Whisked away to the nightspot great beyond after falling to a wrecking ball, perhaps, never to return (like Tempe's Long Wong's)? Or maybe reincarnation into a completely new identity is in order, like when the old Mason Jar became gay dive Velocity 2303. In the case of The Sail Inn in Tempe, the legendary hippie hangout was revived, Lazarus-style, in its original location by owner Gina Lombardi. The original version of the Sail closed after it was bought out by real estate developers in late 2005, ultimately becoming the ill-conceived danceteria Trax, which fizzled out after 18 months. Fortunately, Lombardi swept in and resurrected her old stomping grounds earlier this year, upgrading the décor in the process. And though its look may have changed, Lombardi's continuing the old habit of booking a wide variety of musicians — ranging from the jam-rockers of Xtra Ticket and The Noodles to burgeoning indie acts like Black Carl — nearly every night since re-opening. It couldn't have happened at a better time, too, as The Sail Inn is just about the only dedicated music venue in downtown Tempe, an area once renowned for its live bands. Thanks, Gina.
Since debuting in January, Cream Stereo Lounge has endured a significant amount of both love and hate, much like any new nightspot. Its supporters easily gush about its mix of European and Las Vegas-style touches, including swimsuit-clad models engaging in burlesque-like bathtub shows. The haters, on the other side of the coin, have groused about alleged rude service, the club's minuscule size, and overpriced covers. But over the past few months, the grumblings have quieted down and the place is more popular than ever. One factor in its success has been the selection of superstar DJs that have been booked to spin here. The list is quite impressive, including Lee Burridge, Paul Oakenfold, George Acosta, and Paul van Dyk, just to name a few. Like the saying goes, the Cream rises to the top.