Calling it "a Latin Pitchfork" (as some have done) doesn't really convey exactly what makes Club Fonograma, a Phoenix-based Ibero-American pop culture site, so special. Carlos Reyes, an occasional contributor to New Times' music section, mans a staff of volunteer bloggers and critics to shine on a light on the vibrant, pulsing sounds of Spanish-language pop, indie rock, and electro. Comparing the site to Pitchfork only works on superficial levels (it sure is pretty) — as Club Fonograma draws a thick black line connecting the sounds of Latin "nowness," like Juan Cireol, Arcangel, and Linda Miranda, with similarly fresh non-Latin acts (dubbed, lovingly, "outsiders" by the site) like Danny Brown, Azealia Banks, and M.I.A. With a crisp aesthetic and even crisper writing, Club Fonograma deserves more than a quick Pitchfork comparison.