Bloc Heads

Transitioning from overhyped buzz generator to perpetual powerhouse ain't easy, even for figures as charismatic as the Bloc Party men, and the strain shows on the Brits' third LP. "Ares" is the sound of a band trying too hard, albeit with assists from some pretty interesting elements: screaming sirens, kinetic...

By Michael Roberts

December 11, 2008

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "18478561",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "16759093",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "17980324",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "16759092",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "17980324",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 24
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "16759094",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 24
        }
      ]

Transitioning from overhyped buzz generator to perpetual powerhouse ain't easy, even for figures as charismatic as the Bloc Party men, and the strain shows on the Brits' third LP. "Ares" is the sound of a band trying too hard, albeit with assists from some pretty interesting elements: screaming sirens, kinetic beats and the lyrical declaration "Get out of the way or get fucked up." But for every distinctive track along the lines of the calm, confident "Signs", there's one that's structurally dunderheaded ("One Month Off") or unexpectedly generic ("Halo"). The mutability of Kele Okereke's vocals adds to the project's scattershot feel: On the jittery "Mercury" and the more ethereal (and more satisfying) "Ion Square," he sounds like completely different people. As such, the results fall closer to inconsistency than Intimacy.
Sun., Dec. 14, 6:30 p.m., 2008

KEEP NEW TIMES FREE... Since we started New Times, it has been defined as the free, independent voice of Phoenix, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.

Michael Roberts has written for Westword since October 1990, serving stints as music editor and media columnist. He currently oversees Westword's news blog.

Contact: Michael Roberts

Follow:

Facebook: 111180895657427