Being White's gift to the world is a large cross to bear, and, in some ways, Golightly rises to the challenge. Of the 13 songs on . . . None Other, only three are covers, showcasing her writing far more than any of her other records. True to her obsession, Golightly's songwriting produces melodic pop vignettes that evoke left-of-the-dial AM gems, and tracks like "Walk a Mile" and "Tell Me Now So I Know" display a professorial understanding of '60s femme-pop. But there's the rub -- Golightly's carbon copy of the past has only so much mileage. Absorb 10 minutes of newly recorded oldies grooves, guitar licks and dreadfully tried lyrical clichés ("My baby's gone and left me," etc.) and it's hard not to want the real thing. It apes the nostalgia inspired by scratchy old finds in the 25-cent bin very well, but it doesn't require the thrill of the chase that makes those finds such a treasure. Think of it as musical near-beer, basically the same taste with none of the buzz, leaving the only thing that . . . None Other can offer to be an encapsulated stroll down memory lane for people who want to take the highway.