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Night & Day
Cowpokes en français? That aint no bull.
By Peter Breslin
Think cowboy and yall will most likely imagine vast expanses of the old American West. But as long ago as the first nomads got footsore and became farmers,...
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Night & Day
Welcome to creepsville
By Clay McNear
We were in our shrinks waiting room when we read about the Guggenheims current retrospective of Louise Bourgeois career. The loony-bin setting was perfect,...
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Night & Day
By Clay McNear
Some people -- okay, us -- would classify Gidget as a monster movie. No, Sandra Dee was not the Devil and Moondoggie wasn't her slavering hellhound, but their 1959 flick...
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Night & Day
By Clay McNear
The scenery-chewing fiends in Robert Altman's Prêt-à-Porter (1994) are beautiful creatures with perfectly manicured claws -- i.e. the models, designers, and...
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Night & Day
By far the best thing to do in the PHX on a Sunday night, this social-activist hair salon's monthly hoedown draws artists, scenesters, and, of course, people looking for a new...
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Fenske
By Sarah Fenske
Sam Vagenas is one of the most interesting characters in recent Arizona political history.
As a consultant, Vagenas made an absurd amount of money pushing the pot passions of...
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Feedback
MYSTERIES OF DEATH
Girl's demise will stick in the mind: What a gruesome yet fascinating article about the "unidentifieds." It's truly a mystery where some of these people...
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ˇAsk a Mexican!™
By Gustavo Arellano
What's with calling yourselves "La Raza"? Being Mexicans, Chicanos or whatever isn't enough — now you're the race? Sounds pretty racist to me.
The Race is On
Few things...
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Music
By Kevin Murphy
Brian Coughlin plays guitar for Phoenix rock band Kinch, and he's also the group's self-appointed financial planner.
He keeps detailed logs of where the band's modest cash...
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Shrapnel
By Serene Dominic
Ringo's All-Starr shows used to be just that: All stars. You had actual frontmen of bands (Mark Farner, Peter Frampton, Burton Cummings, Randy Bachman, Felix Cavaliere, Levon...
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Home Grown
Raw Meat (self-released)
By Niki D'Andrea
Given the band/album name and cover image, I half-expected this band to sound like either cheesy '80s cock-rock throwbacks or raucous hardcore punk. It's neither. Although the...
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Listen Up
Modern Guilt (Interscope Records)
By Michael Roberts
Danger Mouse is arguably the most adventurous producer to tackle a Beck project since the Dust Brothers helped birth a 1996 baby called Odelay (the Dusters' return for 2004's...
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Listen Up
Last Stop: Crappy Town (Vagrant Records)
By Aaron Ladage
Wild rumors are standard-issue for the intentionally enigmatic Reggie and the Full Effect. But if the latest Internet scuttlebutt is true, Last Stop: Crappy Town is Kansas City...
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Listen Up
Revelation (Frontiers)
By Tony Ware
The members of Journey must be feeling the band's name is more meaningful than ever these days. It's unlikely any band has a comeback as thoroughly modern and convoluted as...
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Live Wire
By Serene Dominic
Rich and famous bands into their 10th year and sixth album demonstrate a worldview tempered by easy women and shysters. Hard-working bands with a growing cult following, like...
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Live Wire
By Chris Gray
Rick Rubin already had been working for ZZ Top — the Houston trio recently enlisted Rubin to produce its next album — and now ZZ Top works for Rubin as well....
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Live Wire
By Michael Roberts
When Coloradans talk about great musical artists with local roots, they seldom mention jazz guitarist Bill Frisell. Frankly, the omission is mystifying. Frisell has been...
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Live Wire
By Niki D'Andrea
While people have often picked on Lovett for his looks (they're just jealous they didn't have a brief marriage to Julia Roberts), you can't really argue with Lovett's merits as...
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Booze Pig
By C.M. Redding
Being a booze pig, I pride myself on knowing the location of every dive bar in town. It gets a little more difficult when you are in the sixth-largest city in the...
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Needle Exchange
By Benjamin Leatherman
If you're planning to head to The Door in Tempe to hang out at Groove Candy this coming Hump Day, a minor course correction is in order, yo. That's because the crackalackin'...
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