CD Review: The Stiletto Formal
By Martin Cizmar
You know a local band is big when they get not one but two CD release parties. The Stiletto Formal will be all over town this weekend, celebrating the release of ¡Fiesta, Fiesta, Fiesta, Fiesta! at The Clubhouse on Friday and The Rogue on Saturday.
So what exactly does the band’s debut album sound like? We’ve got a review from Albert Ching, my former coworker at the East Valley Tribune (R.I.P.) who’s now the music editor over at our sister paper in Orange County. Albert has been following the band from the beginning, have reviewed their original EP for the soon-to-be-defunct Get Out back in it’s salad days. Here’s what he has to say…
The Stiletto Formal ¡Fiesta, Fiesta, Fiesta, Fiesta! (Eyeball Records)
It¹s better to try too hard than not hard enough. That might sound like a platitude from an inspirational poster that hung on your elementary school room wall, but in the case of ¡Fiesta, Fiesta, Fiesta, Fiesta! the debut full-length from Phoenix's Stiletto Formal, it really is true.
Making good on the promise of their first two EPs, Masochism in the Place of Romance and the Army of Darkness-referencing This is My Boomstick, the band puts literally everything they have on this record, including screaming, reckless genre-bending, wild tempo changes, and a guest appearance from underground rapper MURS on “Sleeping Our Way to the Top.” And then there’s the cello. While not the first band to incorporate the classical instrument into indie rock (done notably and credibly in the past by Cursive and Murder by Death), its seamless integration in songs like “50 CCs of Anything Potent” prove that it's not simply a goofy gimmick.
The lyrics match the music quite nicely: complex, fractured and occasionally off-putting. When lead singer Kyle Howard emotes “You can stake your claim in the tributary” in the rollicking opening track “We Are All Muckrackers,” who knows what that could actually mean, but it’s intriguing nonsense worthy of at least some thought, like a Zippy the Pinhead comic strip.
And, of course, it's a concept album. Why wouldn't it be? Each song is meant to be a “cinematic collection aimed at a different facet of human interaction,” which you surely would not be able figure out on first listen Nebraska, it isn¹t.
The Stiletto Formal dub themselves “eccentric rock & roll,” and instead of just being a marketing pitch, it’s a mission statement. Sometimes the result is a bit messy, but that’s sort of the point. –Albert Ching
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