Monday, July 12, 2010 at 11:38 a.m.
Artist: Crowded House
Release date: July 13
Thanks to the many people who read and commented on my post last week of my must-hear songs from the first half of 2010
. Seems I touched a few nerves with that list -- a common theme of those who were critical of my choices was that they were all "hipster" music and that "they all sounded the same."
Not sure how Devo and Sharon Jones sound the same or how Beach House and Black Rebel Motorcycle Club share any similarities or how Dum Dum Girls' bouncy pop sounds anything like Dead Weather's bound-for-hell blues, but I guess these commenters have their reasons for saying such things -- they just refused to do so. Instead, most simply resort to blanket statements, vitriol, and name-calling, all under the cloak of anonymity, of course.
What these people need is more Crowded House in their lives.
Though I wouldn't call myself a fan of the Australian band, every time I hear one of their songs, I wonder why I'm not. In some ways, they're about as good as a pop band can get -- the ageless, versatile voice of Neil Finn; classic pop sensibilities that would've played well in any of the past four decades and will probably play well in any of the next four decades; top-notch musicianship; and an overall essence that just screams intelligence.
Intriguer, Crowded House's second studio record since the suicide of founding drummer Paul Hester, was produced by the guy who produced the most recent Wilco record, and fans of that band will likely find Intriguer's organic melodicism-meets-melancholy appealing (and "Even If" sounds more than a little like something Wilco would do).
Original guitarist Nick Seymour Guitarist Mark Hart is no Nels Cline, but he pulls out some inventive leads throughout Intriguer.
There's nothing groundbreaking or trendy about the songs on Intriguer -- and nothing that's destined to be a classic like "Don't Dream It's Over" -- but for expertly written and performed guitar pop by old dudes from Down Under, there's probably nothing better out there right now.
Best song: Soaring opening track "Saturday Sun" and downer "Isolation."
Deja Vu: Late-era Beatles meets late-era Wilco
I'd rather listen to: The re-issued Fables of the Reconstruction, out tomorrow.
"Nothing Not New" is a yearlong project in which New Times editorial operations manager Jay Bennett, a 41-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about it. Why? Because in the words of his editor, Martin Cizmar, he suffers from "aesthetic atrophy," a wasting away of one's ability to embrace new and different music as one ages. Read more about this all-too-common ailment here.
The "Nothing Not New" Archives