Danzig wrote and performed the majority of the album himself, breathing deep like a demon and using keyboards to overlap classical, tribal, and Eastern themes, simulating sounds from deep strings to kettle drums. The result is Philip Glass-style minimalism, with a Wagner-worthy leitmotif that floats through the album like a giant vampire bat. Vocalist Tania Themmen joins the dark maestro on album closer "Lamenta Lilith," wailing like Enya reborn as a succubus. Eternal doom never sounded so beautiful.