You would think ferreting out the 10 guitarists who have been lauded far beyond their abilities would be an easy task. After all, there are only a dozen or so guitar gods we can name off the top of our head. And out of those 12 string
So let's examine the reasons why these guitarists are consistently named among the most overrated and whether there are underlying non-musical reasons for earning such a label.
Why he's a guitar god: The man behind The White Stripes, The Raconteurs, and Dead Weather makes a lot of overrated guitarist lists for one simple reason: He is the most visibly famous mainstream guitarist on this side of the century divide. (Sit down, Patrick Carney, don't make Jack White want to fight you again!) His guitar god status profile catapulted even higher with his appearance in the documentary It Might Get Loud. In it, White, alongside a cow, is able to construct a guitar out of a piece of wood and a nail. It is nothing short of a MacGyver episode.
Why he gets a bad rap: His style is certainly influential (White ignited the whole Black Keys feud by suggesting they ripped him off, a kind of reverse interpretation of "Ebony and Ivory"). But we think he gets a bad rap for making it fashionable to put bass players out of work. That and the fact that he beat up that guy from The Von Bondies. And because his rider banned bananas backstage.
Why he's a guitar god: His use of echo is the chief ingredient in U2's monolithic sound — a sound they, as the most popular group in the world for a great many years, ran into the ground with five albums before he decided to get some new stomp pedals.
Why he gets a bad rap: His appearance in the aforementioned documentary It Might Get Loud shows a summit between Jack White, Jimmy Page, and The Edge that reminds you of a Justice League of America meeting where Superman and the Flash compare their abilities to alter the course of time with their superpowers and Batman wanders in to show everyone a new gadget that acts like a
Why he's a guitar god: Page has written more songs that you are not allowed to play in a guitar shop than any other guitarist alive. His groundbreaking layering of guitar tracks always created monolithic soundscapes for Led Zeppelin. He wove acoustic elements into their heavy sound to create "Stairway to Heaven," a slow number that gave teenagers eight minutes to make out at high school dances and also laid down the template for the power ballad.
Why he gets a bad rap: collecting Aleister Crowley memorabilia, supposedly making a pact with Beelzebub that doomed the group, and descending into heroin addiction that made for two less-than-stellar final albums: Presence, where he explores variations of the "Woody Woodpecker Theme" on at least three songs and In Through the Out Door, where John Paul Jones takes over on synth and Page sounds barely awake. Since then, Page and the Zeps have amassed a rep for stealing ideas, from the electric guitar violin bowing on "Dazed and Confused" (a schtick that Eddie Phillips of The Creation was doing in 1966) to outright song theft, starting with the song "Dazed and Confused." The Yardbirds covered that one with Page when it was the Jake Holmes song "I'm Confused." Then there was pilfering the works of Willie Dixon ("Whole Lotta Love," "The Lemon Song") and Spirit (a jury found that Zeppelin hadn't infringed the copyright of Spirit's "Taurus" but that verdict was appealed in March 2017 because the jury was not allowed to hear the two songs), to name just two. Even the Doobie Brothers could mount a case that "Trampled Underfoot" bears an uncanny melodic and lyric resemblance to "Long Train Running." Of course, that song-stealing isn't all Page's doing, but upon seeing John Paul Jones playing "Black Dog" to perfection on lap steel during one of his solo concerts, you almost wonder if the credit Page gets for inventing some of Zeppelin's signature licks is disproportionate.
Why he's a guitar god: After Gibbon's first band, The Moving Sidewalks, opened for Jimi Hendrix in 1968, Hendrix went on The Tonight Show with Johnny Carson and said Gibbons was "America's best young guitar player," which went a long way.
Why he gets a bad rap: As one of America's best old guitar players, he has recycled riffs for ZZ Top since their MTV renaissance. It shows very little
Why he's a guitar
Why he gets a bad rap: Many fans blame Slash's heroin addiction for derailing Guns 'N' Roses. You know things are really bad when Axl Rose is giving you an ultimatum. But when people on guitar forums dismiss him as an Eddie Van Halen copyist in a top hat, it makes us just want to say he's Buckethead without the sponsor tie-in.
Read on for Eric Clapton (obviously) and others.
Why he's a rock god: Because he imparted his fast arpeggios technique to such renowned shredders as Steve Vai and Metallica's Kirk Hammett. The fact that he's from Long Island, the fact that he's bald like The Silver Surfer, and the fact that he has a song called "Surfing With the Alien" all combine to make him more superhuman.
Why he gets a bad rap: Because he plays only instrumentals, his songs are harder to identify by a mainstream audience. The most Satriani that people have heard is his 2005 song "If I Could Fly," which he sued Coldplay for copying for "Viva La Vida" in 2008. The case was dismissed with both parties agreeing to an out-of-court settlement. The fact that he didn't beat them chips away at his god-like status, in a "Fool, you let Chris Martin beat you" sort of way. Would Silver Surfer settle out of court with Submariner?
Why he's a guitar god: Because there was graffiti all around London saying as much. You don't get much more overrated than being called God. No one can doubt that he is a very able rock god, although one would have to admit that ever since 461 Ocean Boulevard, his own records reflect a desire to be better known as a singer than a shredder.
Why he gets a bad rap: If "Clapton is God," then why did he make himself in Albert King's image? Two of his best-known songs are direct lifts. "Strange Brew" recreates King's solo for "Oh Pretty Woman" note for note, while the "Layla" riff, when played slow, recalls King's "As the Years Go Passing By." And most of the best licks Duane Allman played. The real reason Clapton gets criticized is because in 1976 he declared support for former conservative and anti-immigration advocate Enoch Powell from a Birmingham stage, making repulsive racist comments. Just kidding, he really just said a bunch of horrible things. Although Clapton tried to pass it off as a drunken joke later, he never apologized and for
Why he's a guitar god: To housewives or anyone who has spent hours plunked down in front of the Home Shopping Network or QVC, he's synonymous with Andrés Segovia, one of the greatest guitarists of all time. And the fact that he plays a Spanish guitar and wears a Zorro hat means it must be true!
Why he gets a bad rap: Ask anyone who's bought one of the cheap balsa wood guitars he endorses that splinter when you look at them. And in his 2000 New Times profile, Gil Garcia exposes the fact that Segovia's alleged endorsement of Esteban amounts to nothing more than the classical guitar legend autographing a copy of his autobiography.
Why he's a guitar god: Nirvana is the last iconic rock band, so it stands to reason that Kurt would be catapulted to guitar god status after his death.
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Why he gets a bad rap: Musos will tell you that he couldn't play anything near guitar god status. He would be the first to tell you that he was no great guitarist. But he was a breath of fresh air coming after the hair farmer
Why he's a guitar
Why he gets a bad rap: Uncle Ted's politics have overshadowed any warm and fuzzy memories you have of The Amboy Dukes and "Cat Scratch Fever." The GOPs cling to him the same way people hang around the schoolyard bully: They admire him for his badass persona and the fact that he could kill a squirrel at close range and make it seem patriotic. We have always had this vague memory of him de-tuning the strings of his Gibson Birdland in concert so he was able to shot flaming arrows from it while playing. Nope. He just shoots the flaming arrow INTO a guitar. Shouldn't that be possible, though? (See Billy Gibbons: We have the technology.)