Some artists like to play coy about the underlying themes in their work. You know the sort of thing -- the interviewer asks, "Did you have any deeper meanings in mind in the scene of the big wheat silo with the twin haystacks at the base and the farmgirl straddling it at the top?" and the writer or director or whatever chuckles and shakes his or her head and says, "Aw, gee, no, I never thought of it that way, I was just, y'know, trying to... More >>>