Leonard Bernstein

The Gang’s All Here

JoAnn Yeoman dishes on her love for John Cleese and Waiting for Guffman and her aversion to stand-up

Theater Scene

Reviews and previews of what's running now

Theater Scene

Previews of what's running now

When You're a Jet

A sincere pleasure

Rhythm and Rhyme

Conte pairs music and verse

Brothers in Arms

Chicano Power Revival brilliantly crosses cultural boundaries with its wildly eclectic grooves

Unsung Hero

Stephen Schwartz, the most famous working Broadway composer you've never heard of, brings his act to Scottsdale

Race for the Prize

After a monumental 1999, the Flaming Lips return to the road, ponder their legacy and look toward the future

As We Like It

The buoyant Shakespeare in Love indulges in delightful, smart baloney

West Side Glory

Phoenix Theatre updates a classic with aplomb, but other season openers lack hit power

Night & Day

September 17 - 23, 1998

Love, Classical Style

Record labels increasingly turn to theme albums to invigorate slumping classical market

Calendar for the week

Record labels increasingly turn to theme albums to invigorate slumping classical market

Calendar for the week

Record labels increasingly turn to theme albums to invigorate slumping classical market

Is Anybody Listening?

Beyond Arizona, musicians rave about it, but the Phoenix Symphony, at 50, plays to half-empty houses at home. Can its new maestro, Hermann Michael, fill the seats?

Pic Hits for the week

Beyond Arizona, musicians rave about it, but the Phoenix Symphony, at 50, plays to half-empty houses at home. Can its new maestro, Hermann Michael, fill the seats?

Pic Hits for the week

Beyond Arizona, musicians rave about it, but the Phoenix Symphony, at 50, plays to half-empty houses at home. Can its new maestro, Hermann Michael, fill the seats?

Slum Enchanted Evening

Beyond Arizona, musicians rave about it, but the Phoenix Symphony, at 50, plays to half-empty houses at home. Can its new maestro, Hermann Michael, fill the seats?

JACKIE'S FINAL PERFORMANCE

Beyond Arizona, musicians rave about it, but the Phoenix Symphony, at 50, plays to half-empty houses at home. Can its new maestro, Hermann Michael, fill the seats?