"It's very thorough, and so I typically read scientific magazines because they distill it down to something more palatable," Davis admits. "That's kind of what I do with my work. I try to have it so that it's interesting, but then there's a bit of theory behind it as well."
Displayed in the East and West galleries at eye lounge from June 15 to July 15 were Davis's latest exhibitions, "Objectify//Psyentifica."
Just one part of the dual exhibition, "Psyentifica" combined psychology and science to create poppy, eye-catching images of recent research developments. After learning that crabs have become more and more exposed to acidic waters, Davis created "Crab On Acid," showing a crustacean with chainsaws for pincers.
"Objectify" featured octopi's fascination with objects not found in their natural habitat (knives, grenades, spatulas, etc.) and invited the viewer to consider the potential of what the subjects are capable of doing with those objects.
"I chose to have them 'play' with their objects and learn its applications," Davis says. "It's up to the viewer to conclude the octopuses' applicable solutions. Much the same as when Prometheus gave man fire in Greek mythology. A lot can be read into both series."
Davis describes his illustrative and graphic works as approachable conceptual art: "It's approachable because you can look at it and say, 'Oh hey, it's an octopus with a gun.' Something like that. But then there's actually some depth to it once you actually look into it."
His home studio has much of the same elements. The studio space has what is most necessary to achieve his aims: a drawing board, notepads for sketching, paintbrushes, bottles of acrylic paint and massive canvases. An open window catches the northern sunlight, allowing him to either brighten the room by opening the shades or dim it for a softened exposure.