Charmosa Swimwear's presentation began with a group of Brazilian-style carnivale dancers, whose moves and outfits didn't exactly gel with the designer's overall presentation. From the front row, the dancers' costumes looked cheap and ill-fitting. And choreography-wise, there seemed to be little consensus as to what the dancers were supposed to be doing -- and where.
Entertainment aside, the line by San Francisco's Neide Hall was fun in concept, but Charmosa's skimpy swimsuit styles made for unflattering runway pieces. And when the designs don't look good on models, that makes for a seriously tough sell. Odd color choices and styling didn't help matters. The line transitioned from a Creamsicle-orange sunset motif into a deep blue- and red-heavy fabrics (including a particularly unappealing tie-dye print). Looks were styled with a lot of feathered embellishments that were more of a distraction than an enhancement.
Misha Mendicino Designs melded elephant rights with vacation wear. (What a sentence.) While her airy dresses looked comfortable enough, a lack of focus pervaded the collection. Too many differing prints and colors (and sometimes one print reused in varying colors like black, purple, and taupe) made the series look more like a rack of dresses grouped in a hotel gift shop than a cohesive line. However, Mendicino presented what was easily the most together of Thursday's emerging designer bunch.
Requisite T-shirt brand State Forty Eight presented logo-heavy T-shirts and such accessories as backpacks and water bottles inspired by Arizona. We've said it before, but we'll say it again: While the T-shirt business might be a lucrative one, it doesn't make sense to have a company like State Forty Eight compete with designers creating genuine collections -- let alone entire outfits.
Until Phoenix Fashion Week moves the emerging designer contest beyond T-shirts, it's hard to consider the competition a legitimate one.
Woman's Touch Apparel closed out the emerging designer portion of the evening. And what the brand lacked in quality, it made up for with personality and production.
A troupe of dancers opened the high-energy presentation, which featured leotards and minidresses bedecked with phrases including "I'm a Fucking Feminist" and "High Heels Only." Despite the simple shape of most of the dresses, the clothes didn't quite fall right, thanks to stiff, cheap-looking fabric.
While the Jenesis Laforcarde's brand did have a knack for both literal and figurative cheeky, but the fun didn't always translate. "CEO" emblazoned across the chest of floral crop top that looked like a bargain-bin item at Forever 21 made us more sad than amused. And having waifs walk the runway wearing garments screaming "whole lotta woman" and "it's okay to be bootylicious" just made us hope they would get to eat dinner later.