Repo Man (1984)
If you only watch one Stanton movie, make it Alex Cox's sci-fi/punk classic. Stanton's portrayal of Bud is the actor at 100 percent Stanton-ness. Whether it's snorting speed with Emilio Estevez or saying "Ordinary fuckin' people — I hate 'em" with a contempt that comes as easy as breathing, his veteran repo man is a take-no-shit, salt of the earth man.
One part Obi-wan Kenobi and one-part Dashiell Hammett's Continental Op, the film follows the super-competent and tough Bud as he shows his new charge Otto the repo ropes.
In a film bursting to the rafters with quotables, Stanton gets his fair share of brilliant lines. Watching him as Bud, it's kind of amazing that no director thought to cast him as Philip Marlowe. He's got the noir detective schtick down cold in this movie.
Paris, Texas (1984)
As amnesiac Travis, Stanton finally turned critics' heads with his work in Wim Wenders' elegiac road movie. Writing about Stanton's role in Paris, Texas, Roger Ebert said the actor "has long inhabited the darker corners of American noir, with his lean face and hungry eyes, and here he creates a sad poetry."
The film takes full advantage of Stanton's abilities, letting his silence and hangdog face speak volumes about his character. Wenders saw in Harry Dean an archetypal American figure: the zen cowboy. A weirdo, mystically inclined loner. The kind of man who likes Westerns, smoking cigarettes, and will talk your head off about chakras if you let him in. (Later in life, Stanton was fond of talking about mysticism in interviews.)
The opening scene alone ranks among one of the finest walk-ons any actor has gotten in their life: a mute, dusty, red-hatted Stanton stumbling through the desert while Ry Cooder's lonesome blues plays.
Pretty in Pink (1986)
Stanton's understated, world-weary presence made him perfect for the role of Andie's dad. While so many teen films often sideline the parent characters, his Jack is an integral part of the film.
Stanton barely has to open his mouth — every line on his face, every slumped shoulder broadcasts his character's profound disappointment in himself and in the cards life has dealt him.
It's what makes the scene where he gives Andie a dress so powerful. He's not just trying to cheer her up with a gift. He's trying, for once in his life, to get a win. And when she starts to question how he got the dress and he breaks down, unleashing years of repressed bitterness, it feels utterly real.
The Last Temptation of Christ (1988)
"I'm glad I met you, because now I can forget all about you." Proving the adage that are "no small parts," Stanton makes a brief appearance in Scorsese's The Last Temptation of Christ as Saint Paul. But it's a role that leaves a deep impression.
The confrontation between Stanton's pragmatic yet fanatical Paul and an aghast Jesus, horrified that his story is being twisted into something else entirely, is one of the film's darkest and most subversive moments. How often do you get to see a god confront his own religion in a movie?
Stanton's Paul is coldly matter-of-fact about his preaching, flat-out telling his own savior that he could care less if he was the real deal: The Jesus the people want to hear about is Paul's Jesus. That combination of coldness and unshakable belief in his own spiel feels like a dry run for Stanton's biggest TV role as prophet Roman Grant in Big Love (2006-2011).
Harry Dean Stanton in Wild at Heart.
Media Home Entertainment
The Films of David Lynch (1990-2017)
Stanton became a regular player in Lynch's films, starting with 1990's Wild at Heart. Lynch used Stanton's crotchety everyman acting style to great effect, giving the veteran actor small but choice bits in films like Twin Peaks: Fire Walk With Me and Inland Empire (Stanton's repeatedly hitting up his co-stars for money in Inland Empire is one of the actor's finest comic moments).
Working with Lynch also gave Stanton a chance to show off his versatility, whether it was as a frightened and ominous trailer park manager (Fire Walk With Me) or a sick man coming to grips with his mortality (The Straight Story).
In 2017's Twin Peaks: The Return, Stanton reprised the role of Carl from Fire Walk With Me. In the past film he was a paranoid and unpleasant man, but this version of Carl was full of empathy and warmth. Few actors could have handled material like Carl telling a trailer park resident to stop selling his blood with as much grace and seriousness as Stanton could pull off. Appearing in a series full of beloved dead actors giving their final farewells to the world, Stanton's role as Carl felt like a well-deserved curtain call.
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