Pyramid Schemes

Like Mark Antony with the real deal, actors grappling with Shakespeare’s Cleopatra usually find they have their hands full. If the character were more likeable, an actress might play her as the prototypical femme fatale who (unlike a Snickers bar), “makes hungry where most she satisfies.” Instead, she’s narcissistic and abrasive, almost daring the audience to hate her -- a character only grand tragedy can save.

Fortunately, they don’t come much grander than Southwest Shakespeare Company’s mounting of Antony and Cleopatra. Like a vanity flick or film noir that delves one shade too dark, the Bard’s most ambivalent tragedy leaves the audience struggling to define how they feel about the characters, their relationships and their actions. Are these passionate potentates laudable or laughable? Sifting through the ambiguity might just be the point.

Thu., April 14, 7:30 p.m.; Fri., April 15, 7:30 p.m.; Sat., April 16, 7:30 p.m.; Thu., April 21, 7:30 p.m.; Fri., April 22, 7:30 p.m.; Sat., April 23, 7:30 p.m.; Sun., April 24, 7:30 p.m.; Thu., April 28, 7:30 p.m.; Fri., April 29, 7:30 p.m.; Sat., April 30, 7:30 p.m., 2011
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Nicholas Gerbis