Best Guitar Player 2000 | Greg Simmons | Jams | Phoenix
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Think of a "guitar hero" and the image usually involves the over-the-top wankings of some limey with six-string phallus in hand, offering up trite "ROCK 'N' ROLL FOREVER!" proclamations. But the Valley's premier axman, Greg Simmons, has taken the road less extroverted to the top. A shy, sensitive sort offstage, Simmons becomes a reluctant firebrand when he straps on his trademark Telecaster.

Although Simmons' fretwork is front and center as part of his regular alterna-pop troupe, the Royal Normans, his most impressive playing has come during the loose-knit sets from roots-rock collective Los Guys. Simmons manages titanic blues runs, subtle country picking and fierce freeform jamming, all delivered with an "aw shucks" attitude -- one of those rare guitar slingers definitely not from the face-grimacing-smugly-smirking school of hard licks.

Best Local Act to Stave Off the Aging Process

Carvin Jones

It must be 10 years and holding for Carvin Jones and his familiar visage, ever grinning back at us from the local club ads. Ten years of wearing that black gaucho hat. Ten years with that heavy, solid-body Stratocaster slung over his back. Whew, just think of the pattern baldness and irreparable spinal damage this pose would cause someone who tried this at home for a decade solid.

But if you spy the real Carvin in the flesh, there isn't that much of a difference between the way he looks today and his appearance in the old 1990 8x10. Which makes us suspect some kind of Faustian bargain going on -- perhaps something to do with eternal youth and recycled Hendrix riffs.

We just don't get it. It can't be because of healthy living -- Jones sings in smoky clubs several nights a week. And if we read The Picture of Dorian Gray correctly, shouldn't his club ad be rapidly aging like bad cheese right about now?

Some sound guys have been doing it so long that they've completely fried their main asset -- those things hanging from both sides of their head that used to be for listening. You tell them what you want and think they understand, but they just nod up and down like that for everyone. Congratulations, you and your band are on your way to being butchered. Your only recourse is to tell people that the screeching feedback that mars your first six songs was intentional.

Thank goodness for guys like Jamal Ruhe, Nita's trusty sound man in its early incarnation and back again this year. Since we've conducted actual conversations with him, we know his woofers are working fine. Ruhe knows every inch of this room intimately, he's played there a kazillion times and retains uncanny information about every band that's done likewise. Performing is nerve-racking enough without having to worry about having an adversary behind the mixing board. Jamal is your friend, not your funeral director.

The corporate side of the music world biz ain't all bad. If you doubt it, check out Virgin Megastore, located in the Arizona Mills mall. With its sweeping space, angular racks, neon accents, in-store coffee house and multiple listening stations, you can spend hours browsing nearly anything ever heard or seen on any music chart anywhere in the world.

In addition to an encyclopedic stock of CDs, Virgin boasts a book section worthy of the music/pop culture collection of any chain. Another plus? The rows of boxed sets running the gamut from Sammy Davis Jr. to Ted Nugent, as well as hundreds of just-released current and vintage VHS and DVD movies and video games.

Admittedly, a trip to Virgin means schlepping through the mall, and it's hardly the cheapest disc depot in town, either. Still, where else can you find spankin' new titles like the Kinks import reissue of We Are the Village Green Preservation Society, the Mary Martin version of The Sound of Music or anything by Big Sandy and His Fly-Rite Boys -- all under one roof?

Readers' Choice: Best Buy

What do country singer Lefty Frizzell, jazzman Bill Evans and octogenarian crooner Perry Como all have in common? They have obscenely oversize multi-CD boxed sets dedicated to their work! Furthermore, all of them -- along with those of hundreds of others -- can be found for a reasonable price at the Valley's best outlet for new and used discs, CDGB's.

The store's topnotch selection doesn't end with mammoth-size retrospectives, but extends equally to its single CD offerings as well. Having difficulty finding that out-of-print Tapper Zukie long-player, the Japanese version of your favorite Genesis opus or even a much-hyped "live import"? Look no further than this north Phoenix disc-o-theque. What about obscurities and curios from the likes of Sloan, the Real Kids or Porter Wagoner? Never heard of the Shoes? Well, you can get to know them intimately since CDGB's stocks seemingly every offering from this obscure Illinois power-pop quartet -- both new and used!

As an added bonus, the store boasts sections neatly divided into a number of well-defined categories and subcategories (Americana, Rockabilly, Punk, Surf, Guitar Greats, etc.) and a staff well-versed in the needs of those seeking the hard-to-find. If it's new, used, old, fresh, in- or out-of-print and digital, then C-D-G-B are the only letters you need to know.

Best Excuse to Look at a Drum Riser

Bob Hoag, Pollen

Only once in rock history did a drummer have the gall to insist on having his riser 10 feet in front of the rest of the band, and that was Gary Lewis, a guy who didn't sneeze in a recording studio without a session drummer wiping his nose.

If ever a trapsman truly merited an unobstructed view from the stands, it's Pollen's Bob Hoag, who plays with more force and funny bone than Jerry Lewis and his progeny forced to share the same stool. Even before Pollen began opening up big-time rock shows, Hoag bashed his skins as if 60,000 were ogling him anyway, a happy affliction he still carries over to scaled-down local club appearances.

If his hilarious self-mocking song intros weren't enough to command attention, there's always Fmeat, Pollen's offensive primal punk side project, in which Hoag gets to step off the riser and exercise all his Lead Singer Disease symptoms in one glorious epileptic fit.

Don't believe those who tell you that used record stores are a thing of the past because of online auctions. Your computer might offer the most convenient shopping hours (24/7), but nothing replicates the fun of searching through bins, trying out a rare album and buying it -- all on the same day! Without shipping charges or the need to give positive feedback to "ozarklou." New used titles regularly flow into Tracks in Wax from people who don't feel like packing off bits of their collections to someone in Taiwan. Far better to get some TIW store credit toward a minty fresh Julie London record or that creepy Anthony Perkins Sings album you're just dying to hear. Most titles remain in the reasonable $4.99 to $12.99 range, and you aren't likely to pay more than $4 for any of the 45s, which are listed in four three-ring binders at the counter. Tracks in Wax does have a registered domain now with a new Web site (www.primenet.com/~tracks/). Otherwise, it's still stuck in the past you love.

Readers' Choice for Best Place to Buy Used CDs: Zia Record Exchange

Readers' Choice for Best Vinyl Record Store: Zia Record Exchange

The masters are here -- Monk. Armstrong. Holiday. Young. Ellington. Davis. Mingus. Rollins. Basie. Fitzgerald.

So are all the "new" kids on the block -- Osby. Redman. Moran. Wilson. Hunter. Medeski. Lovano. Scofield. Marsalis. Watts.

You'll find a ton of stuff by these giants of jazz at this superstore, and at a competitive price. So what if they spell tenor saxophonist Dexter Gordon's name three different ways (Gorden, Garden and Dextor)? They've got a bunch of his records on the racks, and that's what counts.

Thanks to the evils of the "smooth jazz" radio format that's caught on around here like a dreaded disease, too many folks equate the slicked-up stuff done by the likes of the Antichrist -- a.k.a. Kenny G -- as "jazz." All the while, wonderfully inventive and prolific musicians such as James Carter, Cyrus Chestnut, Patricia Barber and Joe Lovano are doing their best work, usually to sympathetic audiences in Europe and Japan instead of their native shores.

One consolation to the scant airtime these artists (and dozens of others) get in the Valley is the surprisingly cool selection that populates the "jazz" section at the Tempe store. Warning: The employees there are much more apt to be able to blab about the music of Biggie Smalls than Fats Waller, and about Will Smith rather than Willie "The Lion" Smith, so you'll pretty much be on your own.

Despite the outdated façade and the less than, um, stellar location -- right off a bleak stretch of Van Buren, abutting a women's correctional facility -- the Celebrity Theatre continues to be the best spot to view the entire musical spectrum up close and personal. After all, where else in town can you get an equally good view of Belinda Carlisle's prodigious ass and Burt Bacharach's prodigious teeth?

While the Celebrity's unique appeal has remained unchanged, the venue has expanded its stylistic reach, booking everyone from gospel performers to metal bands, country artists like Merle Haggard to rappers like the Wu-Tang Clan. In fact, if the Celebrity makes only one change to update its image, we suggest adding the face of Wu-Tang's Ol' Dirty Bastard onto the Mount Rushmore of celebrities depicted behind the concession stands, perhaps next to fellow ol' dirty bastard Barbra Streisand.

Readers' Choice: Celebrity Theatre

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