In eight years, KBAQ has established itself as not only a topnotch classical station but also a formidable community resource for the lively arts. Enjoying a close working relationship with the Phoenix Symphony, and carrying a balanced diet of local and national acts (like the talk-performance show From the Top at 7 p.m. Sundays), KBAQ provides Valley listeners with the best contemporary performances of classical and chamber music. And this year the station took on a herculean challenge, mounting the "KBAQ 2001 Fall European Tour," a package tour of Budapest, Vienna, Prague and Berlin, with opera performances and gourmet meals included in the ticket price.
Despite the fact that Prague is so 1992, we applaud KBAQ's gumption.
In eight years, KBAQ has established itself as not only a topnotch classical station but also a formidable community resource for the lively arts. Enjoying a close working relationship with the Phoenix Symphony, and carrying a balanced diet of local and national acts (like the talk-performance show From the Top at 7 p.m. Sundays), KBAQ provides Valley listeners with the best contemporary performances of classical and chamber music. And this year the station took on a herculean challenge, mounting the "KBAQ 2001 Fall European Tour," a package tour of Budapest, Vienna, Prague and Berlin, with opera performances and gourmet meals included in the ticket price.
Despite the fact that Prague is so 1992, we applaud KBAQ's gumption.
Modified, a tiny performance space in a converted antique shop in the middle of a street with nothing else on it, is one of those great ideas that shouldn't have worked. But in two and a half years Modified has garnered nothing but critical hosannas, largely on the strength of its aggressively no-frills mandate. Patrons sit on benches, or at one of a half-dozen small tables, or cross-legged on the floor. Performers set up no more than a foot away from the nearest audience member. Performer and patron can't help but vibe off each other's energy, lending shows at Modified a rare intimacy. And while local bands still make up the bulk of Modified's roster, several nationally known acts (such as Austin's Knife in the Water) have enjoyed it so much they've come back for repeat performances.
Modified, a tiny performance space in a converted antique shop in the middle of a street with nothing else on it, is one of those great ideas that shouldn't have worked. But in two and a half years Modified has garnered nothing but critical hosannas, largely on the strength of its aggressively no-frills mandate. Patrons sit on benches, or at one of a half-dozen small tables, or cross-legged on the floor. Performers set up no more than a foot away from the nearest audience member. Performer and patron can't help but vibe off each other's energy, lending shows at Modified a rare intimacy. And while local bands still make up the bulk of Modified's roster, several nationally known acts (such as Austin's Knife in the Water) have enjoyed it so much they've come back for repeat performances.
Apart from its more refined menu, the second incarnation sports intimate booths and spiffy cloth-draped tables aplenty -- easily three times the previous seating -- and a generous complement of funky hangings by amazing local artists. But the real draw is its showcase for area bands, from release parties to farewell shows, on the sizable stage. It won't be long before the Dragon enters Valley music history as a place to see and be seen.