Lists

The 10 Best Bob Dylan Albums and Why They're So Good

Happy 80th birthday to Bob Dylan.
Happy 80th birthday to Bob Dylan. David Gahr

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5. Another Side Of Bob Dylan (1964)
The 1964 album marked Dylan's departure from the protest song. Although he comes close to bearing the flag for some sort of social justice movement in "Chimes of Freedom," he never fully embraces the ideal. Rather, the album focuses on brokenness. Although we get a brief reprieve from the sorrow in comical songs such as "I Shall Be Free No. 10," and "Motorpsycho Nightmare," the tale of Dylan feigning communism to purposely anger a rural farmer, the laughter ends there. In "I Don't Believe You (She Acts Like We Never Have Met)," Dylan takes the run-of-the-mill breakup and somehow makes it as painful as being left at the altar. "But now something has changed / For she ain't the same / She just acts like we never have met," he whimpers. 

The man in black: Johnny Cash would release a cover of the album's final song, "It Ain't Me Babe," in 1965 — four years before his and Dylan's duet on Nashville Skyline.

4. Bringing It All Back Home (1965)
Dylan did the unthinkable for his follow-up to Another Side — he played alongside a band. Every now and then, between the laughs and gags, Bringing It All Back Home delivers vivid poignancy unlike any other Dylan album. "Bob Dylan's 115th Dream" takes us on a fictionalized account of the discovery of America — complete with a trip overseas on the Mayflower with "Captain Arab" searching for an elusive whale before the crew receives a parking ticket for leaving the ship docked for too long.

If this album has any fault, it's that it's incredibly easy to get attached to one song and forget about the hits on the album. The fun and nonsense of songs such as "Outlaw Blues" nearly overpower the sheer popularity of "Mr. Tambourine Man" and "Maggie's Farm." The album hits a low somber moment before finishing with the bleak portrait of life painted in "It's Alright, Ma (I'm Only Bleeding)." Cynicism reigns supreme for seven and a half minutes as Dylan rambles on in monotone about "Human gods aim for their mark / Make everything from toy guns that spark / To flesh-colored Christs that glow in the dark/It's easy to see without looking too far / That not much is really sacred."

Judas Iscariot: Although it's not entirely common for an artist to play alongside a band and remain the headliner of the group — Bruce Springsteen and the E Street Band, Billy Joel and The Hassles, etc. — fans did not take well to Dylan's introduction of electric instruments and a backing band at the time. To make matters worse, Dylan would often play the first half of a live show solo, in keeping with his early stylings. Then he would bring a band out for the second half, which ultimately led to a member of the crowd infamously blurting out, "Judas!" at Dylan. Responding exactly how anyone would expect him to, Dylan told his band to play louder before launching full-bore into his then-new single, "Like a Rolling Stone."


3. The Freewheelin' Bob Dylan (1963)
It's easy to hear history being made when you hit play on Dylan's second album and start it off with "Blowin' In the Wind." Prior to this, Dylan's introduction to the mainstream populace was mostly made up of traditional arrangements and cover songs. Now, however, audiences had a chance to see what Dylan was capable of as a songwriter and mouthpiece for activism. His penchant for rebellion laid out in "Masters of War" is starkly contrasted by the piercing vulnerability put on display in "Girl from the North Country."

Dylan ends up setting the tone for the rest of his breakup songwriting career with the blunt, matter-of-fact ballad "Don't Think Twice, It's All Right." "I ain't saying you treated me unkind / You could've done better but I don't mind," Dylan reminds whomever the recipient of the breakup was. "You just kind of wasted my precious time."

Covers: In a move which would become the norm for Dylan's career, covers of his work often took off with the same amount of, or more, success than the original. Whether it was Hendrix's "All Along the Watchtower" or Guns N' Roses' "Knockin' on Heaven's Door," Dylan covers — while often fundamentally reinterpreted — are a breed of their own. Peter, Paul and Mary brought "Blowin' In the Wind" to its acclaim when they recorded a cover just weeks after Freewheelin' came out.

2. Blonde on Blonde (1966)
Starting with the rollicking call for everyone to get stoned, Blonde on Blonde sets itself apart from anything Dylan had done up until 1966, as well as anything he'd do after that. Nearly every song has the potential to be a chart-topper, and the album isn't held in a box — the LP's mood swings from stoned out of coherence, to heartbreak, to disdain. It's like taking all of Dylan's previous albums and compiling them into a "Greatest Hits" compilation without recycling a single track. 

The longing of "I Want You" is perfectly complemented by the antipathy of "Leopard-Skin Pill-Box Hat," which chronicles the mishaps of a materialistic, cheating significant other. The bedlam of it all is brought to a halt for a moment with "Just Like a Woman," where we learn that even someone who "makes love just like a woman" and "aches just like a woman" still "breaks just like a little girl." 

Norwegian Wood (This Bird Has Flown): John Lennon drew inspiration from Dylan with his sitar-heavy Rubber Soul hit. Likewise, Blonde on Blonde's "Fourth Time Around" is viewed as an open letter to Lennon, warning him of coming too close to Dylan's lyricism and delivery. "I never took much / I never asked for your crutch / Now don't ask for mine," Dylan warns.

1. Highway 61 Revisited (1965)
What Highway 61 lacks in length, it makes up in depth. The nine-song album barely qualifies as anything more than an EP, but the impact it would have not only on Dylan's career but on the course of popular music and culture would last long after the 51-minute LP stopped spinning. The album's title track, complete with a slide whistle, gives a fictionalized retelling of the biblical instance of God instructing Abraham to sacrifice his son, Isaac. When Abraham asks God where the killing should take place, he's told, "Out on Highway 61." 

Starting an album with "Like a Rolling Stone" and ensuring the other eight songs live up to the same stature is no small task, and it is pulled off. Highway 61 takes the whimsy of Bringing It All Back Home and the pseudo-maturity of Blonde on Blonde. It's all brought to a head in Dylan's 11-minute, somewhat nihilistic trip through time in "Desolation Row." But the running nihilism and loneliness comically depicted throughout the album always come back to the opening track, asking anyone who listens how it feels to be on your own.

Long player: "All Along the Watchtower" is the only song Dylan has played live more often than "Like a Rolling Stone." According to his website, he's played "Like a Rolling Stone" live 2010 times.

This article originally appeared in 2016 and has been updated.
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Joshua studies journalism at ASU. He also plays the guitar, composes his own music, and enjoys taking long naps in the middle of the day.
Contact: Joshua Bowling