Black Sabbath: Music For the End of the World

Page 2 of 2

Some of my more intense Catholic relatives (in their strict judgemental fashion) would argue that anyone who celebrates heavy metal should prepare to down a glass of flaming whiskey of Lucifer. But in true Apocalyptica fashion, which route would you actually want to take?

Think about it: You're staring down the barrel of eternity with Tim Tebow and Mother Teresa on one side, and Randy Rhoades and John Bonham on the other. It may seem like an easy choice. Party with the victims from Great White's pyrotechnic fire, and experience AC/DC's Bon Scott's drunken charades for eternity?

I think I'll opt for the downstairs option, hanging with Dimebag amidst sweet hammer notes and speed pedals. But there's also an appeal to the sweet sounds of angels singing and white silk bustiers on crystal stripper poles as opposed to demon chicks on fire, donning leather and bull whips.

Damn't ...can I just stay in purgatory if there's both options there?

Either way, I guess we better start getting mentally prepared. If the end of the world is indeed at hand, the pioneers of classic heavy metal, Black Sabbath have the necessary goods. The band's lyrical focus has always centered around the twin concepts of "heaven and hell."

"Black Sabbath"

If there were a soundtrack to the end of the world, this song would be the perfect intro to heaven or Hell.

"Hand of Doom"

While this track is actually about heroin, it's slow, looming, and creepy. Plus, if the world was ending, I don't know about you--I may want to get really, really high.

KEEP PHOENIX NEW TIMES FREE... Since we started Phoenix New Times, it has been defined as the free, independent voice of Phoenix, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Lauren Wise has worked as a rock/heavy metal journalist for 15 years. She contributes to Noisey and LA Weekly, edits books, and drinks whiskey.
Contact: Lauren Wise