Concerts

Cover the Crescent - Crescent Ballroom - 6/13/2014

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I got there ten minutes before the strict starting time of 8:15 (Crescent is nerve wrackingly punctual on set times) and sure enough, I had time to grab a drink and get in, get a good spot and bask in the glow of There Is Danger performing Yankee Hotel Foxtrot note for note. The crowd was already enormous. I also realized upon my arrival that all three of these albums were special to me because they were all released during a time in my life when I was eating acid like PEZ, and sometimes on PEZ, and these albums were literally etched in my brain. I had spine-shivers all night long.

Yankee Hotel Foxtrot is nearly everyone's favorite Wilco album. It is one of the most brilliant albums released in the infancy of the new century and There Is Danger (plus Wooden Indian members Ross Andrews and Mitch Freedom) played it perfectly. You see, there are two ways you can go with a cover show, you can either pay strict homage and go note for note or you can make it your own. There Is Danger went with the former and I wouldn't have it any other way, honestly, right down to the crazy shit between songs and the odd sound effects. Ills Riske was the perfect frontman for this, and everything from "I Am Trying To Break Your Heart" to "Reservations" was brilliantly and authentically performed. I have no doubt that they listened to this album for a month nonstop to produce this amazing rendering. It was absolutely flawless. One of my favorite bands performing one of my favorite albums -- perfection.

It is clearly my loss that the first time I caught the Phoenix Afrobeat Orchestra was their performance of Portishead's Dummy. Ills Riske (also a member of this band) has been urging me to check them out, but I have a ton of bands that I have to see on a weekly basis, but I will make them a priority. I have this to say, I have seen Portishead live three times and I have never once been as emotionally drawn to their work as I was watching Phoenix Afrobeat Orchestra perform their songs.

When Camille Sledge, daughter of Debbie Sledge from the singing group Sister Sledge, takes the place of Beth Gibbons, she shines like a star. This was better than Portishead because Phoenix Afrobeat Orchestra brought soul to these songs, they brought an energy that I have always found lacking and the made songs like "Numb" and many others actually fun, enjoyable, soul-filled numbers.

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Mitchell Hillman