At that showing, there were simply cars playing loud music with a crowd gathered around them, and random people yelling "Kanye?"

Apparently that wasn't the only showing that failed to deliver -- Peterson had missed a few more of them. "Tucson was a no-show -- we drove for two hours. We also went to Chase Field and were told that the location was changed to here, and we barely made it on time." His friend Dale Dunham said, "I think it got shut down like the Houston situation."

There was also a 9:30 p.m. showing, and local rapper Will Neibergall -- a.k.a. Glasspopcorn -- was there. He said of the event: "I got really hyped -- not on the video, but on the fact that so many people still want art to be advertised and sold to them."

At the 11 p.m. showing, technical difficulties abounded. The video started playing before the sound was in sync, and then when they did sync up, there was a display about adjusting the projector lens covering Kanye's face as he mouthed the beginning to "New Slaves."

At one point, a speaker gave out, and the crowd booed the tech guys, who ran over and promptly fixed the speaker. Kanye's stoic face consumed the large brick wall behind Hanny's at 1st st and Adams for three minutes. The crowd chanted the chorus together, and almost aptly, when Kanye was rapping about "The Blood on the Leaves," the logo displayed on the brick wall from Hanny's made his eyes blood-orange.

It all happened very quickly -- the van showed up, set up in a couple minutes, played the video, closed up its doors, and went off. The crowd requested an encore, but there was no response. In many ways, these projections are less about engaging the musical curiosity of the audience and more about viral marketing -- something Kanye has taken full advantage of.

This is not to say that the song isn't incredible -- because it is. The lyrics to "New Slaves" are especially relevant in Arizona, where the CCA, who he references in the track, is known for trying to lock people up for profit and "[making] new slaves."