Show Preview

Perserverence Key for Clap Your Hands Say Yeah

Page 2 of 2

"In the beginning, it was out of necessity," Ounsworth says of his stubborn need for autonomy. "Well, it wasn't entirely out of necessity. I have a lot of trouble looking at music as a business. Around that time, by virtue of the Internet, there was so much more competition as a result. I think a lot of people started to make compromises in order to maintain a relationship with a fan base. I think that musicians should have a responsibility to take chances on albums. I didn't want other people to call the shots. It's always been preferable to me to be independent and work alone."

The band sticking to their guns paid off in spades. Pitchfork awarded the album "Best New Music" and two guys named David (Bowie and Byrne) were spotted at their shows.

"I remember a lot of movement, a lot of traveling," recalls Ounsworth.

Their follow-up, Some Loud Thunder, layered on the quirkiness to their already unconventional sound but suffered from the sophomore slump in the critical eyes of the Internet. Despite some gems, including the alt-dance hit "Satan Said Dance," unforgiving hipsters rejected the effort.

"I don't see [the Internet] any differently than just word of mouth. It's just a means of communication. I think the problem with it is people's attention spans are a lot shorter than they used to be," says Ounsworth.

The following years had members of the band pursuing solo projects and rumors of a prolonged hiatus began to spread. The gossip ended quickly with the release of 2011's Hysterical. Shortly thereafter, members Robbie Guertin and Tyler Sargent left the band and Ounsworth and drummer Sean Greenhaigh recruited guest musicians for the band's latest release Only Run, which also features a contribution from The National's Matt Berninger on the guitar-heavy track "Coming Down."

"Matt is an old friend and it seemed like he'd be a nice touch for that song," says Ounsworth. "I was thinking of something like [Velvet Underground's] 'Lady Godiva's Operation.' I find it pretty jarring and interesting."

KEEP PHOENIX NEW TIMES FREE... Since we started Phoenix New Times, it has been defined as the free, independent voice of Phoenix, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Jason Keil was the Phoenix New Times culture editor from August 2019 to May 2020.
Contact: Jason Keil