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Phunk Junkeez, Jim Adkins Re-Create the '90s for a Good Cause Tonight

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Phunk Junkeez

In late 1995, the Phunk Junkeez sat down with New Times for this exceptionally edifying feature story that captures the band at its major-label heights and actually does something with that Beastie Boys comparison.

Here are the Phunk Junkeez on...

Their origins: "I've never been a person to go, 'Oh, man, the Phoenix/Tempe scene rocks!' I think some of the newer bands coming up now are cool, but that Arizona format sound, the Gin Blossoms and all that, it's just boring shit. We never wanted to be run of the Mill Avenue. That's why we did it ourselves, promoting the band with warehouse keggers and whatnot."

The controversy surrounding "Devil Woman": "Our first album [the 1992 regional release Naked Language] was real happy as shit," explains Soulman. "But when we wrote the second album, we were real pissed off. We hated record companies, we hated girls, we hated everything."

"Retard chick writers," Soulman says, are behind most accusations of misogyny directed at the Junkeez. "They're like, 'These guys are a bunch of sexists, blah, blah, blah.' Whatever. Devil Woman's no worse than that Alanis Morissette song."

High technology: "We're moving up to a Sega Saturn so we can get Virtual Fighter," says Soulman. "We were out on tour with 311 and they had a Sega Saturn in their bus, and we were like, 'Fuck that, if 311 gets a Sega Saturn, then we do, too.'"

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Dan Moore