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Q&A: Boris' Noise a Map to the Band's Sound

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Up on the Sun found Atsuo and bassist Takeshi in Japan, preparing for a lengthy U.S. tour. The pair agreed to a quick email interview to discuss the Japanese metal scene, musical experimentation, and their latest album, Noise. A print feature on the band will hit the stands on Thursday, but here's the rest of the interview that didn't make it into the story.

Up on the Sun: You've said before that Boris doesn't fit with the Japanese punk scene it grew out of, but is there much of a metal scene in Japan, and what is the following like for Boris in Japan? How does it compare with the U.S.?

Takeshi: We have a language barrier and major disparity in Western world and Japanese culture that we encounter when touring especially. However, we can deal with it better with music as mutual language and common understanding. Due to (the) internet, things are getting easier and I won't feel any time difference between Western country and here at all. Automatic translation works way better than before too. Western people seem to be more open-minded to art and music.

The band has clearly experimented with numerous musical directions--you have released 19 albums, all pushing in different directions. How have things changed over the years? Atsuo: Being "heavy" makes what we are, I think. But we are "heavy" in a different way from heavy metal. Perhaps some people find it pretty "heavy" to listen to "Noise Music."

Takeshi: We never called ourselves a metal band. I find it interesting we are often called metal in Europe and the States. Metal music in the West is much broader in reach and more avant-garde than in Japan.

I'm amazed at the level of intensity and noise, and at times screamo vocals, yet there's also an ability to craft wonderful melodies underneath all the heaviness. How do you achieve this balance?

Takeshi: We don't work in a process of the so-called "composing." Just record what we are jamming in studio, sometimes we record an initial rough idea of melody with Voice Memo, then we expand it. During the process of expansion of those elements, music will lead us where they would like to go or how they want to be in particular tone and sound. We have never felt a frustration with a song writing process at all. Only if we have to decide which record is the best for that song.

Whatever you think about that, "pop" always appears out of our trial on unconscious level, both for melody and riff. Even though we play heavy stuff, it just "appears" unconsciously. Sometimes I felt uncomfortable with it though I can deal with it naturally now. Well, I am not sure that pop music is conductive for experimentation, but that is what we have been influenced.

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Glenn BurnSilver
Contact: Glenn BurnSilver