Concerts

The Faint at Crescent Ballroom, 11/23/12

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In our interview, Todd Fink said that the band was going to play Danse Macabre in full without any breaks after warming up with a handful of songs.

It seems odd that The Faint would open with a new song, "Unseen Hand," but fans seemed stoked to see the band play anything. Next was a couple of classics from Wet From Birth ("Dropkick the Punks" and "Desperate Guys") and "Victim of Convenience." The oh-so-familiar pulsing bass of "Agenda Suicide" followed, launching us right into the 35-minute onslaught that is Danse Macabre.

The songs from Macabre regularly find their way into The Faint's set, but there are some songs (like "Violent") they had to learn just for this tour. Even though the band had to dust off a couple of tracks, the whole set was played flawlessly.

For the most part, this was one of the more enthusiastic crowds I've seen at Crescent Ballroom, but things slowed down quite a bit for the album's slow closer, "Ballad of a Paralyzed Citizen." This was roughly halfway through The Faint's set, and remarkably, the band didn't need a break.

They launched right into Fasciinatiion's "The Geeks Were Right," which renewed the energy fans had during songs like "Posed to Death." The rest of the set leaned toward material from Blank-Wave Arcade, with a few more Fasciinatiion tracks sprinkled in. Later on, the band covered Sonic Youth's "Mote," which sounded pretty cool and creepy.

The Faint closed out its main set with "Worked Up So Sexual," and returned after a brief encore break with the new, new wave-driven song "Evil Voices."

The final two songs hit pretty hard, with "I Disappear" and "Paranoiattack" rousing the crowd to dance like crazy one last time. Folks screamed along to the repetitions of "paranoia" before the band left the stage and Todd Fink hung around for a bit to chat with fans.

The band had limited copies of a 12-inch record featuring new songs. I'm a little disappointed that it sold fast and I left empty-handed, though I'm pretty sure I'm going to buy the deluxe reissue of Danse Macabre as part of Saddle Creek's extended Black Friday sale.

This was my second time seeing The Faint, the first was at FYF in Los Angeles a couple of months ago. That show was a lot of fun; The Faint's music translated quite well to a huge outdoor stage. The sold out Crescent Ballroom show felt a little cramped in comparison, but it was great to see The Faint play such an intimate venue.

After the show, I asked around to see what other people thought of the show, and I didn't hear a single complaint from the smiling fans. A few folks talked about previous shows over a decade ago and the consensus seems to be that the band continues to get better and better with time.

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Melissa Fossum
Contact: Melissa Fossum