[
{
"name": "Related Stories / Support Us Combo",
"component": "11576102",
"insertPoint": "4",
"requiredCountToDisplay": "6"
},{
"name": "Air - Billboard - Inline Content",
"component": "11576098",
"insertPoint": "2/3",
"requiredCountToDisplay": "3"
},
{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "11576099",
"insertPoint": "12",
"requiredCountToDisplay": "12"
},{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "11576099",
"insertPoint": "4th",
"startingPoint": "16",
"requiredCountToDisplay": "12"
}
,{
"name": "RevContent - In Article",
"component": "12633456",
"insertPoint": "3/5",
"requiredCountToDisplay": "5"
}
]
Woe to hip-hop. Sometime in the past year, mainstream MCs became so venal that you don't so much listen to them as vicariously experience their bloat of self-importance. Meanwhile, a once-hot underground got colonized just enough to lose its thunder, blurring the line to the point that DJ Hi-Tek and 50 Cent can end up in the studio together, let alone the same room. All that's left of honest, mortal-scale hip-hop is weirdoes like Pigeon John, who are too far from the scene to be sucked into its attendant bullshit. And mortal he is, with a laid-back melodic style, making funky fun out of a biracial identity crisis, and penning a deadbeat-dad lament sans the required Jesus-fueled redemption scene. His last album was called Pigeon John Dates Your Sister, and John is that rare, thoughtful MC you wouldn't mind doing so.