Well, the joke's on them -- which is part of what makes True Reflections such a satisfying album. Restricting the violin solos to back-bench status, Tinsley instead showcases slow-burn guitar solos, pretty female harmonies, no-bullshit lyrics and his own unique singing voice -- comparable in disposition to Negro Problem front man Mark "Stew" Stewart's husky tenor. Though Matthews himself makes a guest appearance on the album's title track -- a DMB concert staple -- Tinsley spends the rest of the record consciously eschewing the mothership, giving way to some brilliant slide work from veteran guitarist Doyle Bramhall II. Only once -- on "Long Time to Wait" -- does Bramhall's twangy six-string approach jam-band proportions, and even then it's a sleepy buildup to crescendo, stylistically similar to the Allman Brothers' "Melissa." Tinsley's use of stalwart underground rocker Toshi Reagon and former John Cougar Mellencamp collaborator Lisa Germano is equally inspiring, with Reagon's harmonies lifting "Show Me" and an innovative cover of Neil Young's "Cinnamon Girl" well beyond what might otherwise be flirtations with mediocrity.