Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

DeVotchKa

Share

  • rss

By Mike R. Meyer

Published on February 03, 2009 at 3:49pm

It would seem unlikely that indie-rock scensters, art-house film snobs, and video game geeks would converge in the same place at the same time, but those disparate groups will have a common bond Thursday night at the Clubhouse in Tempe. DeVotchKa, a foursome from Denver, started out as a backing band for burlesque shows and began cultivating a buzz in the underground music scene in the early 2000s once they struck out on their own. DeVotchKa's big break came in 2005 when they were tabbed by directors Jonathan Dayton and Valerie Faris to score their first feature, a low-budget indie film called Little Miss Sunshine. The film, of course, went on to gross more than $100 million worldwide and garner four Oscar nominations, including one for Best Compilation Soundtrack. DeVotchKa then found themselves reaching out to an even more unlikely audience last year when their song "How It Ends" was used in trailers for the first-person shooter Gears of War 2. It actually seems fitting, though, in light of DeVotchKa's sound. With a mishmash of styles, including nods to Romani, Greek, Slavic, and mariachi, DeVotchKa's music may be as diverse as their audience.