Bands: Chicago/Earth, Wind & Fire Date: Saturday, August 27 Venue: Cricket Pavilion Ticket Price: $20-$65 Selling Point: These horn toads are survivors. Chicago survived the exodus of Peter Cetera, the fall of jazz rock and many insipid David Foster ballads. EW&F survived guest appearances on Phil Collins albums and that…
“First off, no pullin’ out your ‘man,'” Mr. Luscious informs his fellow male strippers, minutes before they take to the Celebrity Theatre’s stage as the erotic revue known as The Main Event, Part 2. “You can act like you’re about to pull it out, but you better not.” “In case…
The only deity I’ve ever had a personal affinity for is that corpulent, jolly “buddha” with a small “b” known as Jin Foo, Bu Dai, or Hotei, depending on whom you ask. Personally, Gautama Buddha, he of the Bodhi tree fame, always struck me as a bit too severe, like…
THU 18Comedian Alonzo Bodden doesn’t need to worry about planes malfunctioning when he travels. The comic worked as a jet mechanic for Lockheed and McDonnell-Douglas for nine years, and his work included a little project called the Stealth Bomber. But when Bodden discovered he enjoyed entertaining his fellow airplane mechanics…
Thursday 18 Ain’t Nobody’s Bizness: DJ Suzy (hip-hop, dance) Anderson’s Fifth Estate: Area 51 with AKA (gothic, industrial) Axis/Radius: Ladies’ Night (dance) AZ 88: DJ P-Body (jazz fusion, funk) Barcelona: DJ Rob (dance) Dos Gringos — Scottsdale: Block Party with DJ Sterling (all genres) Draft House: DJ Dave outta NYC…
Want to get more out of Ozzfest than watching Ozzy stumble around on stage? If so, the place to be is the second stage, where you’ll find the bands that still play small clubs and sleep in their vans. Most of these bands have the dedication to become huge, but…
All hail the mighty compact disc! That piece of technology that let you listen to OK Computer without having to sit through “Fitter Happier.” While we know that no audio format lives forever — someday the CD will ascend to take its place next to hallowed eight-track cassettes — that…
“Hector Ruiz: La Realidad (Reality)” at the Heard Museum: Phoenix artist Hector Ruiz fires a shot between the eyes of American values with wood carvings, block prints, and mixed-media assemblages that address racism, border issues and capitalism. A King Kong-size blonde crushes a hapless businessman in her manicured hands in…
Joltin’ Joe Indecent exposure: You should do an exposé on what has to be the worst major metropolitan newspaper in the country, the Arizona Republic. For 10 years now, I’ve seen New Times struggle to expose corruption and fraud at the Maricopa County Sheriff’s Office only to be obstructed every…
SAT 8/20Last fall, Valley comics Josh Skalniak and Josh McDermitt got the chance to compete at the Las Vegas Comedy Festival, and both felt a little out of place. To the surprise of many — mostly themselves — Skalniak won first place in the Wild Card category and McDermitt took…
SAT 8/20Runs. That’s what bikers do. They hop on their hogs, crotch rockets or whatever slang they use to describe their favorite hunk of motorized steel and go on runs. Sometimes they even do it in a good cause. That’s the case on Saturday, August 20, when the Salt River…
THU 8/18Whether you’re a historic preservationist, a developer with a wrecking ball or somewhere in between, you’ll dig Phoenix: Then and Now. The book is a collaborative effort between two native Phoenicians, Paul Scharbach (a professional photographer) and John H. Akers (a writer/historian), who discuss and sign copies at 7…
8/19-9/14The Trunk Space’s new exhibition “Old/New/Traditional/Radical” showcases “artists with classic training and a modern aesthetic,” says the gallery’s JRC. Alan Jones, Susan G. White, and Marc Liao — all from Arizona — take well-trod styles (ceramics, quilts, vessels) and mod ’em up for the new millennium. Jones, well-known for his…
A couple of months ago, Matt Brown bashed the heck out of a bunch of old computers to create what he calls “robotic sculpture.” This time around, he and several cohorts are constructing a humongous papier-mâché squid. This is the sort of creative otherness you’ll experience at Brown’s event The…
“Feel-good lesbian movie” sounds like an oxymoron when you consider that most big “lesbian” movies end with people getting shot (Boys Don’t Cry), dragged off by the Gestapo (Aimée & Jaguar), or watching their businesses burn to the ground (Better Than Chocolate). But Girl Play, which has its Valley première…
Surfers, skateboarders and desert racers have all had their moment at the movies recently. Now the motocross crowd gets its turn. Supercross: The Movie, which provides a glimpse at what its makers call “the second-fastest-growing motor sport in the U.S., behind only NASCAR,” is anything but a dramatic masterpiece. But…
The British indie filmmaker Sally Potter, a former dancer, lyricist and performance artist, clearly has a taste for adventure. In 1992, that led her to Orlando, a screen adaptation of the experimental Virginia Woolf novel about an Elizabethan nobleman who hangs around for 400 years, eventually morphing into a hip…
Matthew Parkhill’s Dot the I is the kind of tricked-up mental exercise that may intrigue the most impressionable film school students and a philosophy major here and there. But anyone who’s gotten through sophomore year without declaring him the next great thinker of the Western Hemisphere is more likely to…
Ain’t nothing in this world more tedious than highbrow erotica, which works itself into a lather and then wipes off the sweat before anyone notices how awfully and inappropriately worked up it got. Asylum, adapted by Closer’s Patrick Marber and Chrysanthy Balis from the novel by Patrick McGrath, is just…
Even today, British kids grow up listening to stories about life during the London Blitz and the hardships their parents and grandparents endured during the Second World War. American children, by comparison, would be hard-pressed to tell you what nations fought on which side. It’s one of the many weaknesses…
Some art-house programmer would be wise to schedule a double bill of The Aristocrats, Paul Provenza’s talkumentary about the dirtiest joke ever told, and The 40-Year-Old Virgin, writer-director Judd Apatow’s near-brilliant movie about a grown-up geek who simply lost interest in trying to get laid. Both offer countless giddy variations…
Red Eye may not seem to be your typical Wes Craven movie. It’s not really horror, there are no marketable monsters, and unlike Cursed, Scream 3, and other recent Craven offerings, it’s actually an enjoyable time at the movies. But heroine Lisa Reisert (Rachel McAdams) is very much in the…
