Yuka Honda

Cibo Matto’s 1996 debut, Viva La Woman, was a refreshing blast of ass-shaking grooves and nonsensical lyrics, made distinctive by its evocative samples and spare instrumentation. The duo’s 1999 follow-up, Stereo Type A, expanded upon Viva La Woman‘s methods, using more instruments and more band members — including keyboardist Yuka Honda’s flame, Sean Lennon.

Since Stereo Type A, Honda has broken up with Lennon and her CB mate, Miho Hatori (who subsequently formed Smokey & Miho, a bossa nova project with Beck guitarist Smokey Hormel). Honda’s first solo record, Memories Are My Only Witness, recently released on John Zorn’s Tzadik label, dispenses with Hatori’s sing-along choruses and concentrates on the moodier elements of Cibo Matto’s sound. A few of the songs — like the lengthily titled “You Think You Are So Generous But I Think It’s the Most Conditional Thing I Ever Heard” — still rock the house with fat beats, fuzz guitar and screwy electronic squiggles, but the real focus of the record is on the evocative tone pieces.

Memories Are My Only Witness may not be the bouncy dance party that Cibo Matto fans have been waiting for, but it is tasteful, thoughtful, and thought-provoking. In the past, Honda has shown she knows a thing or two about moving the dance floor, but on this album she’s more interested in telling us what could be hiding underneath.