She’s Not All That

Here are some terms rock critics -- always in search of fresh rock-critic terms -- have used to describe the music/persona of SoCal singer/songwriter Chloe Day: "predatory," "lethal," "seductive," "eerie," "hypnotic," "trashy," "vaguely dangerous." We're here to tell you that Day's not all that, but just a St. Louis refugee...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Here are some terms rock critics — always in search of fresh rock-critic terms — have used to describe the music/persona of SoCal singer/songwriter Chloe Day: “predatory,” “lethal,” “seductive,” “eerie,” “hypnotic,” “trashy,” “vaguely dangerous.” We’re here to tell you that Day’s not all that, but just a St. Louis refugee who’s used her off-beat beauty and some ripped fishnets to get herself noticed. Voilà! It worked. Sorta.

Day’s music, va-va-va-voomed by various small-time Web sites and mid-market publications, consists of her breathless schoolgirl moan layered over a backdrop of what the performer calls “elements of trip-hop and electronica [mixed] with dark acoustics.” So why bother to see her show? Well, she does show flashes of promise as a songwriter – especially lyrically – and she is artistically striking, if a bit (ooh, good rock-critic term!) calculating. And there are those fishnets…

Sign up for our free culture newsletter

Art. Film. Dance. Books. Recreation. Even sex and dating. It’ll be fun, we promise.

Loading latest posts...