But we have hope, everybody, in the form of sweet, clickable lists such as these. They provide fodder for the fatcats of Hollywood, with their lips filled with Juvederm, their live-plus-seven ratings, and their queso dip made by actors’ spouses. Lists like these resurrected Arrested Development and Twin Peaks. How else will the fatcats know what mistakes they made unless you retweet your favorite entries?
With your help, perhaps we can cast those Burbank bastards to the pits of despair from whence they came — and maybe save some of our favorite shows in the process.
In the latest victim of being criminally underwatched, Rob Lowe and Fred Savage starred as two brothers with nothing in common except their love of the law. Also, one is a retired TV lawyer and wannabe practicing attorney.
Each episode begins with members of the Sanderson family or their law firm watching episodes of the older Sanderson brother’s TV show, also called The Grinder. It’s a procedural much like Castle, The Mentalist, or The Closer: a gimmicky crime-solver working in a courtroom.
These segments began the season skewering the cliches, logic leaps, and gratuitous beefcake scenes typical of network fare. But as the show progressed, the production clearly targeted television executives forcing them into focus testing, hackneyed storylines, and a family-oriented episode.
Despite low ratings and network interference, The Grinder managed to pull off an impressive full-season run. But when you go against the teens and their Arrowverses, you’re bound to come up short in the Live+ game.
The show was a weekly exercise in “how the hell did they show that on TV?” Chronicling Adam Graham’s first encounter with Dr. Hannibal Lecter, the show was an ambitious attempt from Bryan Fuller to bring premium cable quality to a network.
Mads Mikkelsen and Hugh Dancy played Lecter and Graham, respectively, in stellar performances that redefined the term “bromance.” Gillian Anderson was captivating in every scene as Bedelia Du Maurier. And the show displayed levels of horror and violence pushing TV's boundaries.
There were few shows like it on television, even fewer on broadcast networks. And while Fuller and the cast hold out hope that the show might be picked up as a miniseries or continued on film, the series finale serves as a fitting end and the right way to do a cliffhanger.
After Dead Like Me, Pushing Daisies, and now this, Fuller’s profile has increased as a capable storyteller who can’t catch a break. Maybe that will change with his adaptation of Neil Gaiman’s American Gods for Starz.
On the bright side, if this weren’t canceled we’d probably never have gotten the equally brilliant Louie on FX. Louis C.K.’s first attempt at adapting his life and comedy was a little more traditional.
Lucky Louie was a multi-camera sitcom with a studio audience and a laugh track, unique to HBO, but initially jarring with gratuitous cussing and themes such as racism and sexism. But the show was hilarious, and highlighted the comedian's trademark sense of humor while showcasing the talents of Jim Norton, Laura Kightlinger, and a young Emma Stone.
The show was canceled after one season despite HBO’s order for work on a second season. It might not have been a ratings hit or a critical darling, but it was a brilliant showcase of Louis C.K. and his observations of mundane family life, taking the bleak and making it funny.