Eastwood’s Jersey Boys Walk Like Jersey Men

If you think summer movies are clamorous, try a current Broadway musical. Watching Jersey Boys onstage is like soldiering through some extreme eating contest where you’re force-fed dessert for three hours. It’s all falsetto heroics and hustled-through character drama, every beat of every scene over-scored, over-rehearsed, and overbearing. And it’s…

Locke Locks You and Tom Hardy in a Car

How much can you take away and still have a movie? Steven Knight’s Locke is an experiment in reducing contemporary screen storytelling to its irreducible essentials, which isn’t quite the same thing as being an “experimental” film, despite the ravishing early reviews from England. It shows us just one actor,…

The Railway Man Is Too Punishing for Its Own Good

Has it ever occurred to contemporary commercial filmmakers that maybe audiences could take a movie’s word for it that a character has been tortured? That perhaps implication and skilled acting could communicate the idea with sufficient power, and that we might all be spared the screaming and limb-breaking and slow-motion…

Jodorowsky’s Dune: Could the Surrealist Have Made a Blockbuster?

The most perfect works of art are those suspended between conception and realization, the ones that seize you up with how great they were gonna be. (Well, those and Busby Berkeley numbers.) Alejandro Jodorowsky’s daft, daring, surrealist, possibly impossible adaptation of Dune, Frank Herbert’s spice-mining science-fiction novel that later proved…

Cheap Thrills Exposes Our Awfulness and Not Enough Else

As Bob Zmuda tells it, screenwriter Norman Wexler used to tote a briefcase full of thousands of dollars to pay off the many people that he pissed off each day. Zmuda — the comedian, writer, tall-tale dispenser, and longtime wrangler of Andy Kaufman — dished his best Wexler story on…

Cheap Thrills Exposes Our Awfulness and Not Enough Else

As Bob Zmuda tells it, screenwriter Norman Wexler used to tote a briefcase full of thousands of dollars to pay off the many people that he pissed off each day. Zmuda — the comedian, writer, tall-tale dispenser, and longtime wrangler of Andy Kaufman — dished his best Wexler story on…

The Meh Wayback: Mr. Peabody & Sherman

First, the pleasant surprises. In puffing up the slight, absurd Mr. Peabody and Sherman shorts from Jay Ward’s The Rocky and Bullwinkle Show into an 82-minute 3D save-the-timestream child-distractor, director Rob Minkoff and his many writers have preserved a few of the hallmarks distinguishing the Dada, deadpan, almost primitive original,…

Elaine Stritch: Shoot Me Is an Irresistible Playdate

“I’ve got a certain amount of fame, I’ve got money — I wish I could fuckin’ drive,” 86-year-old Elaine Stritch carps just a breath into Elaine Stritch: Shoot Me, a gift of a documentary celebrating its subject’s brittle brilliance, still-here indomitability, brash comic truth-telling, and principled refusal to wear anything…

Is the New Jesus Movie Son of God Tea Party Propaganda?

That Bible miniseries, originally aired on the History Channel, won notoriety by casting an actor who resembles Barack Obama in the crowd-pleasing role of Satan. The producers — Roma Downey, who plays Mary here, and Mark Burnett, who pioneered the watch-skinny-people-suffer genre with Survivor — insisted that this was a…

Vesuvius Blows, But Pompeii Doesn’t

Here’s the last thing I ever would have expected out of Pompeii, that sword-thrust of 3D gladiator-vs.-volcano madness coming right at your disbelieving eyeholes. An hour or so in, when Vesuvius exhausts its portentous rumblings and blows its top (3D!), I legitimately wasn’t ready. Yes, all that third-act destruction is…

I, Frankenstein: Fire Bad, Movie Not So Great, Either

There are four good things we can say about I, Frankenstein, another muscles-and-rubble comic book adaptation just un-terrible enough not to alienate its core audience, yet never consistently grand or surprising enough to win over anyone else. First, Aaron Eckhart brings it, scowling like a champ beneath his jigsawed scar…

Lost ’70s Mess The Visitor Is Rich and Strange

If it were the late ’70s, and you were a wunderkind film artist a bit embarrassed about your zeal for space-opera kids’ stuff, you went out and bagged yourself a great to class your movie up: Alec Guinness; François Truffaut; Max von Sydow done up like a disco gladiolus. That…

How Ralph Fiennes Brought His Marvelous Invisible Woman to the Screen

If you’re a person alive in this age, Ralph Fiennes has at some point probably made you hate him. As the Nazi Amon Goeth in 1993’s Schindler’s List, Fiennes embodied one of history’s great evils, somehow making being utterly detestable compelling. In Martin McDonagh’s riotous, under-regarded In Bruges, Fiennes spat…

DeNiro vs. Stallone vs. Your Memories of Better Movies

The surprise in Grudge Match, the not-quite-a-comedy that pits Rocky Balboa against Raging Bull, isn’t that it has the chutzpah to posit a universe in which Sylvester Stallone and Robert DeNiro have, since the early ’80s, been equally matched rivals. The surprise is in how easily audiences will buy it…

The Dreary 47 Ronin Falls on Its Sword

Solemn as a funeral march, humorless as your junior high principal, as Japanese as a grocery-store California roll, Keanu Reeves’ let’s-mope-about-and-kill-ourselves samurai drama has exactly three things going for it. First, the cockeyed sensuality of Rinko Kikuchi as a spider-puking evil witch who can transform herself into a fox, a…