Spielberg’s Close Encounters Returns in All its Confounding Glory

In one sense, Steven Spielberg’s 1977 UFO bliss-out, Close Encounters of the Third Kind, is reprehensible. It is, after all, the story of a daydreamer dad (Richard Dreyfuss) who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another: Teri Garr for…

The Trip to Spain Feasts Upon its Stars’ Fear of Obsolescence

Once more, into the Brie — or, in this case, the Manchego. For the third time, now, for Steve Coogan and Rob Brydon, it’s the feast as improv proving ground, the sumptuous meal as arena of competitive discernment: Who can better parse and parody the particularities of some beloved British…

The Hitman’s Bodyguard: A Giddily Irresponsible Action Comedy

Here’s what Patrick Hughes’ The Hitman’s Bodyguard has going for it: It’s exactly the movie it promises to be, but more so. It’s more wild, more hilarious, more giddily irresponsible — it’s the hard R action comedy that kids sneaking into it might imagine it’s going to be, minus ’70s…

Simplified Onscreen, The Glass Castle at Least Boasts Strong Performances

The dictates of Hollywood screenwriting can’t quite constrain the wildness of Jeannette Walls’ family and her best-selling memoir. Despite a tidy resolution, too many scenes whose shapes are immediately familiar from other movies, and an absurd climax that dramatizes the conflict between a daughter and her father through the wheezy…

The Al Gore Sequel is More a Tragedy Than an Inconvenience

It’s hard to imagine a less promising film title than An Inconvenient Sequel. Maybe Another Imposition Upon Your Time? It’s clear, in the opening minutes, as we watch him shake off the slights and smears of his critics, that Al Gore is too savvily upbeat a technocrat to give the…