Whatever one might believe about the past centuries of English oppression of the Irish, one thing is sure: The Irish haven’t been shortchanged on the screen. From the Easter Rising to the more recent Troubles, the conflict has been a film staple, with sympathies heavily, though not universally, aligned on…

Despite its late summer release date — usually a sign of studio jitters — The Art of War is a mostly well-constructed action flick with a number of flashy, well-choreographed fight and chase scenes. Wesley Snipes stars as Neil Shaw, a supersecret operative of a supersecret “dirty tricks” agency, whose…

It’s a pleasure to say that Clint Eastwood reverses his recent downward slide — A Perfect World (1993), The Bridges of Madison County (1995), Absolute Power (1997), and True Crime (1999), each of which has seemed less satisfying than its predecessor — with Space Cowboys, his latest. It isn’t an…

Why is the film called Disney’s The Kid? Is it really possible that the studio was so concerned that someone might actually mistake the film for an update of the Chaplin classic that the brand name had to be formally incorporated in the title? Or was this an attempt to…

Director Alison Maclean, from Canada by way of New Zealand, turns her camera on the American landscape — or, more accurately, the underbelly of the American landscape — in Jesus’ Son, an uneven, but often effective, adaptation of Denis Johnson’s autobiographical book. Billy Crudup stars as a thoroughly marginalized character…

Holy moley! Yet another version of Hamlet? Will they never stop? Ah, well, at least Michael Almereyda’s new adaptation is one of those really different takes on the venerable play. While the last two widely seen versions — the 1990 Mel Gibson/Franco Zeffirelli film and the four-hour-plus 1996 Kenneth Branagh/Kenneth…

Merchant/Ivory Productions has long been America’s quintessential purveyor of classy “literary” films. At its best, the team of director James Ivory and Ismail Merchant has given us A Room With a View (1986) and The Remains of the Day (1993); at its worst, Slaves of New York (1989) and Jefferson…

Before we see anything in Croupier, the new film from director Mike Hodges and screenwriter Paul Mayersberg, we hear the grainy whir of the ball spinning around the rim of a roulette wheel. When the image of the wheel appears, the sound drops out, to be replaced by the affectless…

Early on in Mission: Impossible 2 (or M:I-2, as the confident Paramount now calls it), hero Ethan Hunt (Tom Cruise) complains to his boss about his new assignment: “It’s going to be difficult.””It’s not mission difficult, Mr. Hunt,” the boss icily replies, “it’s mission impossible. “Difficult’ should be a walk…

Woody Allen is back on screen in Small Time Crooks, a bittersweet comedy that in many ways could have been lifted straight from the ’30s. For the most part, it’s Woody Allen Lite, which is not at all a bad thing. While one doesn’t want to penalize Allen for his…

When stars get popular enough (or win enough Oscars), they begin to get to call their own shots. Thus we have The Big Kahuna, the debut release of Kevin Spacey’s production company. Kahuna also marks the film debut of stage director John Swanbeck and screenwriter Roger Rueff. And, boy, can…

Digital video is poised to become a major factor in commercial filmmaking, and Time Code, the new feature from Mike Figgis (Leaving Las Vegas), could be used as a commercial for the process, which is its greatest point of interest. The movie is not so much an intriguing story as…

Here on Earth, the new teen romance, should do wonders for the reputation of veteran director Arthur Hiller. Not that Hiller had anything to do with the film, mind you — which wouldn’t do wonders for his rep. No, Hiller is the man who, back in 1970, directed the inexplicably…

Three decades after Rosemary’s Baby, two decades after The Tenant, and after a series of five non-horror films, Roman Polanski returns to the supernatural thriller with The Ninth Gate. What could be more promising? Regardless of what one thinks about Polanski’s personal life or legal status, the man is clearly…

The first thought you have while watching The Next Best Thing is, “Was Madonna always this bad an actress?” It’s a question that soon fades from consciousness to be replaced by, “Was Rupert Everett always this bad an actor?” and, “Was John Schlesinger always this bad a director?” Because the…

A little more than three years after Scream and a little more than two years after Scream 2, director Wes Craven is back with Scream 3, this time without the participation of star screenwriter Kevin Williamson. From the very start, we have been told that Williamson planned for the series…

Director Chen Kaige is best known in the U.S. for Farewell My Concubine, the most successful Chinese production ever released here. As many pointed out at the time, this Oscar-nominated 1993 epic of modern Chinese history may have been wholly Chinese in both content and viewpoint, but it was still,…

In the past 30 years, Woody Allen has written and directed something like 28 movies — “something like” reflects the confusion of how to count his contribution to New York Stories — a remarkable productivity record for a major filmmaker, and one that’s even more impressive when you consider how…

In Cradle Will Rock, his third directorial outing, Tim Robbins takes on an almost insurmountably ambitious project: a re-creation of an era into which characters imaginary, obscure and famous are woven into a tapestry that represents the texture of the time. It’s a tall order. E. L. Doctorow was able…

The 1995 film Friday is best remembered as the film that brought actor Chris Tucker to audiences’ attention. A modest hit, it would seem an odd choice for a sequel, but Ice Cube — who co-wrote the original with DJ Pooh, as well as produced and starred — is back…

Sixty years after Walt Disney’s original plans to expand on the original Fantasia, Disney has finally gotten around to making new musical segments for a reprise of the film’s classical-music-cum-animation concept. Cleverly timed and titled to open on the first day of the new millennium — and, regardless of any…