Soderbergh Returns at Last With a Breezy, Comic Real-America Heist

In Steven Soderbergh’s hillbilly heist comedy Logan Lucky, the West Virginia prison where vault specialist Joe Bang (Daniel Craig) resides is pristine and peaceful. This is a high-security facility in a seemingly alternate world, a jail without racial tensions where the prisoners feast on edible food. While only a small…

The Dark Tower Looks Bad, But There’s Actually a Bright Side

Yes, you’ve heard it’s bad. It is. But there are some things to like in The Dark Tower, directed by Nikolaj Arcel, the new adaptation of Stephen King’s epic novel series. Just as in the books, an evil sorcerer named The Man in Black (Matthew McConaughey) orders around his henchpeople…

Rape Choreography Makes Films Safer, But Still Takes a Toll on Cast and Crew

From Game of Thrones to The Handmaid’s Tale, narratives of sexual assault have become particularly common in film and TV lately. But rarely do we think about the filmmakers, actors and crew who make on-screen rapes happen. How do they feel? Are they tired of rape scenes? Or could portraying rape could actually be a positive thing?

Crack Drama Snowfall Can’t Get its Game on Track

Snowfall airs Wednesdays on FX Days before the Tupac Shakur biopic All Eyez on Me premiered, the news hit that John Singleton’s original script for the project opened the rapper’s story with Tupac being raped in prison. Singleton had left the ill-fated film twice before Benny Boom stepped in to…

The House on Coco Road Reveals the Grenada Reagan Never Knew

The House on Coco Road premieres on Netflix on June 30 Quick, tell me everything you know about Grenada. If you’re over the age of 35, you can probably remember Ronald Reagan’s thin lips pronouncing the country’s name with a dangerous emphasis on the first two syllables, essentially weaponizing the…

Ana Lily Amirpour’s Bad Batch Offers a Timely, Inventive Apocalypse

Ana Lily Amirpour’s comic post-apocalyptic action-drama offers little explanation of what exactly its “bad batch” is, or how the members of its motley, unfortunate tribe of humans wound up banished to a desert wasteland. Instead, Amirpour lets her camera linger on a sign warning that everything beyond a 10-foot-high metal…

Rough Night Director Lucia Aniello on Finding the Light Heart of Darkness

Lucia Aniello’s ensemble comedy Rough Night might look, from its marketing, like a gender-flipped Very Bad Things. Both comedies feature a pre-wedding party that goes off the  rails when a stripper accidentally gets killed by the rowdiest member of the crew. But Aniello’s film — which stars Scarlett Johansson, Zoë…

The Chilling My Cousin Rachel Harrows a Dopey 19th-Century Misogynist

The trailer for Henry Koster’s 1952 adaptation of My Cousin Rachel channels hysteria as the voiceover asks, “Was she woman or witch? Madonna or murderess?” Unfortunately, the film itself proved far tamer than the marketing suggested. The novel’s author, Daphne du Maurier, who also penned The Birds and the psychological…

Trey Edward Shults’s It Comes at Night Is a Horror Triumph

A red door is, biblically speaking, a sign of protection, an echo of the blood rubbed on posts and lintels during Passover to keep God from smiting you and your home. But like most things the Bible insists are positive, the red door also comes with an undercurrent of horror…

Paris Can Wait Squanders Diane Lane – and Lots of Nice Dinners

Where are the goddamned roles for Diane Lane? Since her career launched, with a starring role as a precocious 13-year-old American girl in Paris in 1979’s A Little Romance, Lane seems to have confounded casting directors: Is she the button-nosed embodiment of joie de vivre or the anarchist post-punk tempest…