Deepwater Horizon is the most entertaining Hollywood disaster movie in years. I’m sorry — is that a terrible thing to say? Peter Berg’s film is based on the true story of the BP-leased, Transocean-owned deepwater drilling rig that in 2010 exploded in the Gulf of Mexico, killing 11 souls and…
“These are the images that have marked me and leave me wondering still.” That’s how Kirsten Johnson prefaces Cameraperson, made up of footage she has collected over 25 years of working as a camera operator, cinematographer, and director on dozens of different documentaries — films like Laura Poitras’ The Oath…
Judy Davis doesn’t like the expression “scene-stealing,” even though it precisely describes her performance in The Dressmaker. “I always sort of cringe when I hear that,” she says, “because what it implies is that’s what the actor is after.” So let’s just put it this way: As Kate Winslet’s acerbic,…
Mira Nair’s Queen of Katwe is a true-life tale transformed into an inspirational fable. That’s not novel for the movies, but in this director’s hands, the results are mostly enchanting. The film follows Phiona Mutesi (Madina Nalwanga), an impoverished Ugandan girl who became a chess champion at the age of…
Lily Rabe’s discomfiting performance anchors the fascinatingly uneasy comedy-drama Miss Stevens. Julia Hart’s film — about a young, slightly hapless English teacher who must chaperone three students to a state drama competition — has a premise that could easily invite cliché. You half expect it to become either an inspirational…
“I don’t have any answers,” Krzysztof Kieslowski once said, “but [I] do know how to pose questions.” Not an uncommon stance for an artist, certainly, but perhaps surprising for one who made a massive, 10-part miniseries based on the Ten Commandments. Later, trying to explain why he and screenwriter Krzysztof…
Starting with 1985’s No End, composer Zbigniew Preisner served as one of Krzysztof Kieslowski’s closest collaborators — he worked on all of the director’s films until Kieslowski’s death in 1996, with several of their collaborations actually revolving around the world of music. (The duo even created a fake Dutch composer, Van den Budenmayer,…
Opening your film on the image of a child plummeting off a cliff, presumably to his death, is a fairly foolproof way of getting the audience’s attention. And Alexandre Aja’s hyper-stylized coming-of-age-movie-slash-fantasy-slash-psychological-thriller The 9th Life of Louis Drax excels at grabbing you with a steady stream of provocative and ornate…
The attempt to reconcile the personal with the political has been the great theme of Nanni Moretti’s cinema, as it was for many of the legendary Italian directors before him. In Mia Madre, it finds one of its more vivid examinations. The film’s concept is blunt — a director struggles…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
The central conceit of Imperium — Daniel Radcliffe playing an FBI agent who goes undercover as a white supremacist — is laughable, and the film, to its credit, knows this. Harry Potter as a skinhead? Don’t worry, that’s all part of the plan. Well, maybe. Writer/director Daniel Ragussis tries to…
From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
Antoine de Saint-Exupéry’s The Little Prince, published in 1943, might stand as a children’s classic, but it’s not-so-secretly a story for grown-ups. Kids have long been drawn to the book’s dreamy sense of wonder, to the golden-haired star-child of the title, but Saint-Exupéry’s ruminations on regret, solitude and loss belong…
“The world changed when Superman flew across the sky,” Viola Davis’ Amanda Waller says early on in Suicide Squad. “And then it changed again when he didn’t,” she continues, over somber images of the Man of Steel’s funeral following his (non-)death at the end of Batman v. Superman. Luckily, that…
Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…
With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…
Jack Pettibone Riccobono’s The Seventh Fire opens on dark, grainy footage of a highway at dusk before cutting to an overhead shot of a long stretch of forest, and then to two Native American men in a canoe, harvesting worms from a quiet lake. They take the worms home, where…
A more appropriate title for Jason Bourne might be Walking: The Motion Picture. This fifth entry in the franchise loosely (very loosely) based on Robert Ludlum’s best-selling novels brings back director Paul Greengrass and star Matt Damon to continue the tale of the good soldier-turned-amnesiac-assassin-turned-rogue agent doing battle against his…
Star Trek Beyond might be the Star Trekkiest film of the new, J.J. Abrams-ified Trek era. That is to say, it’s the one that feels the most like a turbo-loaded episode of the original series, and has at least some of that classic spirit of exploration and derring-do. That’s not…
The futuristic dystopia of the arty sci-fi romance Equals will be familiar to anyone who’s seen the likes of Gattaca, The Island or THX 1138. It’s a cool, rational, lifeless world, blanketed in whites and grays and blues, and peopled with unfeeling faces — a world whose citizens will express…
Café Society is surprisingly ambitious by the standards of late-period Woody Allen — a veritable epic taking in a broad swath of a young man’s life and charting his progress from wide-eyed innocent to cold, confident operator. But that’s also why the film, in some senses, could only have been…
On both an emotional and narrative level, a Hirokazu Kore-eda film pulls you in slowly, almost unexpectedly. The acclaimed Japanese director, whose works include After Life (1998), Still Walking (2008), and Like Father, Like Son (2013), makes movies about things like loss, abandonment, and death, but his distinct touch —…
