THE HEAT IS ON, AVANT FAKERY

THE HEAT IS ON This was the summer of the lethal outdoor concert, the summer when the old adage, “Once you live here, you don’t notice the heat,” was put to the test. The adage lost. Standing in the broiling sun listening to music has its own kind of charm…

PLIGHT OF THE

It seems like the Yellowjackets have gathered their fair share of the nectar. The jazz-fusion band has held together for 13 years in spite of numerous personnel changes. Its albums have been nominated for Grammys five times and won twice. This year, to mark its tenth year of recording, the…

EUROPE LOVES ALL THAT JAZZ

Not all is running perfectly at the world’s largest jazz festival. It’s 2:30 a.m. in the Dutch concert hall in which the North Sea Jazz Festival is being held. Trumpeter Lester Bowie sits backstage, waiting to go on with his band Brass Fantasy. The situation threatens disaster for the jazzman…

DANCING IN THE DARKTRUMPETER MARK ISHAM EXPLORES THE SHADOWS

In new-age music’s cast of characters, Mark Isham plays the part of the Seducer. The trumpeter has made a career of following increasingly darker musical directions, slowly luring the crystal crowd into the shadows with him. His latest release Mark Isham is such a heavy, overcast effort, it seems as…

MADE IN COREAJAZZ’S KEYBOARD CHAMELEON SHOWS OFF HIS LATEST SKIN

Chick Corea is a certifiable musical multiple personality. The 49-year-old pianist is a jazz Sybil bouncing from one distinct character to another with nearly every album. There’s Chick the Fusion Whiz, Chick the Latin Romantic, Chick the Avant-Gardist and most recently, Chick the Conservative Standard Bearer. Jazzbos of every bias…

SAX OFFENDER DAVID SANBORN KICKS THE POP HABIT

Anyone with a record collection more than a foot wide probably owns a piece of David Sanborn’s unmistakable sound but doesn’t know it. The Stones’ Undercover, Bruce Springsteen’s Born to Run, and David Bowie’s Young Americans all benefit from Sanborn’s wailing alto sax. He’s backed up James Brown, Stevie Wonder,…

THE YEAR OF LISTENING DANGEROUSLY

Prowl through our hit list of 1990’s killer tunes, lyrics and riffs 1. FASTER PUSSYCAT Rubaiyat “You’re So Vain” (Elektra). For anyone who’s ever secretly desired to headbang to Carly Simon, here’s a chance to get off royally. 2. JANET JACKSON Rhythm Nation: 1814 “Black Cat” (A&M). Doing her best…

SOLO SURVIVORS

Whether they like it or not, the Blazing Redheads are one of the more confrontational groups on today’s music scene. But it’s not the San Francisco band’s “rhythmo-fusion” sound–a percussive concoction of danceable rhythms reaching from Africa to Brazil by way of jazz and R&B–that gives its audiences pause. Simply,…

HE’S A POET AND HE KNOWS IT

Three years have slipped by since the last Michael Franks release–a risky lapse for an artist who continues to rely on radio airplay for exposure. But Franks is accustomed to tempting the specter of career failure. For starters, he offers a hybrid of jazz, R&B and pop that defies marketing…

G-RATED

Life could be worse for Kenny G. The saxophonist’s latest release, a double live disc, hasn’t left the Billboard Top Contemporary Jazz Albums chart for the past forty weeks. He’s also been been fortunate enough to further his career by recording with Whitney Houston, Smokey Robinson, Aretha Franklin and, most…

THE HATCHING OF BIRD

When Bud Gould invited Charlie Parker and a few other musicians into a Kansas studio fifty years ago, he had no idea that history was in the making. Gould, a former NAU music professor now living in Sedona, had just graduated from Wichita University. While waiting to be drafted for…